• Ink sketch of a decorated initial 'P'(uer) with foliate borders., Missal, Augustinian use

decorated initials, in colours and gold (ff. 28v, 38 (x2), 38v, 114 (x2), 115 (x2)). Small initials in plain red, blue or green, a few with pen-flourishing or penwork decoration in green, red or brown.ff. 148-250v: 1 large initial in

• Partial border with floral and foliate decoration and a large decorated intial 'T'(ractatulus)., De quercu Julii pontificis sive de lapide philosophico

floral and foliate decoration and a large intial in gold on a blue ground (f. 1). Large initials in brown or blue. Rubrics in red. Paraphs in blue or brown. De quercu Julii pontificis sive de lapide philosophico Written in

• Table of Virtues in the form of a tree, with coats of arms, a partial rinceaux border, and two wild men wielding clubs., Ethica (index Ethics); De quatuor virtutibus (index On the Four Virtues)

119). Initials in red and blue with red and black pen-flourishing and penwork decoration (ff. 12, 21v, 33v, 46, 58v, 67, 80v, 92v, 104v). Smaller initials and paraphs in blue or red. Running headers in blue and red. Rubrics in

• Historiated initial with the dove of the Holy Spirit., Book of Hours, Use of Sarum ('The Hours of the Earls of Ormond')

51v, 64, 66, 124v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Book of Hours, Use of Sarum ('The Hours

• Historiated initial with an angel., Book of Hours, Use of Sarum ('The Hours of the Earls of Ormond')

51v, 64, 66, 124v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Book of Hours, Use of Sarum ('The Hours

• null, Book of Hours, Use of Sarum ('The Hours of the Earls of Ormond')

51v, 64, 66, 124v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Book of Hours, Use of Sarum ('The Hours

• Detail of an historiated initial 'O' of Christ rising from the tomb., Book of Hours, Use of Sarum ('The Hours of the Earls of Ormond')

51v, 64, 66, 124v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Book of Hours, Use of Sarum ('The Hours

• Detail of an historiated initial 'D' of Christ in glory, displaying his wounds., Book of Hours, Use of Sarum ('The Hours of the Earls of Ormond')

51v, 64, 66, 124v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Book of Hours, Use of Sarum ('The Hours

• Detail of an historiated initial 'D' of clerics and mourners surrounding a black-draped coffin., Book of Hours, Use of Sarum ('The Hours of the Earls of Ormond')

51v, 64, 66, 124v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Book of Hours, Use of Sarum ('The Hours

• Detail of an historiated initial 'B' of a soul being lifted from the grave by two angels., Book of Hours, Use of Sarum ('The Hours of the Earls of Ormond')

51v, 64, 66, 124v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Book of Hours, Use of Sarum ('The Hours

• Decorated initial 'D'(eo) with foliate decoration extending into the margins., Statuti di Venezia (Statutes of Venice)

Verona). Initial in blue and red ink with foliate decoration including acanthus leaves extending into the margins (f. 2). Numerous small initials in red or blue with flourishing in the other colour. Coloured initials in red or blue. Statuti di

• Historiated initial 'D'(omine) of the Annunciation, with floral borders with a peacock, owl, and a bear playing bagpipes, at the beginning of Matins of the Virgin., Book of Hours, Use of Sarum ('The Hours of the Earls of Ormond')

51v, 64, 66, 124v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Book of Hours, Use of Sarum ('The Hours

• Detail of an historiated initial 'D'(omine) of the Annunciation, at the beginning of Matins of the Virgin., Book of Hours, Use of Sarum ('The Hours of the Earls of Ormond')

51v, 64, 66, 124v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Book of Hours, Use of Sarum ('The Hours

• Detail of a peacock, from a floral border, at the beginning of Matins of the Virgin., Book of Hours, Use of Sarum ('The Hours of the Earls of Ormond')

51v, 64, 66, 124v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Book of Hours, Use of Sarum ('The Hours

• Detail of an owl from a floral border, at the beginning of Matins of the Virgin., Book of Hours, Use of Sarum ('The Hours of the Earls of Ormond')

51v, 64, 66, 124v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Book of Hours, Use of Sarum ('The Hours

• Detail of a bear playing bagpipes from a floral border, at the beginning of Matins of the Virgin., Book of Hours, Use of Sarum ('The Hours of the Earls of Ormond')

51v, 64, 66, 124v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Book of Hours, Use of Sarum ('The Hours

• Decorated initial 'A'(lvredus) with pen-flourishing at the beginning of book 6., Polychronicon (to the 25th year in the reign of Henry VI, i.e. 1445), including 2 extracts from the Latin Brut Chronicle of England (ff. 227-228v) (imperfect)

(f. 37v). 5 initials in blue with blue, red and dark purple pen-flourishing extending into the margins at the beginning of each book (ff. 10, 32, 64, 89, 140v). Coloured initials in red or blue. Polychronicon (to the 25th year

• Full border with rinceaux decoration, foliate motifs, and birds, with the coat of arms of Petrus de Foix, supported by two angels, and the historiated initial 'E'(go) with a man at a lecturn., Epistolae (index Letters)

81v, 95v, 104, 115, 136, 144v). Large initial in red with blue and red penwork decoration (f. 132). Alternating blue initials with red penwork decoration and red initials with blue penwork decoration. Marginal sketches added in brown ink (ff. 29v,

• Detail of coloured drawings at the beginning of Le Temple de Boccace, with an angel addressing the author, Georges Chastellain (index George Chastelain), asleep on a bench, with a scroll inscribed 'lieve toy subz o George' in the upper register and, in the lower register, the author addressing the queen Margaret of Anjou to whom he dedicated his work. Puzzle initial 'U'(ne) with pen-flourishing enclosing an unidentified coat of arms., Various works including Le Quadrilogue (ff. 2v-24), Le Temple de Boccace (ff. 25-64v), Traité de noblesse (ff. 65-93v)

Coloured drawing (f. 25). Puzzle initial in red and blue with pen-flourishing in the same colours enclosing an unidentified coat of arms (f. 25). 5 large initials in red or blue with reserved designs and pen-flourishing in the other colour

• Coloured drawings at the beginning of Le Temple de Boccace, with an angel addressing the author, Georges Chastellain (index George Chastelain), asleep on a bench, with a scroll inscribed 'lieve toy subz o George' in the upper register and, in the lower register, the author addressing the queen Margaret of Anjou to whom he dedicated his work. Puzzle initial 'U'(ne) with pen-flourishing enclosing an unidentified coat of arms., Various works including Le Quadrilogue (ff. 2v-24), Le Temple de Boccace (ff. 25-64v), Traité de noblesse (ff. 65-93v)

Coloured drawing (f. 25). Puzzle initial in red and blue with pen-flourishing in the same colours enclosing an unidentified coat of arms (f. 25). 5 large initials in red or blue with reserved designs and pen-flourishing in the other colour