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blue with pen-flourishing in blue and red (f. 1). Smaller initials in red with blue pen-flourishing or penwork decoration (blue turned sometimes into green), or in blue with red pen-flourishing or penwork decoration. Small initials in plain red or
a blue panel. Numerous smaller initials in gold on a blue or red panel. Crosses in gold on a blue or red panel to indicate where the sign of the cross should be made. Line-fillers in gold on blue or
Upper cover needs repair. 1 large initial in blue and brown at the beginning of the Rime (f. 31). 2 smaller initials in blue and brown (ff. 128v, 167). 11 initials in blue with red penwork decoration (ff. 3, 6,
blue initials with red penwork decoration and pen-flourishing, or in red with blue penwork decoration and pen-flourishing. Heraldic crest (f. 2). Large initials in brown ink, some with penwork decoration in the form of cadels. Paraphs in red or
blue initials with red penwork decoration and pen-flourishing, or in red with blue penwork decoration and pen-flourishing. Heraldic crest (f. 2). Large initials in brown ink, some with penwork decoration in the form of cadels. Paraphs in red or
blue initials with red penwork decoration and pen-flourishing, or in red with blue penwork decoration and pen-flourishing. Heraldic crest (f. 2). Large initials in brown ink, some with penwork decoration in the form of cadels. Paraphs in red or
blue initials with red penwork decoration and pen-flourishing, or in red with blue penwork decoration and pen-flourishing. Heraldic crest (f. 2). Large initials in brown ink, some with penwork decoration in the form of cadels. Paraphs in red or
blue initials with red penwork decoration and pen-flourishing, or in red with blue penwork decoration and pen-flourishing. Heraldic crest (f. 2). Large initials in brown ink, some with penwork decoration in the form of cadels. Paraphs in red or
blue initials with red penwork decoration and pen-flourishing, or in red with blue penwork decoration and pen-flourishing. Heraldic crest (f. 2). Large initials in brown ink, some with penwork decoration in the form of cadels. Paraphs in red or
blue initials with red penwork decoration and pen-flourishing, or in red with blue penwork decoration and pen-flourishing. Heraldic crest (f. 2). Large initials in brown ink, some with penwork decoration in the form of cadels. Paraphs in red or
blue initials with red penwork decoration and pen-flourishing, or in red with blue penwork decoration and pen-flourishing. Heraldic crest (f. 2). Large initials in brown ink, some with penwork decoration in the form of cadels. Paraphs in red or
blue initials with red penwork decoration and pen-flourishing, or in red with blue penwork decoration and pen-flourishing. Heraldic crest (f. 2). Large initials in brown ink, some with penwork decoration in the form of cadels. Paraphs in red or
blue initials with red penwork decoration and pen-flourishing, or in red with blue penwork decoration and pen-flourishing. Heraldic crest (f. 2). Large initials in brown ink, some with penwork decoration in the form of cadels. Paraphs in red or
blue initials with red penwork decoration and pen-flourishing, or in red with blue penwork decoration and pen-flourishing. Heraldic crest (f. 2). Large initials in brown ink, some with penwork decoration in the form of cadels. Paraphs in red or
green and blue (ff. 23v, 26v, 28, 28v, 32, 32v). 2 diagrams in brown ink with some red (ff. 18v, 20), perhaps added later. 1 initial in blue and light brown (f. 3). Simple initials in red, blue, green or
initials in red and blue or in one colour with pen-flourishing in the same colours. Smaller initials in red or blue with pen-flourishing in the other colour. Capitals marked in red ink. Paraphs in red or blue. De Civitate Dei
(f. 3). Smaller initials in plain red or blue, some with reserved designs. Travels of Sir John Mandeville ? The Benedictine Abbey of St Albans (see below).? Willyam Caxton, by 1490 (see below).? Richard Tottyl, London, by 1579 (see below).Hugh
(f. 3). Smaller initials in plain red or blue, some with reserved designs. Travels of Sir John Mandeville ? The Benedictine Abbey of St Albans (see below).? Willyam Caxton, by 1490 (see below).? Richard Tottyl, London, by 1579 (see below).Hugh
in colours and gold (ff. 1, 55v, 82, 113v). Smaller initials in gold on red and blue grounds. Small initials in plain red or blue. Elegiae (index Elegies) (ff. 1-55); Carmina (ff. 55v-81v); Catullus (ff. 82-113v); Priapea (ff. 113v-122v) Colophon
by 2 putti (f. 3). 2 large white vine initials in colours and gold (ff. 65, 115). Plain initials in blue. Rubrics and marginal annotations in red. Historia, with capitula (f. 2) Written by Michael Laurenti: colophon, 'Jacobi de Sancto