• Detail of white vine initial 'S(i) quidem in explicanda historia nil usque nobis' at the beginning of the thirteenth book., Historia, with capitula (f. 2)

by 2 putti (f. 3). 2 large white vine initials in colours and gold (ff. 65, 115). Plain initials in blue. Rubrics and marginal annotations in red. Historia, with capitula (f. 2) Written by Michael Laurenti: colophon, 'Jacobi de Sancto

• Detail of a drawing of the constellation Aries, with the stars picked out as red dots., Phaenomena (also known as the Aratea)

De divisione (ff. 84v-85v); Remigius Autissiodorensis, Commentarius super Marcianum de Capella (ff. 86-93v). 21 drawings in ink with highlighting in blue and dots in red of personifications of the constellations (ff. 36, 36v, 37, 38, 38v, 39, 39v, 40, 40v,

• Detail of a drawing of the constellation Aquarius, with the stars picked out as red dots., Phaenomena (also known as the Aratea)

De divisione (ff. 84v-85v); Remigius Autissiodorensis, Commentarius super Marcianum de Capella (ff. 86-93v). 21 drawings in ink with highlighting in blue and dots in red of personifications of the constellations (ff. 36, 36v, 37, 38, 38v, 39, 39v, 40, 40v,

• Detail of a drawing of the constellation Pisces, with the stars picked out as red dots., Phaenomena (also known as the Aratea)

De divisione (ff. 84v-85v); Remigius Autissiodorensis, Commentarius super Marcianum de Capella (ff. 86-93v). 21 drawings in ink with highlighting in blue and dots in red of personifications of the constellations (ff. 36, 36v, 37, 38, 38v, 39, 39v, 40, 40v,

• Detail of a drawing of the constellation Saggittarius, with the stars picked out as red dots., Phaenomena (also known as the Aratea)

De divisione (ff. 84v-85v); Remigius Autissiodorensis, Commentarius super Marcianum de Capella (ff. 86-93v). 21 drawings in ink with highlighting in blue and dots in red of personifications of the constellations (ff. 36, 36v, 37, 38, 38v, 39, 39v, 40, 40v,

• Detail of a drawing of the constellation Capricorn, with the stars picked out as red dots., Phaenomena (also known as the Aratea)

De divisione (ff. 84v-85v); Remigius Autissiodorensis, Commentarius super Marcianum de Capella (ff. 86-93v). 21 drawings in ink with highlighting in blue and dots in red of personifications of the constellations (ff. 36, 36v, 37, 38, 38v, 39, 39v, 40, 40v,

• Miniature of the stoning of Stephen, with an historiated initial 'E'(stienne) of Stephen preaching, and partial foliate borders, at the beginning of his legend., The Golden Legend (La Légende Dorée)

in colours and gold. Large decorated initials, in colours and gold. Smaller and small initials in gold on red and blue grounds. The Golden Legend (La Légende Dorée) Château d'Anet: its library mark(?) 'quarante vii' (vol. 1, f. 1) (see

• Miniature of the conversion of Saul (Paul) on the road to Damascus, with an illuminated initial 'L'(a), and partial foliate borders, at the beginning of the legend of Paul., The Golden Legend (La Légende Dorée)

in colours and gold. Large decorated initials, in colours and gold. Smaller and small initials in gold on red and blue grounds. The Golden Legend (La Légende Dorée) Château d'Anet: its library mark(?) 'quarante vii' (vol. 1, f. 1) (see

• Miniature of Juliana beating the devil, with an illuminated initial 'I'(ulienne), and partial foliate borders, at the beginning of her legend., The Golden Legend (La Légende Dorée)

in colours and gold. Large decorated initials, in colours and gold. Smaller and small initials in gold on red and blue grounds. The Golden Legend (La Légende Dorée) Château d'Anet: its library mark(?) 'quarante vii' (vol. 1, f. 1) (see

• Text page of the Golden Legend (George)., The Golden Legend (La Légende Dorée)

in colours and gold. Large decorated initials, in colours and gold. Smaller and small initials in gold on red and blue grounds. The Golden Legend (La Légende Dorée) Château d'Anet: its library mark(?) 'quarante vii' (vol. 1, f. 1) (see

• Text of the Golden Legend (the Passion)., The Golden Legend (La Légende Dorée)

in colours and gold. Large decorated initials, in colours and gold. Smaller and small initials in gold on red and blue grounds. The Golden Legend (La Légende Dorée) Château d'Anet: its library mark(?) 'quarante vii' (vol. 1, f. 1) (see

• Detail of a miniature of the stoning of Stephen, with an historiated initial 'E'(stienne) of Stephen preaching, at the beginning of his legend., The Golden Legend (La Légende Dorée)

in colours and gold. Large decorated initials, in colours and gold. Smaller and small initials in gold on red and blue grounds. The Golden Legend (La Légende Dorée) Château d'Anet: its library mark(?) 'quarante vii' (vol. 1, f. 1) (see

• Detail of a miniature of the conversion of Saul (Paul) on the road to Damascus, with partial foliate borders, at the beginning of the legend of Paul., The Golden Legend (La Légende Dorée)

in colours and gold. Large decorated initials, in colours and gold. Smaller and small initials in gold on red and blue grounds. The Golden Legend (La Légende Dorée) Château d'Anet: its library mark(?) 'quarante vii' (vol. 1, f. 1) (see

• Detail of a miniature of Juliana beating the devil, with an illuminated initial 'I'(ulienne), at the beginning of her legend., The Golden Legend (La Légende Dorée)

in colours and gold. Large decorated initials, in colours and gold. Smaller and small initials in gold on red and blue grounds. The Golden Legend (La Légende Dorée) Château d'Anet: its library mark(?) 'quarante vii' (vol. 1, f. 1) (see

• null, Medical treatises

1 large initials in gold on red and blue grounds (ff. 6, 22v, 31, 105v, 142). Small initials in blue with red foliate pen-flourishing. Paraph marks in plain red or blue. Medical treatises Note on the content in English, 16th-century

• null, Epistolae, etc.

Large puzzle initials in blue and red, with red and purple pen-flourishing (ff. 1, 4v, etc.). Small initials in blue with red pen-flourishing, or red with purple pen-flourishing. Paraphs in plain blue. Epistolae, etc. Charles Burney (b. 1757, d. 1817),

• null, Epistolae, etc.

Large puzzle initials in blue and red, with red and purple pen-flourishing (ff. 1, 4v, etc.). Small initials in blue with red pen-flourishing, or red with purple pen-flourishing. Paraphs in plain blue. Epistolae, etc. Charles Burney (b. 1757, d. 1817),

• Flourished initials, at the beginning of the Tabula theologie., Tabula theologie

red and blue (ff. 124v, 125, 129). Large initials in red with brown pen-flourishing, in red with blue pen-flourishing, or in blue with red pen-flourishing, some with reserved designs. Small initials in red with blue pen-flourishing or in blue with

• Puzzle initial and flourished initial, at the beginning of the Tabula theologie., Tabula theologie

red and blue (ff. 124v, 125, 129). Large initials in red with brown pen-flourishing, in red with blue pen-flourishing, or in blue with red pen-flourishing, some with reserved designs. Small initials in red with blue pen-flourishing or in blue with

• Diagram and coloured drawing of Tables of Consanguinity and Affinity with a king and a queen, added at the end of the Tabula theologie., Tabula theologie

red and blue (ff. 124v, 125, 129). Large initials in red with brown pen-flourishing, in red with blue pen-flourishing, or in blue with red pen-flourishing, some with reserved designs. Small initials in red with blue pen-flourishing or in blue with