• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• Historiated initial 'U'(su rerum venit inter homines) with an ass playing a harp., Letters (dictiones and carmina) of Ennodius, beginning, 'Usu rerum venit inter homines, and the following works: Panegyricus dictus Theodorico, Libellus contra eos qui contra synodum scribere praesumpserunt, Vita Epiphanii, Vita Antonii monachi Lirinensis, Eucharisticon de vita sua, Paraenesis didascalica, Petitorium quo absolutus est Gerontius, Benedictiones cerei ii; forty-five letters by various unidentified authors

1). 1 puzzle initial 'D'(e) in red, blue and green (f. 51v). Initials in blue or green with red pen-flourishing, or in red with blue pen-flourishing. Smaller plain initials in red or blue. Letters (dictiones and carmina) of Ennodius, beginning,

• Detail of a miniature of Jean, duke of Berry, receiving the book from the translator, Laurent de Premierfait, at the beginning of the prologue., Decameron (Les cent nouvelles)

the prologue (f. 1). Initials and paraphs in gold with black pen-flourishing, or in blue with red pen-flourishing. Line-fillers in blue, gold or in gold and blue. Decameron (Les cent nouvelles) Edward IV (b. 1442, d. 1483), king of England

• Text page with punctuated Oriental script, ornamental space fillers and marginal decoration., Biblical fragments (the 'First Gaster Bible') with ~masorah magna~ and ~parva~ (sections from Psalms)

decoration. Ruling is visible. Fragmentary. Numerous space fillers with gold, red and blue. Biblical fragments (the 'First Gaster Bible') with ~masorah magna~ and ~parva~ (sections from Psalms) Moses Gaster (b. 1856, d. 1939), scholar and rabbi: his manuscript, Cod. G.

• Text page with punctuated Oriental script, ornamental space fillers and marginal decoration., Biblical fragments (the 'First Gaster Bible') with ~masorah magna~ and ~parva~ (sections from Psalms)

decoration. Ruling is visible. Fragmentary. Numerous space fillers with gold, red and blue. Biblical fragments (the 'First Gaster Bible') with ~masorah magna~ and ~parva~ (sections from Psalms) Moses Gaster (b. 1856, d. 1939), scholar and rabbi: his manuscript, Cod. G.

• Text page with punctuated Oriental script, ornamental space fillers and marginal decoration., Biblical fragments (the 'First Gaster Bible') with ~masorah magna~ and ~parva~ (sections from Psalms)

decoration. Ruling is visible. Fragmentary. Numerous space fillers with gold, red and blue. Biblical fragments (the 'First Gaster Bible') with ~masorah magna~ and ~parva~ (sections from Psalms) Moses Gaster (b. 1856, d. 1939), scholar and rabbi: his manuscript, Cod. G.