• Puzzle initial 'M'(ulti), at the beginning of Bernardus's Meditationes piisimae de cognitione humanae., Meditationes piisimae de cognitione humanae, etc.

red and blue with (foliate) pen-flourishing in blue and red, the first with a decorated extension (ff. 2, 14v, 23v, 52v, 70v, 78, 83). Small initials in blue with red (foliate) pen-flourishing. Paraph marks in plain red or blue. Meditationes

• Historiated initial 'F'(ratres) of the Trinity, at the reading for Trinity Sunday, and an historiated initial 'F'(ratres) of the Last Supper, at the reading for Corpus Christi, with partial bar borders., Epistolary of the Sainte-Chapelle, Use of Paris

or blue with pen-flourishing in blue (and red) or in red (and blue). Numerous flourished initials with a heraldic eagle in the centre. Small initials in gold or blue with penwork decoration in blue (and red) or red (and blue).

• Coloured initials and paraphs., Treatises on Consanguinity, probably a portion of a decretal

9s. 6d. (Egerton 710-730). Initial in blue with pen-flourishing in red and blue (f. 399). Initials in blue with red pen-flourishing (ff. 401v, 403). Paraphs in red or blue. Running headers and numbers in blue and red. Highlighting of letter

• Miniature of Louis XII and his court, at the beginning of the Chronicle of France., Chronicle of France (ends imperfectly)

miniature, in colours and gold, accompanied by a large decorated initial in blue on a red ground (f. 1). Large initials and paraph marks in plain red or blue. Chronicle of France (ends imperfectly) William Petty (~formerly~ Fitzmaurice) (b. 1737,

• Decorated initial 'O' with interlace decoration and partial foliate border., Cartulary of the Augustianian priory of Bradenstoke, Wiltshire, with table of contents (ff. 2-25)

foliate border in blue and yellow (f. 26). Small initials in blue with red penwork decoration. Small initials in brown ink, some with red penwork decoration. Paraphs in red or blue. Large and small simple initials in blue or red,

• null, Bible, with prologues

puzzle initials in red and blue, with pen-flourishing in blue and red (ff. 89v, 356v). Smaller initials in red with blue pen-flourishing or in blue with red pen-flourishing. Small initials in plain red or blue. Bible, with prologues Inscription dated

• Detail of a miniature of a group of men in discussion, with an inscription on the wall reading 'Concilium', with a foliate initial 'A'(dives), at the beginning of book 2., Facta et dicta memorabilia

blue with pen-flourishing in red and black, at the beginning of chapters. Initials and paraphs in gold with black pen-flourishing, or in blue with red pen-flourishing. Line-fillers in gold and blue. Running titles and chapter numbers in red and

• Detail of a miniature of Charles V, king of France, receiving the book from the translator, Raoul des Presles, at the beginning of the prologue., City of God (La cité de Dieu)

in gold on blue and rose grounds with penwork decoration in white, or puzzle initials in gold and blue, at the beginning of books (ff. 8v, 54, 129v). Initials in gold with black pen-flourishing, or in blue with red pen-flourishing.

• Detail of a miniature of a group of men dancing around an idol, at the beginning of book 2., City of God (La cité de Dieu)

in gold on blue and rose grounds with penwork decoration in white, or puzzle initials in gold and blue, at the beginning of books (ff. 8v, 54, 129v). Initials in gold with black pen-flourishing, or in blue with red pen-flourishing.

• Miniature of Jean, duke of Berry, receiving the book from the translator, Laurent de Premierfait, with a full border containing the royal arms of England surrounded by the Garter with the motto, 'Honny soit qui mal y pense', and surmounted by a crowned helm with a mantling in Edward IV's colours of red and blue, with two shields bearing the same arms differentiated by labels of three and five points for Edward's sons, Edward, prince of Wales, and Richard, duke of York, two banners held by angels bearing the royal arms of England, and a Yorkist badge of white ~rose-en-soleil~ with the motto 'Dieu est mon droit'; and an illuminated initial 'L'(e propre) with a dragon, at the beginning of the prologue., Decameron (Les cent nouvelles)

the prologue (f. 1). Initials and paraphs in gold with black pen-flourishing, or in blue with red pen-flourishing. Line-fillers in blue, gold or in gold and blue. Decameron (Les cent nouvelles) Edward IV (b. 1442, d. 1483), king of England

• Detail of a miniature of pagan priest worshiping an idol, and of a Christian mass in front of an altar, at the beginning of book 6., City of God (La cité de Dieu)

in gold on blue and rose grounds with penwork decoration in white, or puzzle initials in gold and blue, at the beginning of books (ff. 8v, 54, 129v). Initials in gold with black pen-flourishing, or in blue with red pen-flourishing.

• Detail of a miniature of an angel holding aloft the arms of England, from the right margin of the folio., City of God (La cité de Dieu)

in gold on blue and rose grounds with penwork decoration in white, or puzzle initials in gold and blue, at the beginning of books (ff. 8v, 54, 129v). Initials in gold with black pen-flourishing, or in blue with red pen-flourishing.

• Blank folio., City of God (La cité de Dieu)

in gold on blue and rose grounds with penwork decoration in white, or puzzle initials in gold and blue, at the beginning of books (ff. 8v, 54, 129v). Initials in gold with black pen-flourishing, or in blue with red pen-flourishing.

• Detail of a miniature of an enthroned monarch wearing the papal crown and an armour, and holding the imperila insigna, a sword and a globe, at the beginning of book 5., City of God (La cité de Dieu)

in gold on blue and rose grounds with penwork decoration in white, or puzzle initials in gold and blue, at the beginning of books (ff. 8v, 54, 129v). Initials in gold with black pen-flourishing, or in blue with red pen-flourishing.

• Miniature of a group of men dancing around an idol, with a partial border and a puzzle initial 'D'(e la maniere), at the beginning of book 2., City of God (La cité de Dieu)

in gold on blue and rose grounds with penwork decoration in white, or puzzle initials in gold and blue, at the beginning of books (ff. 8v, 54, 129v). Initials in gold with black pen-flourishing, or in blue with red pen-flourishing.

• Miniature of knights entering the city, with a partial border, at the beginning of book 3., City of God (La cité de Dieu)

in gold on blue and rose grounds with penwork decoration in white, or puzzle initials in gold and blue, at the beginning of books (ff. 8v, 54, 129v). Initials in gold with black pen-flourishing, or in blue with red pen-flourishing.

• Miniature of Augustine and falling idols, with a partial border and an illuminated initial 'M'(on), at the beginning of the prologue to book 1., City of God (La cité de Dieu)

in gold on blue and rose grounds with penwork decoration in white, or puzzle initials in gold and blue, at the beginning of books (ff. 8v, 54, 129v). Initials in gold with black pen-flourishing, or in blue with red pen-flourishing.

• Puzzle initials 'E'(x ordine), 'D'(e excellentia) and 'I'(ncipit) with penwork decoration forming a border with human faces, animals and a blessing bishop, at the beginning of the prologues to De Concordia Evangelistarum of Zacharias of Besançon., De Concordia Evangelistarum (or Explanatio in Unum ex Quatuor)

red and blue with red and blue pen-flourishing, at the beginning of books (ff. 18v, 57v, 101v, 166v), and small puzzle initials, at the beginning of chapters. Initials in blue with red pen-flourishing or in red with blue pen-flourishing, some

• Historiated initial 'I'(n principio) with Creation scenes and Crucifixion at the beginning of Genesis., Bible (without the Psalms), imperfect

with pen-flourishing in red, blue or both (ff. 2v, 117, 117v, 184v, 206v, 255, 270v). Large puzzle initial in red and blue with pen-flourishing in the same colours (f. 279). Small initials in alternating red or blue. Small initial in

• Musical diagram., Ritus canendi

figure on a blue panel with acanthus leaves (f. 35). 2 large red initials on a blue panel with white, green and red foliage, (early white vine initials) (ff. 1, 77). Numerous coloured initials in red or blue, occasionally with