• Miniature of Christ carrying the Cross being helped by the Virgin., Book of Hours, Use of Sarum

and blue ground with foliate extensions into the margins, at the beginning of the prayer O intemerata (f. 45). Small initials in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue

• Miniature of the Crucifixion., Book of Hours, Use of Sarum

and blue ground with foliate extensions into the margins, at the beginning of the prayer O intemerata (f. 45). Small initials in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue

• Miniature of the Deposition., Book of Hours, Use of Sarum

and blue ground with foliate extensions into the margins, at the beginning of the prayer O intemerata (f. 45). Small initials in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue

• Partly cut-out miniature, and illuminated initial., Book of Hours, Use of Sarum

and blue ground with foliate extensions into the margins, at the beginning of the prayer O intemerata (f. 45). Small initials in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue

• Illuminated initial., Book of Hours, Use of Sarum

and blue ground with foliate extensions into the margins, at the beginning of the prayer O intemerata (f. 45). Small initials in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue

• Miniature of the Last Judgement., Book of Hours, Use of Sarum

and blue ground with foliate extensions into the margins, at the beginning of the prayer O intemerata (f. 45). Small initials in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue

• Damaged miniature of a funeral., Book of Hours, Use of Sarum

and blue ground with foliate extensions into the margins, at the beginning of the prayer O intemerata (f. 45). Small initials in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue

• Miniature of the General Resurrection., Book of Hours, Use of Sarum

and blue ground with foliate extensions into the margins, at the beginning of the prayer O intemerata (f. 45). Small initials in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue

• Miniature of the Resurrection with the instruments of the Passion., Book of Hours, Use of Sarum

and blue ground with foliate extensions into the margins, at the beginning of the prayer O intemerata (f. 45). Small initials in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue

• Damaged miniature., Book of Hours, Use of Sarum

and blue ground with foliate extensions into the margins, at the beginning of the prayer O intemerata (f. 45). Small initials in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue

• null, Theological works, including Joachim of Fiore's Expositio in Apocalypsim (ff. 137-220)

with extensions into the margins in red, gold, and blue with pen-flourishing (f. 232v). Large initials in blue with red pen-flourishing, often in the form of leaves. Paraphs in red or blue, or in gold with pen-flourishing in colour(s). Theological

• Illuminated initials and border., Theological works, including Joachim of Fiore's Expositio in Apocalypsim (ff. 137-220)

with extensions into the margins in red, gold, and blue with pen-flourishing (f. 232v). Large initials in blue with red pen-flourishing, often in the form of leaves. Paraphs in red or blue, or in gold with pen-flourishing in colour(s). Theological

• Decorated initial 'D'(eus) enclosing a star with partial ivy border at the beginning of Terce in the Hours of the Virgin., Book of Hours, Use of Sarum

and blue ground with foliate extensions into the margins, at the beginning of the prayer O intemerata (f. 45). Small initials in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue

• null, Genealogical Chronicle of the Kings of England, from Adam to Edward IV (the 'Considerans' chronicle)

2 large initials in colours and gold (f. 2v). Large initials in blue with red penwork decoration. Names in circles or squares of green, yellow, red or blue, with green, yellow or red lines connecting them. Diagrams. Genealogical Chronicle of

• Pen-flourished initials in blue. This colour combination is typical of English manuscripts: on the Continent one would usually find blue initials alternating with red ones, each with penwork flourishing in the opposite colour., Theological works, including Joachim of Fiore's Expositio in Apocalypsim (ff. 137-220)

with extensions into the margins in red, gold, and blue with pen-flourishing (f. 232v). Large initials in blue with red pen-flourishing, often in the form of leaves. Paraphs in red or blue, or in gold with pen-flourishing in colour(s). Theological

• null, Genealogical Chronicle of the Kings of England, from Adam to Edward IV (the 'Considerans' chronicle)

2 large initials in colours and gold (f. 2v). Large initials in blue with red penwork decoration. Names in circles or squares of green, yellow, red or blue, with green, yellow or red lines connecting them. Diagrams. Genealogical Chronicle of

• null, De amicitia

1 large initial, in blue with infill and flourishing in red (f. 1). Paraphs in red or blue. De amicitia Unidentified reader, 16th century: at the end of the text is added 'Virginis intacte cum veneris ante figuram/ Pretereundo cave.

• Illuminated initial 'G'(od) at the beginning of John Lydgate and Benedict Burgh's Secrets of the Philosophers., Secrets of Philosophers

ground (f. 1). Large initials in gold on red and blue grounds with sprays in green with gold balls. Large initials in gold with dark red penwork decoration or in blue with red penwork decoration. Secrets of Philosophers Inscription in

• Illuminated initials 'A' in John Lydgate and Benedict Burgh's Secrets of the Philosophers., Secrets of Philosophers

ground (f. 1). Large initials in gold on red and blue grounds with sprays in green with gold balls. Large initials in gold with dark red penwork decoration or in blue with red penwork decoration. Secrets of Philosophers Inscription in

• Illuminated initials 'A's in John Lydgate and Benedict Burgh's Secrets of the Philosophers., Secrets of Philosophers

ground (f. 1). Large initials in gold on red and blue grounds with sprays in green with gold balls. Large initials in gold with dark red penwork decoration or in blue with red penwork decoration. Secrets of Philosophers Inscription in