• Puzzle initial, Cronica de los reyes Don Fernando y Dona Ysabel por Diego de Valera (ff. 1-88, chapters 1-91; ff. 88-288, chapters 92-213)

Puzzle initial 1 large puzzle initial in red and blue with pen-flourishing in purple (f. 1). Small initials in plain red or blue. Cronica de los reyes Don Fernando y Dona Ysabel por Diego de Valera (ff. 1-88, chapters 1-91;

• Foliate initial 'D'(omine) with a full border, at the beginning of Matins., Book of Hours, Use of Sarum

initials in gold on rose and blue grounds with penwork decoration in white and foliate extensions highlighted in green. Smaller initials in gold with blue or purple pen-flourishing, or in blue with red pen-flourishing. Blue initials with red pen-flourishing. 1

• Miniature of the Birth of the Virgin with an inscription on the wall 'Joy sans fin', and of the Annunciation to Joachim and the meeting of Joachim and Anna at the Golden Gate, with a full border containing the royal arms of England surrounded by the Garter with the motto 'Honny soit qui mal y pense', surmounted by a crowned helm with a mantling in Edward VI's colours of red and blue, and the Yorkist badge of a white ~rose-en-soleil~ with the motto 'Dieu est mon droit', and an illuminated initial 'C'(ombien) with the white rose of the York family, at the beginning of the prologue to book 2., Fleur des histoires, books 2-3

an initial in colours (f. 175). Initials and paraphs in gold with black pen-flourishing, or in blue with red pen-flourishing. Line-fillers in gold and blue. Fleur des histoires, books 2-3 Edward IV (b. 1442, d. 1483), king of England and

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or