• null, Aeneis (index Aeneid), with the Ille ego opening; Bucolica (index Bucolics, Eclogues), book I, imperfect (ff. 165-178v); Georgica (index Georgics)(ff. 179-214v); verses on the 12 books of Aeneis (f. 216v)

of red, green, and blue, with gold and gold balls (f. 1). Large initials in gold with white vine decoration in colours at the beginning of books. Large initials in gold on coloured grounds, usually of blue, green, and red,

• lluminated initial 'I'(lle) with white vine decoration of the Ille ego opening of the Aeneid., Aeneis (index Aeneid), with the Ille ego opening; Bucolica (index Bucolics, Eclogues), book I, imperfect (ff. 165-178v); Georgica (index Georgics)(ff. 179-214v); verses on the 12 books of Aeneis (f. 216v)

of red, green, and blue, with gold and gold balls (f. 1). Large initials in gold with white vine decoration in colours at the beginning of books. Large initials in gold on coloured grounds, usually of blue, green, and red,

• White vine decoration in the lower margin with effaced arms within a green wreath., Aeneis (index Aeneid), with the Ille ego opening; Bucolica (index Bucolics, Eclogues), book I, imperfect (ff. 165-178v); Georgica (index Georgics)(ff. 179-214v); verses on the 12 books of Aeneis (f. 216v)

of red, green, and blue, with gold and gold balls (f. 1). Large initials in gold with white vine decoration in colours at the beginning of books. Large initials in gold on coloured grounds, usually of blue, green, and red,

• Illuminated initial at the beginning of the first book of Guy de Guy de Chauliac's Surgery., Surgery, imperfect

gold on blue and red grounds with white filigree decoration at the beginning of each book (ff. 13, 36v, 87v, 136v, 165v, 180v). Initials in blue with red pen-flourishing. Paraphs in red or brown. Small initials in blue. Line-fillers in

• Text page with supernatural words inscribed., Book of Hours, Use of Sarum

and blue ground with foliate extensions into the margins, at the beginning of the prayer O intemerata (f. 45). Small initials in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue

• Calendar page and text in various hands and inks., Book of Hours, Use of Sarum

and blue ground with foliate extensions into the margins, at the beginning of the prayer O intemerata (f. 45). Small initials in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue

• Miniature of Christopher carrying the Christ child across a stream., Book of Hours, Use of Sarum

and blue ground with foliate extensions into the margins, at the beginning of the prayer O intemerata (f. 45). Small initials in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue

• Miniature of Mary Magdalene kneeling in prayer, with the hand of God above., Book of Hours, Use of Sarum

and blue ground with foliate extensions into the margins, at the beginning of the prayer O intemerata (f. 45). Small initials in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue

• Added prayer and miniature of Sebastian sewn to the parchment., Book of Hours, Use of Sarum

and blue ground with foliate extensions into the margins, at the beginning of the prayer O intemerata (f. 45). Small initials in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue

• Illuminated border and initial. The brown ink inscription in the top right corner is a Durham cathedral press-mark., Theological works, including Joachim of Fiore's Expositio in Apocalypsim (ff. 137-220)

with extensions into the margins in red, gold, and blue with pen-flourishing (f. 232v). Large initials in blue with red pen-flourishing, often in the form of leaves. Paraphs in red or blue, or in gold with pen-flourishing in colour(s). Theological

• Puzzle initials with pen-flourishing with trefoils or spiky holly-leaf shapes., Theological works, including Joachim of Fiore's Expositio in Apocalypsim (ff. 137-220)

with extensions into the margins in red, gold, and blue with pen-flourishing (f. 232v). Large initials in blue with red pen-flourishing, often in the form of leaves. Paraphs in red or blue, or in gold with pen-flourishing in colour(s). Theological

• Puzzle initial 'D' and partial border., Theological works, including Joachim of Fiore's Expositio in Apocalypsim (ff. 137-220)

with extensions into the margins in red, gold, and blue with pen-flourishing (f. 232v). Large initials in blue with red pen-flourishing, often in the form of leaves. Paraphs in red or blue, or in gold with pen-flourishing in colour(s). Theological

• Illuminated initial with a border around part of the text., Theological works, including Joachim of Fiore's Expositio in Apocalypsim (ff. 137-220)

with extensions into the margins in red, gold, and blue with pen-flourishing (f. 232v). Large initials in blue with red pen-flourishing, often in the form of leaves. Paraphs in red or blue, or in gold with pen-flourishing in colour(s). Theological

• Text page., Theological works, including Joachim of Fiore's Expositio in Apocalypsim (ff. 137-220)

with extensions into the margins in red, gold, and blue with pen-flourishing (f. 232v). Large initials in blue with red pen-flourishing, often in the form of leaves. Paraphs in red or blue, or in gold with pen-flourishing in colour(s). Theological

• Miniature of the Annunciation, decorated initial 'D'(omine) and foliate borders, at the beginning of the Hours of the Virgin., Book of Hours, Use of Sarum

and blue ground with foliate extensions into the margins, at the beginning of the prayer O intemerata (f. 45). Small initials in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue

• Illuminated foliate initial and full border., Theological works, including Joachim of Fiore's Expositio in Apocalypsim (ff. 137-220)

with extensions into the margins in red, gold, and blue with pen-flourishing (f. 232v). Large initials in blue with red pen-flourishing, often in the form of leaves. Paraphs in red or blue, or in gold with pen-flourishing in colour(s). Theological

• Illuminated initial 'A' with a border around part of the text., Theological works, including Joachim of Fiore's Expositio in Apocalypsim (ff. 137-220)

with extensions into the margins in red, gold, and blue with pen-flourishing (f. 232v). Large initials in blue with red pen-flourishing, often in the form of leaves. Paraphs in red or blue, or in gold with pen-flourishing in colour(s). Theological

• Puzzle initial with extension forming a border around part of the text., Theological works, including Joachim of Fiore's Expositio in Apocalypsim (ff. 137-220)

with extensions into the margins in red, gold, and blue with pen-flourishing (f. 232v). Large initials in blue with red pen-flourishing, often in the form of leaves. Paraphs in red or blue, or in gold with pen-flourishing in colour(s). Theological

• Miniature of Sebastian., Book of Hours, Use of Sarum

and blue ground with foliate extensions into the margins, at the beginning of the prayer O intemerata (f. 45). Small initials in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue

• Detail of miniature of Christopher carrying the Christ child across a stream., Book of Hours, Use of Sarum

and blue ground with foliate extensions into the margins, at the beginning of the prayer O intemerata (f. 45). Small initials in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue