• Miniature of Anthony in a monk's habit, holding a martyr's palm, with a full foliate border with coat of arms., Noted Breviary of Anthony of Burgundy

in a monk's habit, holding a martyr's palm, with a full foliate border with coat of arms. Leaves excised after ff. 9 (off-set from heraldic device on preceding unfoliated flyleaf), 132, 147, 151, 158, 184, 191 (off-set from heraldic device

• Decorated initials., Medical miscellany, including receipts (ff. 11-24v); the 'Lettre d'Hippocrate' (ff. 25-64v); a calendar (ff. 92-97v)

red and blue penwork decoration (f. 25). 1 large puzzle initial in blue and red with red and blue penwork decoration (f. 66). Initials in red with blue or brown penwork decoration, or in blue with red and/or blue penwork

• Calendar page for December, and flourished initial 'D' in an astronomical treatise., Astronomical treatises (begins imperfectly)

in an astronomical treatise. 1 large puzzle initial in red and blue with pen-flourishing in blue and red (f. 28). Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Spaces for initials (ff. 42v, 46v). Diagrams.

• Detail of a miniature of a group of men in discussion, with an inscription on the wall reading 'Concilium', with a foliate initial 'A'(dives), at the beginning of book 2., Facta et dicta memorabilia

blue with pen-flourishing in red and black, at the beginning of chapters. Initials and paraphs in gold with black pen-flourishing, or in blue with red pen-flourishing. Line-fillers in gold and blue. Running titles and chapter numbers in red and

• Detail of a miniature of Charles V, king of France, receiving the book from the translator, Raoul des Presles, at the beginning of the prologue., City of God (La cité de Dieu)

in gold on blue and rose grounds with penwork decoration in white, or puzzle initials in gold and blue, at the beginning of books (ff. 8v, 54, 129v). Initials in gold with black pen-flourishing, or in blue with red pen-flourishing.

• The Norman Blake Editions of The Canterbury Tales

of the Millere Whan that the knyght , had thus his tale I told<note><notetxt><ctp>1</ctp>The blue of the illuminated letter is not the same of the blue of the paraph mark. This is evident on folio 39r. The capital has been

• The Norman Blake Editions of The Canterbury Tales

and al hir myght And by hir beddes heed , she made a Muwe And couered it , with veluettes blue In signe of trouthe , that is in wommen sene And al with oute , the Muwe is peynted

• The Norman Blake Editions of The Canterbury Tales

fyghte Lest that she wold hem with hir hondes sleen Or with hir meynye putten hem to flighte In kynges habit wenten hir sones two As heyres , of hir fadres regnes alle And hermanno and tymolao Hir names were

• The Norman Blake Editions of The Canterbury Tales

fantasyk And shortly turned , was al vp so doun Bothe habit , and eke disposicio&#363; Of hym , this wooful louyer Arcite What shuld I al day , of hys woo endite Whan he endured had , a ȝere

• The Norman Blake Editions of The Canterbury Tales

that she wolde , hem wt hir handes slen Or with hir meignee , putten hem to flighte In kynges habit , wente hir sones two As heires , of hir fadres regnes alle And Hermanno , and Thymalao Hir

• Manuscripts of the West Midlands

; open w ; long r ; þ; ȝ. Body height: 1-1.5mm. Some three-line blue initials with red penwork. Alternate blue and red initials. Red, and blue paraphs. Fifteenth-century alphabet f. 20v, pen drawn, not decorated or coloured (P ä