• Historiated initial 'D'(eus) of Catherine of Siena in a Dominican habit, at the beginning of Lauds in the Hours of the Virgin., Book of Hours, Use of Rome (the 'Hours of Bonaparte Ghislieri', formerly known as 'The Albani Hours')

litany. Large initials in gold on coloured grounds in red, and/or blue, and/or green, with flowers extending into the margins. Small initials and line-fillers in gold on red, blue or green grounds. Book of Hours, Use of Rome (the 'Hours

• Detail of an historiated initial 'D'(eus) of Catherine of Siena in a Dominican habit, at the beginning of Lauds in the Hours of the Virgin., Book of Hours, Use of Rome (the 'Hours of Bonaparte Ghislieri', formerly known as 'The Albani Hours')

litany. Large initials in gold on coloured grounds in red, and/or blue, and/or green, with flowers extending into the margins. Small initials and line-fillers in gold on red, blue or green grounds. Book of Hours, Use of Rome (the 'Hours

• Miniature of Elthedreda reading, dressed in a Benedictine habit and holding a crozier and a full scatter border including dianthus, forget-me-nots, strawberries, insects, and birds., Book of Hours, Use of Sarum

dressed in a Benedictine habit and holding a crozier and a full scatter border including dianthus, forget-me-nots, strawberries, insects, and birds. For another Tudor Book of Hours with royal autographs see Additional 17012, which contains the autographs of Henry VII,

• Decorated initial 'O' (heer) at the beginning of a prayer, with a penwork border of acanthus scrolls in red and blue winding around aubergines., Prayer Book

blue penwork decoration incorporating aubergine motifs, either full (ff. 1, 57), or three-sided (ff. 17, 29, 37). Large blue initials with green and red foliate or geometric penwork decoration, some with red and/or blue pen-flourishing. Simple alternating red or

• Decorated initial with a vase., Prayer Book

blue penwork decoration incorporating aubergine motifs, either full (ff. 1, 57), or three-sided (ff. 17, 29, 37). Large blue initials with green and red foliate or geometric penwork decoration, some with red and/or blue pen-flourishing. Simple alternating red or

• Manuscripts of the West Midlands

þ . Body height c. 2mm. Red brackets for couplets throughout. Two-line blue initials with red penwork flourishing into the margins for c. 14 lines. Ff. 37v-39v: two-line blue paraph marks with c. five-line red pen flourishing, on f. 38v

• Manuscripts of the West Midlands

right column in elaborate penwork in red and blue. The border forms a T-shape running at the top of the two columns with red and blue infill. Lombardic two-line capitals in blue with red penwork, red rubrics and marginalia and

• Manuscripts of the West Midlands

in red apart from two-line initials in blue. Initial page of text - f. 1v: eight-line þ of 'þe' and two-line B of 'Bifore' in red. Titles in red with first letter a blue Lombard. Some passages in red. Eight/ten-line

• Manuscripts of the West Midlands

Each part is marked in this way. Two-line blue lombardic capitals with red penwork flourishing. Red running titles. Occasional red or blue one-line initials. Occasional red paraphs. Text 2 - four-line blue initial with red serrated pattern on left side

• Manuscripts of the West Midlands

red; two-line blue initials at beginning of text; some letters coloured red within text. First letter of each line of verse tinted red with red brackets; two-line blue Lombardic initials with red penwork; six-line initial, eg. f. 8r, blue with

• xv. cent. MS Part Two: Medieval Manuscripts from the Additional Manuscripts, Section B 37788 British Library, London 91 images.

ii.Vellum; ff. iv. + 89. 6 in. X 4¼ in. Middle of the xv. cent. Initials flourished in red and blue (one in gold). See. fol. "silf immediatli." Scribbled names (ff. 88, 88 b) of "Wyllam Barton" and "Paulus." A.