• Detail of a miniature of the gathering of heroes against Troy., Historia destructionis Troiae in a French translation

85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription

• Detail of a miniature of the return of Priam and Hecuba to Troy., Historia destructionis Troiae in a French translation

85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription

• Detail of a miniature of Antenor speaking to Priam., Historia destructionis Troiae in a French translation

85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription

• Detail of a miniature of Priam sending Paris to Greece., Historia destructionis Troiae in a French translation

85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription

• Detail of a miniature of soldiers attacking and killing during the Rape of Helen., Historia destructionis Troiae in a French translation

85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription

• Detail of a miniature of the Greek fleet off of Athens., Historia destructionis Troiae in a French translation

85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription

• Detail of a miniature of Agamemnon addressing three other kings., Historia destructionis Troiae in a French translation

85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription

• Detail of a miniature of Achilles bringing Calchas to Agamemnon., Historia destructionis Troiae in a French translation

85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription

• null, Indenture between Lady Margaret Beaufort, countess of Richmond, and John Islip, abbot of Westminster abbey

with roses and portcullises alternately placed, in colours and gold (ff. 3, 50). Small initials in gold on red and blue grounds. Indenture between Lady Margaret Beaufort, countess of Richmond, and John Islip, abbot of Westminster abbey ? Lady Margaret

• Decorated initial with a deer and satyr holding a cup., Astronomical miscellany

and a red heart with an arrow through it (f. 20). 1 initial with a hybrid figure in red and blue (f. 30). 1 initial in red and green with a light brown wash and figures (f. 4v). 2 brown

• null, Book of Hours, Use of Tiron

colours and gold. Large decorated foliate initials, in colours and gold. Small initials and line-fillers in gold on red or blue grounds. Book of Hours, Use of Tiron Louis I de Crevant, abbot (between 1494 and 1503) of the Benedictine

• null, Book of Hours, Use of Tiron

colours and gold. Large decorated foliate initials, in colours and gold. Small initials and line-fillers in gold on red or blue grounds. Book of Hours, Use of Tiron Louis I de Crevant, abbot (between 1494 and 1503) of the Benedictine

• null, Book of Hours, Use of Tiron

colours and gold. Large decorated foliate initials, in colours and gold. Small initials and line-fillers in gold on red or blue grounds. Book of Hours, Use of Tiron Louis I de Crevant, abbot (between 1494 and 1503) of the Benedictine

• Decorated initial with a deer and satyr holding a cup., Astronomical miscellany

and a red heart with an arrow through it (f. 20). 1 initial with a hybrid figure in red and blue (f. 30). 1 initial in red and green with a light brown wash and figures (f. 4v). 2 brown

• Miniature of the Annunciation, decorated initial 'A'(ve), and partial border, at the beginning of the Hours of the Virgin., Book of Hours, Use of Rome

initials formed of grey acanthus on brown grounds highlighted with gold. Small initials in red with purple pen-flourishing or in blue with red pen-flourishing.The second quire with the beginning of the Hours of the Virgin (ff. 7-14) was unfinished; the

• Miniature of the Nativity, and decorated initial 'D'(eus), at the beginning of Prime in the Hours of the Virgin., Book of Hours, Use of Rome

initials formed of grey acanthus on brown grounds highlighted with gold. Small initials in red with purple pen-flourishing or in blue with red pen-flourishing.The second quire with the beginning of the Hours of the Virgin (ff. 7-14) was unfinished; the

• Miniature of David in penitence, and decorated initial 'D'(omine), at the beginning of the Penitential Psalms., Book of Hours, Use of Rome

initials formed of grey acanthus on brown grounds highlighted with gold. Small initials in red with purple pen-flourishing or in blue with red pen-flourishing.The second quire with the beginning of the Hours of the Virgin (ff. 7-14) was unfinished; the

• Miniature of the Crucifixion of Christ, with the Expulsion from Paradise, a Pieta with Instruments of the Passion, the Harrowing of Hell, with an added border of the 12 Apostles, by an English artist., Various prayers including indulgenced prayers, and Gospel Lessons

angel (f. 6v), the Man of Sorrows (f. 9), and Jerome and the lion (f. 21)). Initials in gold/ochre with blue acanthus leaves on a dark red ground patterned with gold, or in blue-grey or gold on a gold ground

• Historiated initial 'D'(ixit) of a king and fool at the beginning of Psalm 52, with a full foliate border including grotesques., Various prayers including indulgenced prayers, and Gospel Lessons

angel (f. 6v), the Man of Sorrows (f. 9), and Jerome and the lion (f. 21)). Initials in gold/ochre with blue acanthus leaves on a dark red ground patterned with gold, or in blue-grey or gold on a gold ground

• Miniature of the Crucifixion with scenes from the Passion of Christ., Various prayers including indulgenced prayers, and Gospel Lessons

angel (f. 6v), the Man of Sorrows (f. 9), and Jerome and the lion (f. 21)). Initials in gold/ochre with blue acanthus leaves on a dark red ground patterned with gold, or in blue-grey or gold on a gold ground