• Detail of Priam and another king in tents., Historia destructionis Troiae in a French translation

85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription

• Detail of a miniature of negotiations for peace., Historia destructionis Troiae in a French translation

85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription

• Detail of a miniature of the murder of Agamemnon., Historia destructionis Troiae in a French translation

85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription

• Detail of a miniature of the death of Aegisthus., Historia destructionis Troiae in a French translation

85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription

• Detail of a miniature of the death of Philisthenes and Menelippus., Historia destructionis Troiae in a French translation

85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription

• Detail of a miniature of the death of Telegonus., Historia destructionis Troiae in a French translation

85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription

• Canon tables in architectural frames, with decorated capitals and bases., Gospels, with the Epistle to Damasus, canon tables, and prefaces

in small Roman numerals. Canon tables in decorated architectural frames in green, red, blue, and yellow (ff. 9v-13v). 6 large initials in brown, with painted decoration in colours, at the beginning of Gospels or prologues (ff. 14, 51, 73, 77v,

• Canon table in an architectural frame, and decorated initial 'L'(iber) at the beginning of the Gospel of Mathew., Gospels, with the Epistle to Damasus, canon tables, and prefaces

of Mathew. Quire signatures in small Roman numerals. Canon tables in decorated architectural frames in green, red, blue, and yellow (ff. 9v-13v). 6 large initials in brown, with painted decoration in colours, at the beginning of Gospels or prologues (ff.

• Anitphon with neumes., Fragments of an Antiphoner including parts of offices for Lawrence, Hippolitus, and Peter and Paul

the Laws of Alfred and Ine (f. 42). Large simple initials in green or red; small initial and rubrication in blue or red; the original order of leaves: ff. 71, 72, 70, 69. Musical notation: Anglo-Saxon neumes, England (Canterbury), 11th

• Illuminated headpiece decorated with geometric patterns, and initial 'A'(ndres) at the beginning of Gregory Nazianzus' De pauperum amore (Oratio 14)., In patrem tacentem (ff. 1-3); De pauperum amore (ff. 3v-18v), both imperfect

were formerly gatherings 31-33 of a larger volume. Headpiece decorated with geometric patterns in colours and gold. Large gold and blue initial (f. 3v). Simple endpiece (f. 3). In patrem tacentem (ff. 1-3); De pauperum amore (ff. 3v-18v), both imperfect

• Antiphon for the office of Peter and Paul, with neumes., Fragments of an Antiphoner including parts of offices for Lawrence, Hippolitus, and Peter and Paul

the Laws of Alfred and Ine (f. 42). Large simple initials in green or red; small initial and rubrication in blue or red; the original order of leaves: ff. 71, 72, 70, 69. Musical notation: Anglo-Saxon neumes, England (Canterbury), 11th

• Detail of headpiece., In patrem tacentem (ff. 1-3); De pauperum amore (ff. 3v-18v), both imperfect

formerly gatherings 31-33 of a larger volume. Headpiece decorated with geometric patterns in colours and gold. Large gold and blue initial (f. 3v). Simple endpiece (f. 3). In patrem tacentem (ff. 1-3); De pauperum amore (ff. 3v-18v), both imperfect For

• Text page with initials, marginal notes and ink drawing of a pitcher., De fide orthodoxa

of no. 498 in the same catalogue is a mistake.) Initials in red or blue with pen-flourishing in the other colour. Paraphs in red or blue. Rubrics in red in triangular shapes inserted in the text (e.g., f. 26v). Numbers

• A parchment leaf onto which two other pieces of parchment have been pasted. The lists of contents on these added pieces are identical., The Revelations of Bridget of Sweden (Libri XII), Acts for the canonization of Bridget with accounts of her miracles, and various other texts, including the Tractatis de summis pontificibus (ff. 125-127), and the Vita venerabilis domine katerine filie beate Birgitte (ff. 288v-291v).

160v, 208). 2 smaller initials in colours with brief sprays (ff. 125, 295v). Plain initials in blue, some with red. Paraphs in red or blue. Rubrics in red. Running headers in red. Capitals marked in yellow. Cadels. The Revelations of

• Detail of decorated initial 'S'(tupor), incorporating the name 'Syon'., The Revelations of Bridget of Sweden (Libri XII), Acts for the canonization of Bridget with accounts of her miracles, and various other texts, including the Tractatis de summis pontificibus (ff. 125-127), and the Vita venerabilis domine katerine filie beate Birgitte (ff. 288v-291v).

160v, 208). 2 smaller initials in colours with brief sprays (ff. 125, 295v). Plain initials in blue, some with red. Paraphs in red or blue. Rubrics in red. Running headers in red. Capitals marked in yellow. Cadels. The Revelations of

• Detail of a text page with marginal drawing in the form of a log., The Revelations of Bridget of Sweden (Libri XII), Acts for the canonization of Bridget with accounts of her miracles, and various other texts, including the Tractatis de summis pontificibus (ff. 125-127), and the Vita venerabilis domine katerine filie beate Birgitte (ff. 288v-291v).

160v, 208). 2 smaller initials in colours with brief sprays (ff. 125, 295v). Plain initials in blue, some with red. Paraphs in red or blue. Rubrics in red. Running headers in red. Capitals marked in yellow. Cadels. The Revelations of

• Detail of a text page with marginal drawing in the form of a banderole wound round a pointer, held by a hand., The Revelations of Bridget of Sweden (Libri XII), Acts for the canonization of Bridget with accounts of her miracles, and various other texts, including the Tractatis de summis pontificibus (ff. 125-127), and the Vita venerabilis domine katerine filie beate Birgitte (ff. 288v-291v).

160v, 208). 2 smaller initials in colours with brief sprays (ff. 125, 295v). Plain initials in blue, some with red. Paraphs in red or blue. Rubrics in red. Running headers in red. Capitals marked in yellow. Cadels. The Revelations of

• Detail of a text page with a marginal drawing of a book with many tags., The Revelations of Bridget of Sweden (Libri XII), Acts for the canonization of Bridget with accounts of her miracles, and various other texts, including the Tractatis de summis pontificibus (ff. 125-127), and the Vita venerabilis domine katerine filie beate Birgitte (ff. 288v-291v).

160v, 208). 2 smaller initials in colours with brief sprays (ff. 125, 295v). Plain initials in blue, some with red. Paraphs in red or blue. Rubrics in red. Running headers in red. Capitals marked in yellow. Cadels. The Revelations of

• Miniature of antelopes and woman and a unicorn., Theological miscellany, including the Summa de vitiis (see Notes for contents)

miniatures on every page illustrating the bestiary (ff. 36-67v). Large initials in blue with red penwork decoration. Small initials in brown or red. Rubrics in red. Paraphs in blue or red, some with penwork decoration. Decorated nota marks, some with

• Detail of a miniature of Queen Emma before an altar., Liber Vitae of Newminster and Hyde, with register, charters, customs, the will of Alfred the Great, benedictions and order of Mass, etc.

full-page and 1 half-page ink drawings with some colours and a wash of green, blue or red (ff. 6-7). Large and small simple initials in blue, brown, red, or green, 2 with penwork decoration in brown (ff. 42, 44). Rubrics