• Detail of a decorated initial 'P'., Theological texts

initials in red, brown or green, some with penwork decoration in green, blue, red and/or brown, completed by a different but contemporary hand. Initials in red, green, or blue (ff. 109-174v) Theological texts Added table of contents, 12th century (f.

• Decorated initial 'T'(enebrosa) with foliate patterns and highlighted display script at the beginning of Homily VI., In Ezechielem

Initials outlined in red, blue or green with penwork decoration in zoomorphic (e. g. ff. 38, 85v) and/or foliate patterns on coloured background, at the beginning of each homily. Display capitals highlighted in red and blue. Rubrics in red and

• Initial 'M'(emoratis with zoomorphic and foliate decoration at the beginning of Homily V of the last ten homilies., In Ezechielem

Initials outlined in red, blue or green with penwork decoration in zoomorphic (e. g. ff. 38, 85v) and/or foliate patterns on coloured background, at the beginning of each homily. Display capitals highlighted in red and blue. Rubrics in red and

• Decorated initials 'd'(ilectissimo) and 'D'(ei omnipotentis) at the beginning of Gregory's epistle to Marinium and Homily I., In Ezechielem

Initials outlined in red, blue or green with penwork decoration in zoomorphic (e. g. ff. 38, 85v) and/or foliate patterns on coloured background, at the beginning of each homily. Display capitals highlighted in red and blue. Rubrics in red and

• Initial 'Q'(uia) with zoomorphic and foliate decoration at the beginning of Homily I of the last ten homilies., In Ezechielem

Initials outlined in red, blue or green with penwork decoration in zoomorphic (e. g. ff. 38, 85v) and/or foliate patterns on coloured background, at the beginning of each homily. Display capitals highlighted in red and blue. Rubrics in red and

• null, Enarrationes in Psalmos (volume 1)

at the beginning of the text (f. 1). Initials in red with penwork decoration in blue, initials in green with penwork decoration in red or blue, initials in purple with penwork decoration in red or/and green, some with the penwork

• null, Enarrationes in Psalmos (volume 1)

at the beginning of the text (f. 1). Initials in red with penwork decoration in blue, initials in green with penwork decoration in red or blue, initials in purple with penwork decoration in red or/and green, some with the penwork

• Inhabited initial 'B'(eatus) with dragons and griffins, at the beginning of the commentary to Psalm 1., Enarrationes in Psalmos (volume 1)

at the beginning of the text (f. 1). Initials in red with penwork decoration in blue, initials in green with penwork decoration in red or blue, initials in purple with penwork decoration in red or/and green, some with the penwork

• null, Enarrationes in Psalmos (volume 1)

at the beginning of the text (f. 1). Initials in red with penwork decoration in blue, initials in green with penwork decoration in red or blue, initials in purple with penwork decoration in red or/and green, some with the penwork

• Detail of marginal drawing of a man., Domesday book (ends imperfectly)

62, 66, 70, 72, 77v, 78, 79v, 81v, 82).date checked JH Large and small initials in red with blue pen-flourishing or in blue with red pen-flourishing, some with reserved designs. Domesday book (ends imperfectly) The Cistercian abbey of St Mary,

• Puzzle initial with penwork flourishing, and in the lower margin, the ownership inscription 'James Orchard Halliwell No. 220'., Lives of saints, 28 miracles of the Virgin, and Henry of Sawtrey's De purgatorio Sancti Patricii (ff. 195-196)

far as 'lx' (f. 125). Large puzzle initial in red and blue, with purple and red pen-flourishing (f. 1). Large initials in red with purple pen-flourishing, and in blue with red pen-flourishing. Initials in red. Paraphs in red. Highlighting of

• Decorated initial 'I'(n) at the beginning of Ovid's Metamorphosisis., Metamorphoses, with commentary

3). Large initial in blue with reserved lines and red pen-flourishing at the beginning of each subsequent book (ff. 15v, 29v, 41v, 54v, 65v, 77, 91, 105v, 118v, 130, 143, 153, 168v, 182). Initials in blue with red pen-flourishing or

• Decorated initial 'C'(onticuere)., Opera (Works)

41. 12 very large initials in blue and red with red and brown pen-flourishing (ff. 42, 52v, 63, 72v, 82, 93v, 105v, 116v, 126v, 137v, 149v, 161v). Large plain initials in red or blue. Capitals marked in red. Opera (Works)

• Historiated initial 'C'(um) depicting a tonsured master teaching tonsured pupils, at the beginning of the prologue to the commentary on Matthew., Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217), and other texts

incorporating miniatures in roundels. Large foliate initials in colours and gold. Small initials alternately blue with red flourishing, or red with purple flourishing. Paraphs alternately blue or red. Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217),

• Ownership inscriptions, the first dated 1403, the second dated 1757., Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217), and other texts

incorporating miniatures in roundels. Large foliate initials in colours and gold. Small initials alternately blue with red flourishing, or red with purple flourishing. Paraphs alternately blue or red. Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217),

• Illuminated initial 'S'(enior) with foliate decoration at the beginning of the commentary on III John., Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217), and other texts

incorporating miniatures in roundels. Large foliate initials in colours and gold. Small initials alternately blue with red flourishing, or red with purple flourishing. Paraphs alternately blue or red. Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217),

• Illuminated initial 'R' with the arms of Henry Despenser, bishop of Norwich, and a partial border, and in the upper margin, the signature of 'William Howarde 1579'., Historia ecclesiastica (ff. 1-99), De muliere forti, Epistola Cuthberti

1). Large initials in gold, pink, and/or blue, some also with red, with gold balls, and/or with foliate, floral, or filigree decoration (one with heraldic arms, f. 21). Line fillers in pink and/or blue. Historia ecclesiastica (ff. 1-99), De muliere

• Unfinished illuminated initial 'N'(octiam) with a drawing of a seated man (possibly Bede) writing at the desk holding a quill and a knife., Historia ecclesiastica (ff. 1-99), De muliere forti, Epistola Cuthberti

1). Large initials in gold, pink, and/or blue, some also with red, with gold balls, and/or with foliate, floral, or filigree decoration (one with heraldic arms, f. 21). Line fillers in pink and/or blue. Historia ecclesiastica (ff. 1-99), De muliere

• On the bar border, a quadruped (dragon?)., Historia ecclesiastica (ff. 1-99), De muliere forti, Epistola Cuthberti

1). Large initials in gold, pink, and/or blue, some also with red, with gold balls, and/or with foliate, floral, or filigree decoration (one with heraldic arms, f. 21). Line fillers in pink and/or blue. Historia ecclesiastica (ff. 1-99), De muliere

• Inhabited initial 'D'(ivinus) with a dog, in gold and colours., Theological miscellany, including Goselin's (index: Gocelinus, Jocelyn) Life of Augustine and other saints' lives (see Notes)

on a blue ground (f. 3). Large initials in red, green, or blue, some with penwork decoration in the other colour or colours. Small initials in red or green. Text in alternating letters or words of red, blue, and green.