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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

828 results from this resource . Displaying 221 to 240

85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription

85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription

85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription

85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription

in small Roman numerals. Canon tables in decorated architectural frames in green, red, blue, and yellow (ff. 9v-13v). 6 large initials in brown, with painted decoration in colours, at the beginning of Gospels or prologues (ff. 14, 51, 73, 77v,

of Mathew. Quire signatures in small Roman numerals. Canon tables in decorated architectural frames in green, red, blue, and yellow (ff. 9v-13v). 6 large initials in brown, with painted decoration in colours, at the beginning of Gospels or prologues (ff.

silk curtains, which have now been removed and are stored with the original covers as Egerton 809B. These covers are blue velvet over boards, with an inset painting of Bishop Blaise, Agnes and ? Anthony Abbot. 4 full-page framed miniatures

the Laws of Alfred and Ine (f. 42). Large simple initials in green or red; small initial and rubrication in blue or red; the original order of leaves: ff. 71, 72, 70, 69. Musical notation: Anglo-Saxon neumes, England (Canterbury), 11th

silk curtains, which have now been removed and are stored with the original covers as Egerton 809B. These covers are blue velvet over boards, with an inset painting of Bishop Blaise, Agnes and ? Anthony Abbot. 4 full-page framed miniatures

silk curtains, which have now been removed and are stored with the original covers as Egerton 809B. These covers are blue velvet over boards, with an inset painting of Bishop Blaise, Agnes and ? Anthony Abbot. 4 full-page framed miniatures

similar mis-en-page and decoration, and flyleaf notations. Full border, of red pen flourishing (f. 2). Small initials in red and blue with pen-flourishing. Similitudines Anselmi, with table of chapters Former shelfmark (?) ‘L.N.9’, ‘N° 3’ (f. i verso) and ‘B’

were formerly gatherings 31-33 of a larger volume. Headpiece decorated with geometric patterns in colours and gold. Large gold and blue initial (f. 3v). Simple endpiece (f. 3). In patrem tacentem (ff. 1-3); De pauperum amore (ff. 3v-18v), both imperfect

the Laws of Alfred and Ine (f. 42). Large simple initials in green or red; small initial and rubrication in blue or red; the original order of leaves: ff. 71, 72, 70, 69. Musical notation: Anglo-Saxon neumes, England (Canterbury), 11th

157) at the beginning of each Gospel. Simple headpieces and endpieces in red and sometimes brown. Large decorated initials in blue and red at the beginning of each Gospel. Small simple initials in red. Four Gospels, each preceded by a

formerly gatherings 31-33 of a larger volume. Headpiece decorated with geometric patterns in colours and gold. Large gold and blue initial (f. 3v). Simple endpiece (f. 3). In patrem tacentem (ff. 1-3); De pauperum amore (ff. 3v-18v), both imperfect For

silk curtains, which have now been removed and are stored with the original covers as Egerton 809B. These covers are blue velvet over boards, with an inset painting of Bishop Blaise, Agnes and ? Anthony Abbot. 4 full-page framed miniatures

in red, initials in red, some with penwork decoration in green, initials in purple, or/and in blue. Display script in red, green and blue (f. 52), or in red and purple (ff. 4v, 78v, 79v, 89v, 91, 94v). Chapter numbers

in red, initials in red, some with penwork decoration in green, initials in purple, or/and in blue. Display script in red, green and blue (f. 52), or in red and purple (ff. 4v, 78v, 79v, 89v, 91, 94v). Chapter numbers

of no. 498 in the same catalogue is a mistake.) Initials in red or blue with pen-flourishing in the other colour. Paraphs in red or blue. Rubrics in red in triangular shapes inserted in the text (e.g., f. 26v). Numbers

of Barking. Large outline initial in red and black on blue ground with man and hybrid creature enmeshed in foliage (f. 4). Large initial in red (now oxided) with a blue wash and foliate decoration (f. 1). Large initial in

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 19 April 2024), https://www.manuscriptsonline.org/search/results?kw=blue%20habit&sdt=1124&st=220