• Detail of ink drawings of an ibex and fire stones., Bestiary

12. 28 drawings in brown ink, some partially painted in red, green or blue. Small initials in blue or red (the red oxidised), some of the blue with dots of green or red. Highlighting of letters in red. From f.

• Ink drawings of animals., Bestiary

12. 28 drawings in brown ink, some partially painted in red, green or blue. Small initials in blue or red (the red oxidised), some of the blue with dots of green or red. Highlighting of letters in red. From f.

• Decorated initials 'I'(nter), 'R'(ex), and 'D'(esiderio), and later, possibly seventeenth-century marginal notations., Vita S. Thomae Cantueriensis; epistolae, and related texts, imperfect

145-190 in a 16th-century (?) hand. 1 puzzle initial in red and blue with red and blue foliate penwork decoration (f. 1). Large initials in red or blue, many with penwork decoration in the other colour. Vita S. Thomae Cantueriensis;

• Decorated initials 'D'(omino) and 'M'(odicum) at the beginning of the prologue of Innocent III's De contemptu mundi., De consideratione, ad Eugenium III (ff. 6-77v); De contemptu mundi (ff. 78-109v); treatise on the office of the mass, ending imperfectly (ff. 110-147v)

contemptu mundi. Large puzzle initial in red and blue with red and blue penwork decoration and pen-flourishing (f. 54v). Large initials in green with red penwork decoration, and in red with blue penwork decoration. Spaces left for initials. De consideratione,

• Decorated initials 'T'(ria) and 'N'(ichil) with part of a list of chapters, at the beginning of the second part of Innocent III's De contemptu mundi., De consideratione, ad Eugenium III (ff. 6-77v); De contemptu mundi (ff. 78-109v); treatise on the office of the mass, ending imperfectly (ff. 110-147v)

contemptu mundi. Large puzzle initial in red and blue with red and blue penwork decoration and pen-flourishing (f. 54v). Large initials in green with red penwork decoration, and in red with blue penwork decoration. Spaces left for initials. De consideratione,

• Decorated initial 'O' and a full foliate border, in the Breviary., Breviary, Use of Rome

decorated initial in gold on a red and blue ground, with foliate extensions into the margins (f. 385). Smaller initials in blue with red foliate pen-flourishing. Small initials in plain red or blue. Breviary, Use of Rome Inscription: 'Richardus Brandreth

• Historiated initial 'U' with Andrew, and a full foliate border with a bird, in the Brevary., Breviary, Use of Rome

decorated initial in gold on a red and blue ground, with foliate extensions into the margins (f. 385). Smaller initials in blue with red foliate pen-flourishing. Small initials in plain red or blue. Breviary, Use of Rome Inscription: 'Richardus Brandreth

• Historiated initial 'S'(ancti) with a monk presenting relics, and a full foliate border, in the Brevary., Breviary, Use of Rome

decorated initial in gold on a red and blue ground, with foliate extensions into the margins (f. 385). Smaller initials in blue with red foliate pen-flourishing. Small initials in plain red or blue. Breviary, Use of Rome Inscription: 'Richardus Brandreth

• Decorated initial 'S'(ecundus) at the beginning of the second book, in which Haymo comments on Isaiah 6, the prophet's vision of the Lord surrounded by chanting seraphim and the cleansing of his lips with a burning coal. The marks in the margin indicate citation of Isaiah., Commentary on Isaiah

indicate citation of Isaiah. Faint catchwords. Large initials in red with red and blue or green penwork decoration (ff. 1, 14), and in blue with red and blue penwork decoration (f. 1). Initials in red. Commentary on Isaiah The Benedictinne

• Puzzle initial 'P'(rofessores) with foliate penwork decoration, at the beginning of Edward Grim's Vita S. Thomae Cantueriensis., Vita S. Thomae Cantueriensis; epistolae, and related texts, imperfect

145-190 in a 16th-century (?) hand. 1 puzzle initial in red and blue with red and blue foliate penwork decoration (f. 1). Large initials in red or blue, many with penwork decoration in the other colour. Vita S. Thomae Cantueriensis;

• Decorated initials 'I'(nter), 'R'(ex), and 'D'(esiderio)., Vita S. Thomae Cantueriensis; epistolae, and related texts, imperfect

145-190 in a 16th-century (?) hand. 1 puzzle initial in red and blue with red and blue foliate penwork decoration (f. 1). Large initials in red or blue, many with penwork decoration in the other colour. Vita S. Thomae Cantueriensis;

• Decorated initials 'D'(omino) and 'M'(odicum) at the beginning of the prologue of Innocent III's De contemptu mundi., De consideratione, ad Eugenium III (ff. 6-77v); De contemptu mundi (ff. 78-109v); treatise on the office of the mass, ending imperfectly (ff. 110-147v)

contemptu mundi. Large puzzle initial in red and blue with red and blue penwork decoration and pen-flourishing (f. 54v). Large initials in green with red penwork decoration, and in red with blue penwork decoration. Spaces left for initials. De consideratione,

• Decorated initials 'T'(ria) and 'N'(ichil), at the beginning of the second part of Innocent III's De contemptu mundi., De consideratione, ad Eugenium III (ff. 6-77v); De contemptu mundi (ff. 78-109v); treatise on the office of the mass, ending imperfectly (ff. 110-147v)

contemptu mundi. Large puzzle initial in red and blue with red and blue penwork decoration and pen-flourishing (f. 54v). Large initials in green with red penwork decoration, and in red with blue penwork decoration. Spaces left for initials. De consideratione,

• Decorated initial 'E'(xpletis)., Medical miscellany, including the Viaticum (ff. 4-44); Practica (ff. 46-68v); part of the Chirurgia (ff. 70-87), with extensive glosses

and 94v-98v are added texts. Large initials in blue with red penwork decoration, and in red with blue penwork decoration, some with decoration in both colours. Small initials in red or blue. Medical miscellany, including the Viaticum (ff. 4-44); Practica

• Decorated initial 'P'(ractica) at the beginning of Bartholomaeus of Salerno's Practica., Medical miscellany, including the Viaticum (ff. 4-44); Practica (ff. 46-68v); part of the Chirurgia (ff. 70-87), with extensive glosses

and 94v-98v are added texts. Large initials in blue with red penwork decoration, and in red with blue penwork decoration, some with decoration in both colours. Small initials in red or blue. Medical miscellany, including the Viaticum (ff. 4-44); Practica

• Initial 'C'(reator) with foliate decoration and a dragon, and marginal decoration including a dragon., Medicina speculativa et practica, with table of contents, imperfect

red and blue penwork decoration, sometimes forming a partial border (ff. 108, 114, 118, 131, 165). 5 large initials in gold with penwork decoration in colours (ff. 125v, 137, 146v, 152v, 197). Small initials in red with blue penwork decoration,

• Decorated initials 'Primum quidem' at the beginning of Acts., Leaf of a Bible, Acts 1:1-4:31, bound with the recto as the verso

notation (e.g., ff. 18v, 38, 40, 77r-v, 78r-v, 80r-v, 83r-v). Incipit in blue with red penwork decoration. Small initials in red or blue. Chapter numbers in red and blue. Leaf of a Bible, Acts 1:1-4:31, bound with the recto as

• Detail of an historiated initial 'P'(ater) of Christ blessing and holding a book, at the beginning of the Pater Noster., Gospel of Matthew, with the Glossa ordinaria

Passion (ff. 1, 90v). Initials in red with blue pen-flourishing, or in blue with red pen-flourishing throughout the main text. Small initials and paraphs, some with penwork decoration, in red or blue, throughout the gloss. Gospel of Matthew, with the

• Diagram with decorated bands., De institutione musica; a miscellany of works on geometry, astronomy and mathematics

penwork decoration in green, blue, yellow and red (f. 10). Full page musical diagrams in red, blue and brown or red and brown (ff. 38-43v). Musical diagrams and tables in red and brown or red and blue (ff. 7v-19v, 22v-34v,

• Text page with table and marginal drawing., De institutione musica; a miscellany of works on geometry, astronomy and mathematics

penwork decoration in green, blue, yellow and red (f. 10). Full page musical diagrams in red, blue and brown or red and brown (ff. 38-43v). Musical diagrams and tables in red and brown or red and blue (ff. 7v-19v, 22v-34v,