• Decorated initials 'I'(saias) and 'V'(isio) at the beginning of Haymo's commentary on Isaiah, and above, a 14th-century inscription identifying the author and title, adding that it belonged to the monks' refectory or dining hall at St Edmund's Abbey (Bury St Edmunds), and an earlier pressmark in the corner 'H. 1'., Commentary on Isaiah

the corner 'H. 1'. Faint catchwords. Large initials in red with red and blue or green penwork decoration (ff. 1, 14), and in blue with red and blue penwork decoration (f. 1). Initials in red. Commentary on Isaiah The Benedictinne

• Decorated initials P(hebeio) and 'S'(epe)., Carmina majora, Carmina minora, De raptu Proserpine

puzzle and other initials with penwork decoration in red, blue, and green. Large initials in blue and red or red and green with penwork decoration. Small initials in red, green or blue. Carmina majora, Carmina minora, De raptu Proserpine ?

• Decorated initials., Carmina majora, Carmina minora, De raptu Proserpine

puzzle and other initials with penwork decoration in red, blue, and green. Large initials in blue and red or red and green with penwork decoration. Small initials in red, green or blue. Carmina majora, Carmina minora, De raptu Proserpine ?

• Puzzle initial 'M' at the beginning of the prologue, and 'I' at the beginning of the Mark. To the left of the lower initial are a series of cross-references to the other Gospels known as Ammonian sections., Portion of a calendar

binding on f. 58 and final end leaf. KL letters in blue with red penwork decoration, or in red with blue penwork decoration. Small initials in red or blue. Portion of a calendar The Benedictine priory of the Virgin Mary,

• Decorated letters in a calendar page for September, including the translation of Cuthbert., Portion of a calendar

binding on f. 58 and final end leaf. KL letters in blue with red penwork decoration, or in red with blue penwork decoration. Small initials in red or blue. Portion of a calendar The Benedictine priory of the Virgin Mary,

• Puzzle initial 'H'(ic) and 'I'(n) at the beginning of prologues and 'I'(n) at the beginning of John., Portion of a calendar

binding on f. 58 and final end leaf. KL letters in blue with red penwork decoration, or in red with blue penwork decoration. Small initials in red or blue. Portion of a calendar The Benedictine priory of the Virgin Mary,

• Decorated initial 'P'(arabolae) at the beginning of Proverbs., Glossed Proverbs (ff. 1-74) and Glossed Ecclesiastes (ff. 75-101v) with prologues (f. 74v) (index Old Testament)

of Proverbs). 3 large initials in combinations of green, yellow-brown, and blue, with foliate/arabesque motifs (ff. 1, 22, 57v); one in plain blue (f. 75). Small initials in green, blue, or red, but only as far as f. 74v. Glossed

• Decorated initial 'U'(anitas) at the beginning of Ecclesiastes, Glossed Proverbs (ff. 1-74) and Glossed Ecclesiastes (ff. 75-101v) with prologues (f. 74v) (index Old Testament)

of Proverbs). 3 large initials in combinations of green, yellow-brown, and blue, with foliate/arabesque motifs (ff. 1, 22, 57v); one in plain blue (f. 75). Small initials in green, blue, or red, but only as far as f. 74v. Glossed

• Puzzle initial 'P'(rofessores) with foliate penwork decoration, at the beginning of Edward Grim's Vita S. Thomae Cantueriensis, with the ink-stamp of the Royal Society in the lower margin., Vita S. Thomae Cantueriensis; epistolae, and related texts, imperfect

145-190 in a 16th-century (?) hand. 1 puzzle initial in red and blue with red and blue foliate penwork decoration (f. 1). Large initials in red or blue, many with penwork decoration in the other colour. Vita S. Thomae Cantueriensis;

• Ink drawings of a beaver with a man blowing a horn, a crocodile swallowing a hydrus, a crocodile with fish, and a winged hyena., Bestiary

12. 28 drawings in brown ink, some partially painted in red, green or blue. Small initials in blue or red (the red oxidised), some of the blue with dots of green or red. Highlighting of letters in red. From f.

• Detail of ink drawings of an ibex and fire stones., Bestiary

12. 28 drawings in brown ink, some partially painted in red, green or blue. Small initials in blue or red (the red oxidised), some of the blue with dots of green or red. Highlighting of letters in red. From f.

• Ink drawings of animals., Bestiary

12. 28 drawings in brown ink, some partially painted in red, green or blue. Small initials in blue or red (the red oxidised), some of the blue with dots of green or red. Highlighting of letters in red. From f.

• Decorated initials 'I'(nter), 'R'(ex), and 'D'(esiderio), and later, possibly seventeenth-century marginal notations., Vita S. Thomae Cantueriensis; epistolae, and related texts, imperfect

145-190 in a 16th-century (?) hand. 1 puzzle initial in red and blue with red and blue foliate penwork decoration (f. 1). Large initials in red or blue, many with penwork decoration in the other colour. Vita S. Thomae Cantueriensis;

• Decorated initials 'D'(omino) and 'M'(odicum) at the beginning of the prologue of Innocent III's De contemptu mundi., De consideratione, ad Eugenium III (ff. 6-77v); De contemptu mundi (ff. 78-109v); treatise on the office of the mass, ending imperfectly (ff. 110-147v)

contemptu mundi. Large puzzle initial in red and blue with red and blue penwork decoration and pen-flourishing (f. 54v). Large initials in green with red penwork decoration, and in red with blue penwork decoration. Spaces left for initials. De consideratione,

• Decorated initials 'T'(ria) and 'N'(ichil) with part of a list of chapters, at the beginning of the second part of Innocent III's De contemptu mundi., De consideratione, ad Eugenium III (ff. 6-77v); De contemptu mundi (ff. 78-109v); treatise on the office of the mass, ending imperfectly (ff. 110-147v)

contemptu mundi. Large puzzle initial in red and blue with red and blue penwork decoration and pen-flourishing (f. 54v). Large initials in green with red penwork decoration, and in red with blue penwork decoration. Spaces left for initials. De consideratione,

• Decorated initial 'O' and a full foliate border, in the Breviary., Breviary, Use of Rome

decorated initial in gold on a red and blue ground, with foliate extensions into the margins (f. 385). Smaller initials in blue with red foliate pen-flourishing. Small initials in plain red or blue. Breviary, Use of Rome Inscription: 'Richardus Brandreth

• Historiated initial 'U' with Andrew, and a full foliate border with a bird, in the Brevary., Breviary, Use of Rome

decorated initial in gold on a red and blue ground, with foliate extensions into the margins (f. 385). Smaller initials in blue with red foliate pen-flourishing. Small initials in plain red or blue. Breviary, Use of Rome Inscription: 'Richardus Brandreth

• Historiated initial 'S'(ancti) with a monk presenting relics, and a full foliate border, in the Brevary., Breviary, Use of Rome

decorated initial in gold on a red and blue ground, with foliate extensions into the margins (f. 385). Smaller initials in blue with red foliate pen-flourishing. Small initials in plain red or blue. Breviary, Use of Rome Inscription: 'Richardus Brandreth

• Decorated initial 'S'(ecundus) at the beginning of the second book, in which Haymo comments on Isaiah 6, the prophet's vision of the Lord surrounded by chanting seraphim and the cleansing of his lips with a burning coal. The marks in the margin indicate citation of Isaiah., Commentary on Isaiah

indicate citation of Isaiah. Faint catchwords. Large initials in red with red and blue or green penwork decoration (ff. 1, 14), and in blue with red and blue penwork decoration (f. 1). Initials in red. Commentary on Isaiah The Benedictinne

• Puzzle initial 'P'(rofessores) with foliate penwork decoration, at the beginning of Edward Grim's Vita S. Thomae Cantueriensis., Vita S. Thomae Cantueriensis; epistolae, and related texts, imperfect

145-190 in a 16th-century (?) hand. 1 puzzle initial in red and blue with red and blue foliate penwork decoration (f. 1). Large initials in red or blue, many with penwork decoration in the other colour. Vita S. Thomae Cantueriensis;