• Manuscripts of the West Midlands

fairly large elongated leaves - orange, blue, pink (not rose), dark pink/red/burgundy, white circles. Border Artist 2: ff. 5r, 7r-8r, 62r-93v, 98v-118r, 124r, 125v, 126r, 128v, 129r, 135r-143r, 163v. Characteristics: gold bar and blue bar with initial decorated with serrated

• Manuscripts of the West Midlands

5: underlining of names in red, red paraphs, some initials highlighted red, red and black line filler; two/three-line red or blue initials. Item 7: two-line red initials. Item 12: four-line initial A begins text. Outlined in red with red decoration

• Manuscripts of the West Midlands

Scribe 2: Item 3 is written in a contemporary business hand. Red paraphs to f. 16v. F. 17r - historiated blue initial A - head of St. Anselm? ff. 17-32v - one-line red initials, red paraphs, two-line red initials, hands

• Manuscripts of the West Midlands

'reproduce features of a dignified book hand on the basis of an engrossing hand, with upright and square proportions'. Three-line blue initial with red penwork extending into left margin on initial of each saint's life. First letter of each line

• Manuscripts of the West Midlands

red and placed within a ruled column by scribes 1, 3 and 5 but not by scribes 2 and 4. Blue initials with red penwork flourishing, all by the same artist, eg. ff. 140 vb, 324r-v. Not medieval. A second

• Manuscripts of the West Midlands

Formata, ff. 52v. In red: paraphs, two-line red initials, letters frequently tinted, extended ascenders on top line. One five-line initial, blue and red, f. 1r. Spaces for five-line initials: ff. 23r, 33v, 39v, 43v, 47v. Spaces for two-line initials: ff.

• Manuscripts of the West Midlands

49). Probably an Augustinian canon at Haughmond Abbey. In red: scribal numbering; titles; colophons; brackets; paraphs. Two-line red initials. Three-line blue initials with red penwork flourishing. Drawing of the Holy Face on the Vernicle. Nine lines deep over one column

• Manuscripts of the West Midlands

in red apart from two-line initials in blue. Initial page of text - f. 1v: eight-line þ of 'þe' and two-line B of 'Bifore' in red. Titles in red with first letter a blue Lombard. Some passages in red. Eight/ten-line

• Manuscripts of the West Midlands

and blue with white line decoration. Sprays of feathering grow from the three corners sporting green tinted oval lobes with pairs of gold balls and terminating in a gold elongated cone with spikes and a green tinted 'feather'. Two-line blue

• Manuscripts of the West Midlands

quartered grounds in blue and rose with white line decoration and outlined in black. Black hairlines with their bases tinted a bright green protrude from the corners. On f. 5r the voids within the initial W are blue with 'barley

• Manuscripts of the West Midlands

with crude penwork decoration and tinted green. Underlining in red. Three-line red Lombardic capitals. Red end-line decoration. Item 3: four-line blue initial G with red penwork flourishing and grotesque head protruding into left margin. Title in red scroll. Stanzas marked

• Manuscripts of the West Midlands

1: paraphs and some letters tinted red. Item 2: red paraphs, brown ink. Item 3: text begins with a five-line blue initial with crude red penwork and infill; two-line red initials, red paraphs, running titles underlined in red. Item 5:

• Manuscripts of the West Midlands

closed s in final position and long s elsewhere; Body height: 1.5 mm. Ff. 3r-29v: text begins with a four-line blue initial with red penwork flourishing. Latin lines in red. Ff. 30r-31v: three-line red Lombardic capital m begins text. All

• Manuscripts of the West Midlands

hooked ascender to h ; hooked descender to h ; long s in medial position. Body height: 2 mm. Two-line blue Lombardic initials with red penwork flourishing. Some words in red. Single red stroke between various words. Underlining in red.