• Pen drawing illustrating Psalm 136., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Pen drawings illustrating Psalms 13 and 14., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Coloured initial 'P'(rimus) at the beginning of notes on the compotus, and below, an added list of the archbishops of Canterbury., Treatise on the compotus, 'Ratio Gai cesaris de ordine anni', instructions for the discovery of the age of the moon, a table of moveable feasts, and other texts

Church, Canterbury: his note (f. 1v).The Benedictine abbey of Christ Church, Canterbury: formerly bound with Cotton Caligula A XV, ff. 120-153, the volume entitled 'Compotus Adelardi' in Prior Eastry's early 14th-century catalogue of books in the library of Christ

• Decorated initials in a list of church personnel (deacons, archdeacons, etc.) and their duties. Osmund bishop of Sarum (d. 1099) is named in line 9., Ordinal, Use of Sarum

a list of church personnel (deacons, archdeacons, etc.) and their duties. Osmund bishop of Sarum (d. 1099) is named in line 9. Musical notation (ff. 18v, 38, 38v, 126, 153v-155). Catchwords.Text in Gothic cursive (ff. 53-54v, 70v).ff. 162v, 163 contain

• Prayers, and in the lower portion of the page, the ownership inscription of the church of Risby, Suffolk: 'Iste liber constat ecclesie de Rysbey in comitatu de Suffolke. Ordinele., Ordinal, Use of Sarum

the page, the ownership inscription of the church of Risby, Suffolk: 'Iste liber constat ecclesie de Rysbey in comitatu de Suffolke. Ordinele. Musical notation (ff. 18v, 38, 38v, 126, 153v-155). Catchwords.Text in Gothic cursive (ff. 53-54v, 70v).ff. 162v, 163 contain

• Puzzle-initial 'T'(ranscriptum) with pen-flourishing at the beginning of Robert Grosseteste's translation of Tertullian, 'Testamentum XII patriarcharum'., Testamentum XII patriarcharum (ff. 1-15); Beniamin minor, in verse (ff. 15-20); Elucidarius (ff. 20v-34v)

(b. 1635, d. 1699), bishop of Worcester and theologian (see Wright 1972). Edward Stillingfleet (b. 1661, d. 1708), physician and Church of England clergyman, son of the former; in 1707 acquired by Robert Harley (see Wright 1972).The Harley Collection, formed

• Interlace initial 'D'(omino) with animal heads at the beginning of Bede's prologue to the life of Cuthbert, in the form of a letter written to Eadfrith, to whom he dedicated the work., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

dedicated the work. Wormald Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic

• Title page for the first section of Bede's prose Life of Cuthbert with the title in capital letters, and a rectangular border., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

a rectangular border. Wormald Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic

• Interlace initial 'P'(rincipium) with animal heads at the beginning of Bede's prose life of Cuthbert., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic practices and the miracles

• Interlace initials 'D'([omi]no' and 'M'(ulta) at the beginning of Bede's prologue to his verse Life of Cuthbert, addressing a priest named John, who was setting out on a pilgrimage to Rome., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

pilgrimage to Rome. Wormald Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic

• Coloured and decorated initials, the lower 'V'(ir) including an animal head, in a page from Bede's verse Life of Cuthbert with glosses written over the lines of the poem in Latin or Old English., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

or Old English. Wormald Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic

• Decorated initial in Bede's Life of Cuthbert, here with the text of Cuthbert's retirement to a small island off Lindisfarne, the discovery of his body, and the immediate commemoration of him as a holy man, with glosses in Latin and Old English above the lines., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

above the lines. Wormald Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic

• Title page and interlace initial 'P'(rincipium) with animal heads and mask., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic practices and the miracles attributed to

• Coloured initials., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic practices and the miracles attributed to him during his lifetime

• Coloured and decorated initials., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic practices and the miracles attributed to him during his

• Diagram., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic practices and the miracles attributed to him during his lifetime and

• Coloured initials with the hymns for vespers on the day for the commemoration of the birth of Cuthbert. The words of the songs are written in black, while the terms identifying them (such as 'a' for 'antiphon', 'pt' for 'psalm' or 'responsory') are written in red. Above each line, the music is written in Breton neumes., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

in Breton neumes. Wormald Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic

• Text page., Bifolium from Aelfric's 'Grammar', cropped

[part 4]: Originally part of a manuscript corpus of Augustine's works written by Eadmer, (d. c. 1130), monk at Christ Church, Canterbury, in the late 1080s (see Gullick 1998).f. 25 [part 12]:? Hew Herte, possibly identifiable with Hugh Herte (d.

• Text page., Leaf from Justinus's 'Epitome historiarum Trogi Pompeii', cropped

[part 4]: Originally part of a manuscript corpus of Augustine's works written by Eadmer, (d. c. 1130), monk at Christ Church, Canterbury, in the late 1080s (see Gullick 1998).f. 25 [part 12]:? Hew Herte, possibly identifiable with Hugh Herte (d.

• Coloured initials., Psalter, with canticles (ff. 99-108), litany for the use of Exeter, prayers, and offices (The 'Leofric Psalter')

red. Psalter, with canticles (ff. 99-108), litany for the use of Exeter, prayers, and offices (The 'Leofric Psalter') The cathedral church of St Peter, Exeter: evidence of the script and litany; perhaps made for Leofric, bishop (1046-1072) and given by