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  • Literary Manuscripts (1948)
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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

1948 results from this resource . Displaying 141 to 160

with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.

with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.

with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.

with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.

with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.

with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.

with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.

with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.

with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.

of a Romanesque church with a rose window by a lake, measuring 100 x 115. On the reverse, partial four-line stave, musical notation and text: '...deficit'. Italian cuttings.The present cuttings are bound in an album with other cuttings and leaves

or blue at the beginning of lines and verses (ff. 60-89). Rubrics in red. Sermons, letters and tracts The Cathedral Church of St Mary, Salisbury: probably to be identified with no. 155 in Patrick Young's 1622 catalogue of the cathedral

in red (f. 1) or brown. Rubrics in rustic capitals. Synonyma, Homilies, Commentaries on the Song of Songs The cathedral church of St Mary, Salisbury: probably to be identified with no. 31 in Patrick Young's 1622 catalogue of the cathedral

the Manuscripts Reading Room order Add. 29902.Musical notation. 11 historiated initials in colours and gold, of the dedication of a church (f. 3a); Christ's Entry into Jerusalem (f. 3b); the Nativity and the Annunciation to the Shepherds (f. 3c); a

the Manuscripts Reading Room order Add. 29902.Musical notation. 11 historiated initials in colours and gold, of the dedication of a church (f. 3a); Christ's Entry into Jerusalem (f. 3b); the Nativity and the Annunciation to the Shepherds (f. 3c); a

the Manuscripts Reading Room order Add. 29902.Musical notation. 11 historiated initials in colours and gold, of the dedication of a church (f. 3a); Christ's Entry into Jerusalem (f. 3b); the Nativity and the Annunciation to the Shepherds (f. 3c); a

the Manuscripts Reading Room order Add. 29902.Musical notation. 11 historiated initials in colours and gold, of the dedication of a church (f. 3a); Christ's Entry into Jerusalem (f. 3b); the Nativity and the Annunciation to the Shepherds (f. 3c); a

the Manuscripts Reading Room order Add. 29902.Musical notation. 11 historiated initials in colours and gold, of the dedication of a church (f. 3a); Christ's Entry into Jerusalem (f. 3b); the Nativity and the Annunciation to the Shepherds (f. 3c); a

penwork decoration in colours. Small initials and rubrics in red. Epistolae, Opera; Moralis Philosophia; Dialogue against the Jews The Cathedral Church of St Mary, Salisbury: probably to be identified with no. 154 in Patrick Young's 1622 catalogue of the cathedral

penwork decoration in colours. Small initials and rubrics in red. Epistolae, Opera; Moralis Philosophia; Dialogue against the Jews The Cathedral Church of St Mary, Salisbury: probably to be identified with no. 154 in Patrick Young's 1622 catalogue of the cathedral

penwork decoration in colours. Small initials and rubrics in red. Epistolae, Opera; Moralis Philosophia; Dialogue against the Jews The Cathedral Church of St Mary, Salisbury: probably to be identified with no. 154 in Patrick Young's 1622 catalogue of the cathedral

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 3 June 2024), https://www.manuscriptsonline.org/search/results?kw=church&sdf=1125&sr=ci&st=140