• Coloured initial 'D'(omine), at the beginning of Psalm 101., Psalter, in the Roman version, with Old English gloss, and 12 canticles

century (ff. 9, 29v, 62v, 69).The Benedictine abbey of Christ Church, Canterbury: Christ Church pressmark 'r' with a title 'Psalteriu[m] s[anc]ti Jeronimi glosatu[m]', 12th century (f. 8) and Christ Church script, 11th century (ff. 197-198, according to Ker, 1957).Thomas Cranmer

• Initial 'V' with filigree penwork decoration., Leaves from an Antiphoner (index antiphonal, antiphonary)

with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.

• Historiated initial 'V' of Michael weighing a soul., Leaves from an Antiphoner (index antiphonal, antiphonary)

with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.

• Historiatd initial 'A' of the Presentation in the Temple., Leaves from an Antiphoner (index antiphonal, antiphonary)

with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.

• Historiated initial 'S' of Saint Peter dressed as a pope and holding a book., Leaves from an Antiphoner (index antiphonal, antiphonary)

with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.

• Historiated initial 'L' of Lucy holding eyes on a dish and a palm leaf., Leaves from an Antiphoner (index antiphonal, antiphonary)

with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.

• Historiated initial 'F' of John the Baptist., Leaves from an Antiphoner (index antiphonal, antiphonary)

with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.

• Historiated initial 'B' of Longinus holding a spear., Leaves from an Antiphoner (index antiphonal, antiphonary)

with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.

• Historiated initial 'D' with Simon and Andrew fishing on Lake Galilee., Leaves from an Antiphoner (index antiphonal, antiphonary)

with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.

• Initial 'A' with filigree decoration., Leaves from an Antiphoner (index antiphonal, antiphonary)

with penwork decoration (ff. 1v, 2v-4, 5, 6, 7, 8v, 9). Leaves from an Antiphoner (index antiphonal, antiphonary) An Augustinian church in Venice: 164 leaves cut from the same antiphonary are Oxford, Bodleian Library, Ms Douce a. I. (Norman E.

• Historiated initial 'T' of a Romanesque church with a rose window by a lake, measuring 100 x 115. On the reverse, partial four-line stave, musical notation and text: '...deficit'., Cuttings from a Gradual

of a Romanesque church with a rose window by a lake, measuring 100 x 115. On the reverse, partial four-line stave, musical notation and text: '...deficit'. Italian cuttings.The present cuttings are bound in an album with other cuttings and leaves

• Miniature of a standing John Chrysostom., Leitourgikon (containing the texts needed by the celebrant at the Eucharist in the Orothodox church: Liturgies of John Chrysostom, Basil the Great, and the Presanctified)

Initials in blue. Text in red. Leitourgikon (containing the texts needed by the celebrant at the Eucharist in the Orothodox church: Liturgies of John Chrysostom, Basil the Great, and the Presanctified) Written in 1644 by Michael, oikonomos, or treasurer of

• Miniature of a standing Basil., Leitourgikon (containing the texts needed by the celebrant at the Eucharist in the Orothodox church: Liturgies of John Chrysostom, Basil the Great, and the Presanctified)

Initials in blue. Text in red. Leitourgikon (containing the texts needed by the celebrant at the Eucharist in the Orothodox church: Liturgies of John Chrysostom, Basil the Great, and the Presanctified) Written in 1644 by Michael, oikonomos, or treasurer of

• Detail of a coloured drawing depicting idol worship and blood-sacrifice at the church of Calamye., Travels (index Itinerarium)

idol worship and blood-sacrifice at the church of Calamye. Written in a Norfolk dialect. Combination of the beginning of text B with the end of text A (Doyle, 1986).Made in a vertical quarto shape, perhaps for travel or for carrying:

• Coloured drawings of Noah's Ark, resting on the mountain of Taneez, and the story of a monk that brought one plank down to house in a church at the foot of the mountain., Travels (index Itinerarium)

story of a monk that brought one plank down to house in a church at the foot of the mountain. Written in a Norfolk dialect. Combination of the beginning of text B with the end of text A (Doyle, 1986).Made

• Coloured initials., Benedictional, with prayers (the 'Canterbury Benedictional')

decoration. Rubrics in red. Highlighting of initials in red. Benedictional, with prayers (the 'Canterbury Benedictional') The Benedictine abbey of Christ Church, Canterbury: evidence of the text (see Temple 1976; Pfaff 2009).Added text and musical notation (ff. 71v, 214v).The Harley Collection,

• Decorated initial 'D'., Benedictional, with prayers (the 'Canterbury Benedictional')

decoration. Rubrics in red. Highlighting of initials in red. Benedictional, with prayers (the 'Canterbury Benedictional') The Benedictine abbey of Christ Church, Canterbury: evidence of the text (see Temple 1976; Pfaff 2009).Added text and musical notation (ff. 71v, 214v).The Harley Collection,

• Coloured initials., Benedictional, with prayers (the 'Canterbury Benedictional')

decoration. Rubrics in red. Highlighting of initials in red. Benedictional, with prayers (the 'Canterbury Benedictional') The Benedictine abbey of Christ Church, Canterbury: evidence of the text (see Temple 1976; Pfaff 2009).Added text and musical notation (ff. 71v, 214v).The Harley Collection,

• Sir John Mandeville meditates on the Church of St. Nicholas in Bethlehem, where the Virgin Mary milked her overflowing breasts onto red marble stones., Travels (index Itinerarium)

meditates on the Church of St. Nicholas in Bethlehem, where the Virgin Mary milked her overflowing breasts onto red marble stones. Written in a Norfolk dialect. Combination of the beginning of text B with the end of text A (Doyle,

• Puzzle initial 'H'(enry)., Nova Statuta (index Statutes of England, Statuta Angliae, Statute book) for Edward III to Edward IV

(b. 1635, d. 1699), bishop of Worcester and theologian (see Wright 1972). Edward Stillingfleet (b. 1661, d. 1708), physician and Church of England clergyman, son of the former; in 1707 acquired by Robert Harley (see Wright 1972).The Harley Collection, formed