• CP.F.181

Has deposition; No libel; Has sentence Outcome:plaintiff wins; marriage to be solemnized in a church. Date: 20/09/1438 — 09/02/1438 People & Places Participant: JoanWright [Wryght] Role: plaintiff Details: female Location: York (Ebor') : undefined Place(s): York : city North Street

• CP.F.227

: archdeaconry Participant: WilliamCorney [Corney; Cornay] Role: witness Details: male; 50; clerk Employment: dean of Cleveland, rector of the parish church of Kildale Location: Yorkshire, North Riding Place(s): Cleveland (Cleveland) : archdeaconry Participant: RogerHewetson [Hewetson] Role: witness Details: male Participant:

• CP.F.182

Outcome:plaintiff, Agnes Barber, loses; plaintiff, Margaret Thwing wins; marriage between Margaret and John Kirkby to be solemnized in church. Date: 07/03/1438 — 16/04/1439 People & Places Participant: AgnesBarber [Barbour; Barebour] Role: plaintiff Details: female Location: York (Ebor') : undefined Place(s):

• CP.F.221

sive prioratus de Ellerton) : religious house Notes: The prior and convent of Ellerton are involved as appropriators of the church of Ellerton and the chapel at East Cottingwith. Participant: RobertBarker [Barker] Role: witness Details: male; 53 Location: Wheldrake (YorkshireEastRiding)

• CP.F.229

conventus de Gisburn, conventus de Gisburne) : religious house Notes: The prior and convent are involved as appropriators of the church of Stainton. Participant: WilliamButler [Butler] Role: witness Details: male; 44 Location: Stainton (YorkshireNorthRiding) Place(s): Thornaby (Thormondby) : undefined Stainton

• Illuminated border and the historiated initial 'T'(erribilis) with a bishop outside a church, about to sprinkle it with holy water., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

'T'(erribilis) with a bishop outside a church, about to sprinkle it with holy water. Musical notation.? Possible instructions to the artist or later notes identifying the subject matter briefly, in the lower margin on most of the folios with historiated

• Illuminated miniature of the Trinity, with God the Father seated enthroned holding the cross with the crucified Christ and the dove of the Holy Spirit above the head of Christ (a 'Gnadenstuhl Trinity'), and below, a kneeling donor, William Melreth, alderman of London, in prayer, with his arms. Below this in gold letters and in English is the caption 'Blessed be the trinite', and an inscription detailing Melreth's gift of the missal to the church of St Lawrence, London., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

in English is the caption 'Blessed be the trinite', and an inscription detailing Melreth's gift of the missal to the church of St Lawrence, London. Musical notation.? Possible instructions to the artist or later notes identifying the subject matter briefly,

• Detail of a bas-de-page scene of two ladies outside a church., Decretals of Gregory IX with glossa ordinaria (the 'Smithfield Decretals')

of two ladies outside a church. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous corrections.Part II: the Calendarium illuminated and added on

• Miniature of Dante and Virgil entering the area devoted to simoniacs and magicians, while Dante speaks to the upside-down figure of Pope Nicholas III, with a figure of the True Church in the centre, as a lady dressed in blue with a gold star on her breast, and a seven-headed monster before her (presumably the false church), in illustration of Canto XIX., Divina Commedia (index Divine Comedy)

III, with a figure of the True Church in the centre, as a lady dressed in blue with a gold star on her breast, and a seven-headed monster before her (presumably the false church), in illustration of Canto XIX. Pope-Hennessy

• Detail of a miniature of Dante and Virgil entering the area devoted to simoniacs and magicians, while Dante speaks to the upside-down figure of Pope Nicholas III, with a figure of the True Church in the centre, as a lady dressed in blue with a gold star on her breast, and a seven-headed monster before her (presumably the false church), in illustration of Canto XIX., Divina Commedia (index Divine Comedy)

III, with a figure of the True Church in the centre, as a lady dressed in blue with a gold star on her breast, and a seven-headed monster before her (presumably the false church), in illustration of Canto XIX. Pope-Hennessy

• Manuscripts of the West Midlands

Oxon./ Diplomati RIC: RAWLINSON/ pro gradu/ Doctoris Legum/ Appensum' and drawing of a monk holding a book seated in a church and flanked by clerics/monks at sides and bottom. On edges of oval 'SIGLL . CANCELLARII ET VNIUERSITATIS OXONIENS'. ff.