• CP.F.229

conventus de Gisburn, conventus de Gisburne) : religious house Notes: The prior and convent are involved as appropriators of the church of Stainton. Participant: WilliamButler [Butler] Role: witness Details: male; 44 Location: Stainton (YorkshireNorthRiding) Place(s): Thornaby (Thormondby) : undefined Stainton

• CP.H.2052N

are mentioned Role: undefined Details: undefined Notes: Document attesting the one-third contribution to the repair and maintenance of the parish church of Wath Upon Dearne from the chapelry of Wentworth Location: Wath Upon Dearne (YorkshireWestRiding) Place(s): Wentworth (Wynteworthe) : chapelry

• Illuminated border and the historiated initial 'T'(erribilis) with a bishop outside a church, about to sprinkle it with holy water., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

'T'(erribilis) with a bishop outside a church, about to sprinkle it with holy water. Musical notation.? Possible instructions to the artist or later notes identifying the subject matter briefly, in the lower margin on most of the folios with historiated

• Illuminated miniature of the Trinity, with God the Father seated enthroned holding the cross with the crucified Christ and the dove of the Holy Spirit above the head of Christ (a 'Gnadenstuhl Trinity'), and below, a kneeling donor, William Melreth, alderman of London, in prayer, with his arms. Below this in gold letters and in English is the caption 'Blessed be the trinite', and an inscription detailing Melreth's gift of the missal to the church of St Lawrence, London., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

in English is the caption 'Blessed be the trinite', and an inscription detailing Melreth's gift of the missal to the church of St Lawrence, London. Musical notation.? Possible instructions to the artist or later notes identifying the subject matter briefly,

• Miniature of Dante and Virgil entering the area devoted to simoniacs and magicians, while Dante speaks to the upside-down figure of Pope Nicholas III, with a figure of the True Church in the centre, as a lady dressed in blue with a gold star on her breast, and a seven-headed monster before her (presumably the false church), in illustration of Canto XIX., Divina Commedia (index Divine Comedy)

III, with a figure of the True Church in the centre, as a lady dressed in blue with a gold star on her breast, and a seven-headed monster before her (presumably the false church), in illustration of Canto XIX. Pope-Hennessy

• Detail of a miniature of Dante and Virgil entering the area devoted to simoniacs and magicians, while Dante speaks to the upside-down figure of Pope Nicholas III, with a figure of the True Church in the centre, as a lady dressed in blue with a gold star on her breast, and a seven-headed monster before her (presumably the false church), in illustration of Canto XIX., Divina Commedia (index Divine Comedy)

III, with a figure of the True Church in the centre, as a lady dressed in blue with a gold star on her breast, and a seven-headed monster before her (presumably the false church), in illustration of Canto XIX. Pope-Hennessy

• Detail of historiated initial., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

Line-fillers in gold, red, and blue. Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers The church of St Lawrence in London, given in 1446 by William Melreth, alderman, textile merchant of Broad Street, member of

• Manuscripts of the West Midlands

Oxon./ Diplomati RIC: RAWLINSON/ pro gradu/ Doctoris Legum/ Appensum' and drawing of a monk holding a book seated in a church and flanked by clerics/monks at sides and bottom. On edges of oval 'SIGLL . CANCELLARII ET VNIUERSITATIS OXONIENS'. ff.