• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Historiated initial (dating, like the text, from the 1st half of the 11th century) and added drawing illustrating a Psalm (2nd quarter of the 12th century)., Added drawings

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Added drawing illustrating a Psalm (2nd quarter of the 12th century), the text was written in the 1st half of the 11th century., Added drawings

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Coloured initial 'H'(er ys godspelles) in green with penwork decoration in red, with ownership inscriptions of Thomas Cranmer (Thomas Cantuarien[sis]) and John Lumley., West Saxon Gospels (the 'Wessex Gospels')

13th century (ff. 1, 2, 175).The Benedictine abbey of Christ Church, Canterbury: Christ Church pressmark 'D[istinctio] xvi Gra[dus] iiii (f. 3); listed in Henry of Eastry's catalogue of Christ Church library, of 1337-38 as 'Textus iv evangeliorum anglice' (See Ker,

• Coloured initial 'N'(u) in red with green penwork decoration., West Saxon Gospels (the 'Wessex Gospels')

13th century (ff. 1, 2, 175).The Benedictine abbey of Christ Church, Canterbury: Christ Church pressmark 'D[istinctio] xvi Gra[dus] iiii (f. 3); listed in Henry of Eastry's catalogue of Christ Church library, of 1337-38 as 'Textus iv evangeliorum anglice' (See Ker,

• Drawing of God over the circle of the world with two long trumpets issuing from his mouth (the breath of God), holding a scale, and the Holy Spirit over the waters, enclosed within a hemisphere, at the beginning of Genesis.

p. 51); extensively corrected in the 11th-12th centuries by scribes writing a Christ Church script, probably in the same hand as in Arundel 155 of Christ Church origin and provenance (see Dumville 1991, p. 47).Added Obadiah 19-21, Jonah, Micah, Nahum,

• Table, Mnemonic verses, notes, etc., on the compotus

Church, Canterbury: his note (f. 1v).The Benedictine abbey of Christ Church, Canterbury: formerly bound with Cotton Caligula A XV, ff. 120-153, the volume entitled 'Compotus Adelardi' in Prior Eastry's early 14th-century catalogue of books in the library of Christ

• Detail of a drawing of God over the circle of the world with two long trumpets issuing from his mouth (the breath of God), holding a scale, and the Holy Spirit over the waters, enclosed within a hemisphere, at the beginning of Genesis.

p. 51); extensively corrected in the 11th-12th centuries by scribes writing a Christ Church script, probably in the same hand as in Arundel 155 of Christ Church origin and provenance (see Dumville 1991, p. 47).Added Obadiah 19-21, Jonah, Micah, Nahum,