• Text page., Psalter and prayers ('The Eadui Psalter', 'The Arundel Psalter')

the calendar in successive centuries; erased Christ Church ownership inscription(?) (f. ii verso).Emendations by other 11th- and 12th-century scribes; the text on ff. 145-146 is a 14th-century addition.William Ingram, monk of Christ Church: with the late 15th-century inscription 'Si quis

• Detail of coloured initial., Psalter and prayers ('The Eadui Psalter', 'The Arundel Psalter')

the calendar in successive centuries; erased Christ Church ownership inscription(?) (f. ii verso).Emendations by other 11th- and 12th-century scribes; the text on ff. 145-146 is a 14th-century addition.William Ingram, monk of Christ Church: with the late 15th-century inscription 'Si quis

• Detail of text., Psalter and prayers ('The Eadui Psalter', 'The Arundel Psalter')

the calendar in successive centuries; erased Christ Church ownership inscription(?) (f. ii verso).Emendations by other 11th- and 12th-century scribes; the text on ff. 145-146 is a 14th-century addition.William Ingram, monk of Christ Church: with the late 15th-century inscription 'Si quis

• Detail of text., Psalter and prayers ('The Eadui Psalter', 'The Arundel Psalter')

the calendar in successive centuries; erased Christ Church ownership inscription(?) (f. ii verso).Emendations by other 11th- and 12th-century scribes; the text on ff. 145-146 is a 14th-century addition.William Ingram, monk of Christ Church: with the late 15th-century inscription 'Si quis

• Easter table, in an architectural frame., Psalter and prayers ('The Eadui Psalter', 'The Arundel Psalter')

the calendar in successive centuries; erased Christ Church ownership inscription(?) (f. ii verso).Emendations by other 11th- and 12th-century scribes; the text on ff. 145-146 is a 14th-century addition.William Ingram, monk of Christ Church: with the late 15th-century inscription 'Si quis

• Initial 'L'(iber) with interlace decoration and display script in gold, framed by a 'Winchester style' border with foliage intertwined with gold bars, and four medallions with saints holding books and a cross (Evangelists?), at the beginning of Matthew. The name of the manuscript's owner, Lord Lumley, is inscribed in the lower margin., Gospels (the 'Cnut Gospels')

(the 'Cnut Gospels') Written in Christ Church, Canterbury, by the scribe of Trinity College B. 10. 4 (215), Rouen BM Y. 6 (274) and Copenhagen, Royal Library, G.K.S. 10, 2°, all associated with Christ Church (see Bishop, 1967).A note, in

• Notes on an originally blank folio, including a statement of the author and title in 13th-century script in the middle at the top ('Adthelardus de compoto'), which is recognisable as a Christ Church, Canterbury inscription. Below this is a note of a flood in Thanet and Sheppy, in 1394, confirming continued ownership in Kent in the 14th century. The astrological symbol for Jupiter in the extreme top right corner is a characteristic marking of books owned by John Dee (died 1608), a famous alchemist in the court of Elizabeth I., Mnemonic verses, notes, etc., on the compotus

Church, Canterbury: his note (f. 1v).The Benedictine abbey of Christ Church, Canterbury: formerly bound with Cotton Caligula A XV, ff. 120-153, the volume entitled 'Compotus Adelardi' in Prior Eastry's early 14th-century catalogue of books in the library of Christ

• Detail of inscription at the bottom of the folio., Epistola de vita S. Dunstani; Life of St Dunstan

Church, Canterbury (see f. 2; Gameson 1999 p. 94).Dover Priory, by 14th century: inscribed with its press mark 'D VII' and title (f. 2); included in the 1389 catalogue.John Joscelin [Joscelyn] (b. 1529, d. 1603), Old English scholar and

• Text page with initials and rubrics., De unitate sanctae trinitatis (f.1); De differentiis, Etymologiae (incomplete), De miraculis Christi

unitate sanctae trinitatis (f.1); De differentiis, Etymologiae (incomplete), De miraculis Christi The Cathedral Church of St Mary, Salisbury: probably to be identified with no. 23 in Patrick Young's 1622 catalogue of the cathedral library, Salisbury (see Ker 1964).The Old Royal

• Decorated headpiece and initials., Sticherarion (hymnal of the Greek Church), for Saint's days and festivals, with musical notation

99, 129v, 246v). Large initials in red with penwork decoration. Accents and rubrics in red. Sticherarion (hymnal of the Greek Church), for Saint's days and festivals, with musical notation Purchased at Sotheby's 16 February 1875 by the British Museum, using

• Inscription in English., West Saxon Gospels (the 'Wessex Gospels')

13th century (ff. 1, 2, 175).The Benedictine abbey of Christ Church, Canterbury: Christ Church pressmark 'D[istinctio] xvi Gra[dus] iiii (f. 3); listed in Henry of Eastry's catalogue of Christ Church library, of 1337-38 as 'Textus iv evangeliorum anglice' (See Ker,

• Initial 'D' with zoomorphic and interlace decoration., De laudibus virginitatis, letter to Ehfrid (index: Heahfridum), both with interlinear and marginal glosses

Ker, 1957).The Benedictine cathedral priory of Christ Church, Canterbury: lines on the death of Henry of Blois (d. 1171) added in the late 12th century (f. 109v) by a scribe of Christ Church, Canterbury.4 parchment flyleaves (ff. 1-4) have been

• Initial 'E' with penwork decoration., De laudibus virginitatis, letter to Ehfrid (index: Heahfridum), both with interlinear and marginal glosses

Ker, 1957).The Benedictine cathedral priory of Christ Church, Canterbury: lines on the death of Henry of Blois (d. 1171) added in the late 12th century (f. 109v) by a scribe of Christ Church, Canterbury.4 parchment flyleaves (ff. 1-4) have been

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ