• Detail of a pen drawing illustrating Psalm 117., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Detail of a pen drawing illustrating Psalm 122., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Pen drawings illustrating Psalms 123 and 124., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Pen drawings illustrating Psalm 125, with a decorated initial 'Q'(ui confidunt in Domino) and a decorated initial 'I'(n convertendo Dominus)., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Pen drawings illustrating Psalms 126 and 127., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Detail of a pen drawing illustrating Psalm 131., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Detail of a pen drawing illustrating Psalm 133., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Pen drawing illustrating Psalm 136., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Pen drawings illustrating Psalms 13 and 14., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Puzzle initial on the first page of text, from the book of Job, with Arundel and Lumley ownership signatures., Bible (Job to Revelation)

from Job to Revelation. The first volume is Royal 1 E VII. The text corrected or emended by a Christ Church scribe; other manuscripts attributed to him are: Cambridge, Trinity College, B. 1.17 and B. 3.9 (see Marsden 1994 and

• Coloured initial 'B'(eatus) with display script, at the beginning of Psalm 1, with the pressmark of Christ Church, Canterbury 'r', and ownership inscriptions of Thomas Cranmer and Lord Lumley., Psalter, in the Roman version, with Old English gloss, and 12 canticles

century (ff. 9, 29v, 62v, 69).The Benedictine abbey of Christ Church, Canterbury: Christ Church pressmark 'r' with a title 'Psalteriu[m] s[anc]ti Jeronimi glosatu[m]', 12th century (f. 8) and Christ Church script, 11th century (ff. 197-198, according to Ker, 1957).Thomas Cranmer

• Text page with intials 'A' and 'P' and rubric in red., Epistolae, De obitu Theodosii, De Nabuthae

3080 (see Ker 1976). Initials, numbers and rubrics in red (some oxidised). Epistolae, De obitu Theodosii, De Nabuthae The cathedral church of St Mary, Salisbury: (see Ker 1987).The Old Royal Library (the English Royal Library): in the catalogue of the

• Drawing of John Chrysostom, a fFather of the Greek church, and decorated initials., Hymns and prayers, preceded by extracts from the Fathers, and followed by other prayers, imperfect

a fFather of the Greek church, and decorated initials. 4 drawings in pen with colour washes of standing Fathers, three holding scrolls (ff. 13, 18v, 20, 21v). 7 simple headpieces in brown, with some penwork decoration, one with a cross

• Decorated initial 'A' with a dragon and foliage., Gradual (the Temporale and Sanctorale combined)

red or brown. Highlighting of letters in red or green. Rubrics in red. Gradual (the Temporale and Sanctorale combined) A church in the area of Noyon: an alleluia for St Eloi (f. 56v). Clipping from an action catalogue cdescribing the

• Decorated initial, 'Ce sunt les rentes de lesglise S. Norrice de Reins' (register of tithes, rents, and other dues of the church of St Nourrice, otherwise St Balsamia, Nurse of St Remigius, at Reims)

10). 'Ce sunt les rentes de lesglise S. Norrice de Reins' (register of tithes, rents, and other dues of the church of St Nourrice, otherwise St Balsamia, Nurse of St Remigius, at Reims) Bought by the British Museum from Tross

• Coloured initial 'P'(rimus) at the beginning of notes on the compotus, and below, an added list of the archbishops of Canterbury., Treatise on the compotus, 'Ratio Gai cesaris de ordine anni', instructions for the discovery of the age of the moon, a table of moveable feasts, and other texts

Church, Canterbury: his note (f. 1v).The Benedictine abbey of Christ Church, Canterbury: formerly bound with Cotton Caligula A XV, ff. 120-153, the volume entitled 'Compotus Adelardi' in Prior Eastry's early 14th-century catalogue of books in the library of Christ

• Calendar page for September, on the left, and for August (bound upside down) on the right., Almanac, with a calendar, and tables for the calculation of eclipses and of the moon's influence

eclipses and of the moon's influence Inscribed with the date 1463 (f. 3).? Thomas Baker (b. 1656, d. 1740), nonjuring Church of England clergyman and antiquary (deprived of his fellowship at St John's, Cambridge in 1717): inscription 'Tho. Baker, Coll.

• null, Almanac, with a calendar, and tables for the calculation of eclipses and of the moon's influence

eclipses and of the moon's influence Inscribed with the date 1463 (f. 3).? Thomas Baker (b. 1656, d. 1740), nonjuring Church of England clergyman and antiquary (deprived of his fellowship at St John's, Cambridge in 1717): inscription 'Tho. Baker, Coll.

• Decorated line and initial 'E'., Speeches, including 'Olynthiaca' 1-3 (ff. 1-15) and 'Philippica' 1, 2, 3-4 (ff. 15v-23, 27v-32v, 48v-70)

and Harlfinger 1981.The Cathedral Church of St Peter and St Wilfrid at Ripon: owned in the 17th century; its inscription 'Liber Ecclesiae Collegiatae de Ripon' (ff. 1, 304v; see Wright 1972).Thomas Mangey (b. 1683/4, d. 1755), Church of England clergyman

• Puzzle initial 'U' with pen-flourishing extending into the margin at the beginning of the Statutes of Exeter Cathedral., Statutes of Exeter cathedral, from William [Warelwast, 1110 ?] to Thomas Brantingham, issued in 1387

The cathedral church of Exeter (see Wright 1972).Edward Stillingfleet (b. 1635, d. 1699), bishop of Worcester and theologian: MS. 146 in his library inventory, now Harley 7644 (see Wright 1972). Edward Stillingfleet (b. 1661, d. 1708), physician and Church of