• Text page., Symbolum fidei, Registrum; Recantation of 1079

Text page. An addition in a later hand of the mid-12th century contains a narrative of the schism in the papacy, 1159, and the peace of Venice by which Pope Alexander III and the Emperor Frederick I were reconciled

• Large initial 'V' with penwork decoration (incomplete)., Symbolum fidei, Registrum; Recantation of 1079

Large initial 'V' with penwork decoration (incomplete). An addition in a later hand of the mid-12th century contains a narrative of the schism in the papacy, 1159, and the peace of Venice by which Pope Alexander III and the

• Double opening with ownership inscription, initial 'Q'(uoniam) and paraph with pen-flourishing., Chronica pontificum et imperatorum to 1277; a miscellany of theological treatises and monastic legal documents

fratris Martini' in the list of manuscripts from Lincolnshire houses entitled 'de historiis antiquitatum ac divinitate tractancium', perhaps composed by John Longland, bishop of Lincoln and confessor of Henry VIII, Royal Appendix 69, f. 5v (see Carley 2000).The Old Royal

• Text page with ownership inscription., Chronica pontificum et imperatorum to 1277; a miscellany of theological treatises and monastic legal documents

fratris Martini' in the list of manuscripts from Lincolnshire houses entitled 'de historiis antiquitatum ac divinitate tractancium', perhaps composed by John Longland, bishop of Lincoln and confessor of Henry VIII, Royal Appendix 69, f. 5v (see Carley 2000).The Old Royal

• Text page of the Chronicle of Popes and Emperors with each name marked by an intial., Chronica pontificum et imperatorum to 1277; a miscellany of theological treatises and monastic legal documents

fratris Martini' in the list of manuscripts from Lincolnshire houses entitled 'de historiis antiquitatum ac divinitate tractancium', perhaps composed by John Longland, bishop of Lincoln and confessor of Henry VIII, Royal Appendix 69, f. 5v (see Carley 2000).The Old Royal

• Text page with paraphs marking the beginning of each document., Chronica pontificum et imperatorum to 1277; a miscellany of theological treatises and monastic legal documents

fratris Martini' in the list of manuscripts from Lincolnshire houses entitled 'de historiis antiquitatum ac divinitate tractancium', perhaps composed by John Longland, bishop of Lincoln and confessor of Henry VIII, Royal Appendix 69, f. 5v (see Carley 2000).The Old Royal

• Text page with intial and large paraph with pen-flourishing at the beginning of the Chronicle of Popes and Emperors., Chronica pontificum et imperatorum to 1277; a miscellany of theological treatises and monastic legal documents

fratris Martini' in the list of manuscripts from Lincolnshire houses entitled 'de historiis antiquitatum ac divinitate tractancium', perhaps composed by John Longland, bishop of Lincoln and confessor of Henry VIII, Royal Appendix 69, f. 5v (see Carley 2000).The Old Royal

• Decorated initial with animal heads and interlace., The Pauline and Catholic Epistles (except III John and Jude), and Revelation, imperfect

on red or yellow backgrounds. Text in red, sometimes with a yellow wash. The Pauline and Catholic Epistles (except III John and Jude), and Revelation, imperfect Inscribed in runes 'Ego Iusueus Hac/si indignus diacon[us]/ [h]anc librum quem / ad opus

• Illuminated initial 'Q'(uoniam) with interlace decoration, at the beginning of the Gospel of Luke., Gospels, with capitula (ff. 163-175)

with interlace patterns within full-page rectangular frames of gold and red or colours at the beginning of Gospels, that for John on a purple background (ff. 15, 57, 86, 132). Initials and text entirely in gold. Numbers in red. Gospels,

• Interlace initial 'P'(aulus)., The Pauline and Catholic Epistles (except III John and Jude), and Revelation, imperfect

on red or yellow backgrounds. Text in red, sometimes with a yellow wash. The Pauline and Catholic Epistles (except III John and Jude), and Revelation, imperfect Inscribed in runes 'Ego Iusueus Hac/si indignus diacon[us]/ [h]anc librum quem / ad opus

• Text page., Gospel Book, imperfect, with glosses in Irish and Latin

of yellow, pink, and brown, with penwork decoration (including of an animal head) at the beginning of Mark, Luke, and John (ff. 11, 34, 65). Small initials in brown. Gospel Book, imperfect, with glosses in Irish and Latin Attributed to

• Drawing of Mark's symbol of the lion, before the beginning of his Gospel., Gospel Book, imperfect, with glosses in Irish and Latin

of yellow, pink, and brown, with penwork decoration (including of an animal head) at the beginning of Mark, Luke, and John (ff. 11, 34, 65). Small initials in brown. Gospel Book, imperfect, with glosses in Irish and Latin Attributed to

• Decorated letters 'In'(itium) with an animal head, a clawed foot, and a heart-shaped 'tail' at the beginning of the Gospel of Mark. A later reader has added a title at the top of the page ('Marcus') and numbered the chapters ('.1.' in the right-hand margin)., Gospel Book, imperfect, with glosses in Irish and Latin

of yellow, pink, and brown, with penwork decoration (including of an animal head) at the beginning of Mark, Luke, and John (ff. 11, 34, 65). Small initials in brown. Gospel Book, imperfect, with glosses in Irish and Latin Attributed to

• Decorated initial 'Q'([uonia]m) with an animal head at the beginning of the Gospel of Luke., Gospel Book, imperfect, with glosses in Irish and Latin

of yellow, pink, and brown, with penwork decoration (including of an animal head) at the beginning of Mark, Luke, and John (ff. 11, 34, 65). Small initials in brown. Gospel Book, imperfect, with glosses in Irish and Latin Attributed to

• Text page., Gospel Book, imperfect, with glosses in Irish and Latin

of yellow, pink, and brown, with penwork decoration (including of an animal head) at the beginning of Mark, Luke, and John (ff. 11, 34, 65). Small initials in brown. Gospel Book, imperfect, with glosses in Irish and Latin Attributed to

• Decorated letters 'I'(n principio) at the beginning of John's Gospel, with a bird-like head and claw., Gospel Book, imperfect, with glosses in Irish and Latin

of yellow, pink, and brown, with penwork decoration (including of an animal head) at the beginning of Mark, Luke, and John (ff. 11, 34, 65). Small initials in brown. Gospel Book, imperfect, with glosses in Irish and Latin Attributed to

• Miniature of the Crucifixion, decorated initial 'E'(gressus) and scatter borders, at the beginning of the Passion of Christ according to John., Book of Hours, Use of Rome

at the beginning of the Passion of Christ according to John. f. 1 is an added printed leaf of a title page for a book of hours, Paris 1600, signed by 'Iamet Mettayer Imprimeur Ordinaire du Roy'. 24 small miniatures,

• Text page., Gospel Book, imperfect, with glosses in Irish and Latin

of yellow, pink, and brown, with penwork decoration (including of an animal head) at the beginning of Mark, Luke, and John (ff. 11, 34, 65). Small initials in brown. Gospel Book, imperfect, with glosses in Irish and Latin Attributed to

• Initial 'D'(ie) with penwork decoration at the beginning of Julian of Toledo's Prognosticon futuri saeculi., De virtutibus et vitiis (ff. 1-9v); Prognosticon futuri saeculi (ff. 10-46v)

collat(us) a d(omi)no theoderico morelli' (f. 46v).The Augustinian priory of Val St.-Martin, Leuven (index Louvain): see the inscription cited above. John Chamberlayne (b. 1666, d. 1723), son of Edward Chamberlayne (b. 1616, d. 1703): his sale of his library conducted

• Initial 'U'(num) with foliate and knotwork motifs., Epistulae

Initial 'U'(num) with foliate and knotwork motifs. Table of contents in hand of scribe (ff. 1-2v). Quire marks. Guide script for rubricator preserved on f. 99v (written alongside outer margin).Some initials are probably unfinished, as they lack contour lines.