16th century: inscribed several times with his name (ff. 34v, 59, 63, 81v, etc.).Listing of names, 16th century: 'John Hemys(?), John hill(?), John tomson(?), Robard Ward(?)' (f. 82).John McCarthy(?), 16th century: inscribed his name (f. 72v).Added tabula (f. 1) signed
page to John. There is a close connection between this manuscript and others from Echternach (see Boeckler 1933, pp. 44-45), e.g. British Library Egerton 608, and Paris, BN, lat. 10438, made for bishop Adalbero III of Metz (1047-1072).The scribe responsible
with interlace patterns at the beginning of Matthew ('L'[iber], f. 10v), Mark ('I'[nitium], f. 46), Luke ('Q'[uoniam], f. 71v), and John ('I'[n], f. 112v). Initials with coloured highlights (ff. 8v, 11, 44, 68v-71, 110v-113). Some initials in red or red
the Evangelist John, seated at a desk, with an eagle in the pediment. There is a close connection between this manuscript and others from Echternach (see Boeckler 1933, pp. 44-45), e.g. British Library Egerton 608, and Paris, BN, lat. 10438,
by the sun and the moon above, and by Mary and John the Evangelist, and the hand of God descending from above, facing the beginning of Psalm 1. 2 full-page miniatures of the Crucifixion (ff. 12v, 52v), the first in
Drawing of God over the circle of the world with two long trumpets issuing from his mouth (the breath of God), holding a scale, and the Holy Spirit over the waters, enclosed within a hemisphere, at the beginning of
Crucifixion, with Mary and John, and personifications of the sun (Sol) and moon (Luna). There is a close connection between this manuscript and others from Echternach (see Boeckler 1933, pp. 44-45), e.g. British Library Egerton 608, and Paris, BN, lat.
Detail of a drawing of God over the circle of the world with two long trumpets issuing from his mouth (the breath of God), holding a scale, and the Holy Spirit over the waters, enclosed within a hemisphere, at
at the beginning of John. Sometimes referred to as the Eller Gospels. Canon tables with architectural frames in colours with birds or men holding weapons (ff. 4-9v). 4 full-page or very large initials in colours and gold, with interlace decoration
Crucifixion, with Mary and John, and personifications of the sun (Sol) and moon (Luna). There is a close connection between this manuscript and others from Echternach (see Boeckler 1933, pp. 44-45), e.g. British Library Egerton 608, and Paris, BN, lat.
initial at the beginning of John Chrysostom's homily De diabolo tentatore. Misbinding of ff. 1-20 noted in a 13th century (?) Greek hand in the lower margin. ff. 38-39 bound upside down. Large foliate, geometric, or decorated headpieces in colours
the Mass; Sermons; theological works; calendar Robert de Braci, prior (c.1136-1137) of the Augustinian Priory of St Mary and St John, Llanthony (index Lanthony), Gloucestershire: inscribed 'Excepc[i]ones Rob[erti] de braci' (f. 1). In the catalogue of the New Priory c.1355-60.John
the Mass; Sermons; theological works; calendar Robert de Braci, prior (c.1136-1137) of the Augustinian Priory of St Mary and St John, Llanthony (index Lanthony), Gloucestershire: inscribed 'Excepc[i]ones Rob[erti] de braci' (f. 1). In the catalogue of the New Priory c.1355-60.John
Decorated initial 'T'(enebrosa) with foliate patterns and highlighted display script at the beginning of Homily VI. From f. 103v onwards the decorated initials are unfinished.An excerpt from Quaestiones in vetus testamentum by Isidore of Seville is on the last
Initial 'M'(emoratis with zoomorphic and foliate decoration at the beginning of Homily V of the last ten homilies. From f. 103v onwards the decorated initials are unfinished.An excerpt from Quaestiones in vetus testamentum by Isidore of Seville is on
Decorated initials 'd'(ilectissimo) and 'D'(ei omnipotentis) at the beginning of Gregory's epistle to Marinium and Homily I. From f. 103v onwards the decorated initials are unfinished.An excerpt from Quaestiones in vetus testamentum by Isidore of Seville is on the
Initial 'Q'(uia) with zoomorphic and foliate decoration at the beginning of Homily I of the last ten homilies. From f. 103v onwards the decorated initials are unfinished.An excerpt from Quaestiones in vetus testamentum by Isidore of Seville is on
of a collection of fragments from manuscripts and printed books, including maps and drawings, assembled by the bookseller and antiquary John Bagford (b. 1650/51, d. 1716) for historical purposes. Drawings and printed book fragments from the volume were transferred to
of a collection of fragments from manuscripts and printed books, including maps and drawings, assembled by the bookseller and antiquary John Bagford (b. 1650/51, d. 1716) for historical purposes. Drawings and printed book fragments from the volume were transferred to
the Evangelist John. Two other manuscripts were also written by this scribe: Munich, Bayerische Staatsbibliothek MS Clm. 23630; and Munich, Universitatsbibliotheck MS 179, with the inscription 'Deus propicius esto Odalrico peccatori': see Turner.f. i is a paper flyleaf; f. 76