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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

125 results from this resource . Displaying 1 to 20

16th century: inscribed several times with his name (ff. 34v, 59, 63, 81v, etc.).Listing of names, 16th century: 'John Hemys(?), John hill(?), John tomson(?), Robard Ward(?)' (f. 82).John McCarthy(?), 16th century: inscribed his name (f. 72v).Added tabula (f. 1) signed

page to John. There is a close connection between this manuscript and others from Echternach (see Boeckler 1933, pp. 44-45), e.g. British Library Egerton 608, and Paris, BN, lat. 10438, made for bishop Adalbero III of Metz (1047-1072).The scribe responsible

with interlace patterns at the beginning of Matthew ('L'[iber], f. 10v), Mark ('I'[nitium], f. 46), Luke ('Q'[uoniam], f. 71v), and John ('I'[n], f. 112v). Initials with coloured highlights (ff. 8v, 11, 44, 68v-71, 110v-113). Some initials in red or red

the Evangelist John, seated at a desk, with an eagle in the pediment. There is a close connection between this manuscript and others from Echternach (see Boeckler 1933, pp. 44-45), e.g. British Library Egerton 608, and Paris, BN, lat. 10438,

is said to have occurred in the time of abbot Odbert (1000-1012); see also the Chronicle of S. Bertin by John of Ypres, cap. 34 (Edmund Martène and Ursin Durand, ~Thesaurus novus anecdotorum~, 5 vols (Paris, 1717), III, p. 569).Incipit:

Drawing of God over the circle of the world with two long trumpets issuing from his mouth (the breath of God), holding a scale, and the Holy Spirit over the waters, enclosed within a hemisphere, at the beginning of

Crucifixion, with Mary and John, and personifications of the sun (Sol) and moon (Luna). There is a close connection between this manuscript and others from Echternach (see Boeckler 1933, pp. 44-45), e.g. British Library Egerton 608, and Paris, BN, lat.

Detail of a drawing of God over the circle of the world with two long trumpets issuing from his mouth (the breath of God), holding a scale, and the Holy Spirit over the waters, enclosed within a hemisphere, at

at the beginning of John. Sometimes referred to as the Eller Gospels. Canon tables with architectural frames in colours with birds or men holding weapons (ff. 4-9v). 4 full-page or very large initials in colours and gold, with interlace decoration

Crucifixion, with Mary and John, and personifications of the sun (Sol) and moon (Luna). There is a close connection between this manuscript and others from Echternach (see Boeckler 1933, pp. 44-45), e.g. British Library Egerton 608, and Paris, BN, lat.

initial at the beginning of John Chrysostom's homily De diabolo tentatore. Misbinding of ff. 1-20 noted in a 13th century (?) Greek hand in the lower margin. ff. 38-39 bound upside down. Large foliate, geometric, or decorated headpieces in colours

the Mass; Sermons; theological works; calendar Robert de Braci, prior (c.1136-1137) of the Augustinian Priory of St Mary and St John, Llanthony (index Lanthony), Gloucestershire: inscribed 'Excepc[i]ones Rob[erti] de braci' (f. 1). In the catalogue of the New Priory c.1355-60.John

the Mass; Sermons; theological works; calendar Robert de Braci, prior (c.1136-1137) of the Augustinian Priory of St Mary and St John, Llanthony (index Lanthony), Gloucestershire: inscribed 'Excepc[i]ones Rob[erti] de braci' (f. 1). In the catalogue of the New Priory c.1355-60.John

Decorated initial 'T'(enebrosa) with foliate patterns and highlighted display script at the beginning of Homily VI. From f. 103v onwards the decorated initials are unfinished.An excerpt from Quaestiones in vetus testamentum by Isidore of Seville is on the last

Initial 'M'(emoratis with zoomorphic and foliate decoration at the beginning of Homily V of the last ten homilies. From f. 103v onwards the decorated initials are unfinished.An excerpt from Quaestiones in vetus testamentum by Isidore of Seville is on

Decorated initials 'd'(ilectissimo) and 'D'(ei omnipotentis) at the beginning of Gregory's epistle to Marinium and Homily I. From f. 103v onwards the decorated initials are unfinished.An excerpt from Quaestiones in vetus testamentum by Isidore of Seville is on the

Initial 'Q'(uia) with zoomorphic and foliate decoration at the beginning of Homily I of the last ten homilies. From f. 103v onwards the decorated initials are unfinished.An excerpt from Quaestiones in vetus testamentum by Isidore of Seville is on

of a collection of fragments from manuscripts and printed books, including maps and drawings, assembled by the bookseller and antiquary John Bagford (b. 1650/51, d. 1716) for historical purposes. Drawings and printed book fragments from the volume were transferred to

of a collection of fragments from manuscripts and printed books, including maps and drawings, assembled by the bookseller and antiquary John Bagford (b. 1650/51, d. 1716) for historical purposes. Drawings and printed book fragments from the volume were transferred to

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 16 September 2021), https://www.manuscriptsonline.org/search/results?ac=f&ft=t&kw=john&sdf=1040&sdt=1079