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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

31 results from this resource . Displaying 21 to 31

on red or yellow backgrounds. Text in red, sometimes with a yellow wash. The Pauline and Catholic Epistles (except III John and Jude), and Revelation, imperfect Inscribed in runes 'Ego Iusueus Hac/si indignus diacon[us]/ [h]anc librum quem / ad opus

with interlace patterns within full-page rectangular frames of gold and red or colours at the beginning of Gospels, that for John on a purple background (ff. 15, 57, 86, 132). Initials and text entirely in gold. Numbers in red. Gospels,

93v, 105v, 116v, 126v, 137v, 149v, 161v). Large plain initials in red or blue. Capitals marked in red. Opera (Works) John Chamberlayne (b. 1666, d. 1723), son of Edward Chamberlayne (b. 1616, d. 1703): his sale, conducted by Daniel Browne,

Detail of a historiated initial 'Q'(uoniam) with Augustine in a bishop's mitre holding a bishop's staff and a heart The litany including saints Swithin, Dunstan, Edith, and Etheldreda.Watermark, f. 1, of a quartered coat of arms, similar to ~Monumenta

Drawing of God over the circle of the world with two long trumpets issuing from his mouth (the breath of God), holding a scale, and the Holy Spirit over the waters, enclosed within a hemisphere, at the beginning of

Crucifixion, with Mary and John, and personifications of the sun (Sol) and moon (Luna). There is a close connection between this manuscript and others from Echternach (see Boeckler 1933, pp. 44-45), e.g. British Library Egerton 608, and Paris, BN, lat.

Detail of a drawing of God over the circle of the world with two long trumpets issuing from his mouth (the breath of God), holding a scale, and the Holy Spirit over the waters, enclosed within a hemisphere, at

at the beginning of John. Sometimes referred to as the Eller Gospels. Canon tables with architectural frames in colours with birds or men holding weapons (ff. 4-9v). 4 full-page or very large initials in colours and gold, with interlace decoration

beginning of the secundo folio 'cum hoc opus' (f. 2); see ~Catalogi veteres~ 1838: information kindly supplied by Michael Gullick.? John Hancocke, unidentified, late 16th century?: his name (f. 2; see Wright 1972)? Ric. Robertz, unidentified, c. 1600: his note

Crucifixion, with Mary and John, and personifications of the sun (Sol) and moon (Luna). There is a close connection between this manuscript and others from Echternach (see Boeckler 1933, pp. 44-45), e.g. British Library Egerton 608, and Paris, BN, lat.

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 28 May 2020), https://www.manuscriptsonline.org/search/results?ct=lm&ft=t&kw=john&sdf=1062&sdt=1092&st=20