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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

321 results from this resource . Displaying 281 to 300

Detail of display script with reserved lines. According to the incipit on f*v this is the 2nd part 'Incipit secunda pars epistolarum aurelii augustini yponiensis episcopi'. Quire marks. Catchwords (added by later medieval hand). Text block on ff. 64-79

Rectoris Eccl[es]ie b[eat]e marie de An[n]a Abb[a]t[is]' (ff. 18v-19). Thomas Dackomb (1496-c. 1572), rector of Colbrooke, Winchester: inscription (f. [ii]). John Lay Coker, ?16th century inscription (f. 105).Henry Worsley (b. 1675, d. 1747), scholar and manuscript collector, envoy at the

White vine initial 'N'(el) and full border at the beginning of the text. Catchwords.This manuscript was made in Florence or Rome c. 1440-c. 1450, according to unpublished notes of A. C. de la Mare at the Bodleian Library, Oxford.

Decorated initial 'D'(ilectissimo filio) at the beginning of the letters of Pope Leo I. f. 1 is a paper folio with a description of the contents of the manuscript by Humfrey Wanley, Harley librarian.ff. 126-127 is a parchment bifolio

(a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Coloured initial John the Deacon (index: Johannis Levitae, Hymonides) England

Decorated initial at the beginning of the prayer against poison. One of a group of Southumbrian prayerbooks of the "Tiberius" group, the others being Harley 7653, and Cambridge, Cambridge University Library, MS Ll.1.10 (Book of Cerne). All, except Cerne,

Decorated initial at the beginning of the Lorica of Laidcenn. One of a group of Southumbrian prayerbooks of the "Tiberius" group, the others being Harley 7653, and Cambridge, Cambridge University Library, MS Ll.1.10 (Book of Cerne). All, except Cerne,

Text pages with rubrics and initials with colour wash. One of a group of Southumbrian prayerbooks of the "Tiberius" group, the others being Harley 7653, and Cambridge, Cambridge University Library, MS Ll.1.10 (Book of Cerne). All, except Cerne, exhibit

curtain covering the initial (f. 15). 7 full-page miniatures in colours and gold within rectangular frames, of Peter, Paul, James, John, Isaiah, the Tree of Jesse, the Women at the Sepulchre, Maurice, and Michael and two other angels fighting dragons

curtain covering the initial (f. 15). 7 full-page miniatures in colours and gold within rectangular frames, of Peter, Paul, James, John, Isaiah, the Tree of Jesse, the Women at the Sepulchre, Maurice, and Michael and two other angels fighting dragons

1581: 'W(illia)m Vallans oweth mee 1581' (f. 1).Inscribed with a library list(?); including Arthus Gelius Frantinus, Valerius Maximus, Alexander Nequam, John of Salisbury, and others (f. 1v).? Thomas Howard (b. 1585, d. 1646), 2nd earl of Arundel, 4th earl of

1581: 'W(illia)m Vallans oweth mee 1581' (f. 1).Inscribed with a library list(?); including Arthus Gelius Frantinus, Valerius Maximus, Alexander Nequam, John of Salisbury, and others (f. 1v).? Thomas Howard (b. 1585, d. 1646), 2nd earl of Arundel, 4th earl of

1581: 'W(illia)m Vallans oweth mee 1581' (f. 1).Inscribed with a library list(?); including Arthus Gelius Frantinus, Valerius Maximus, Alexander Nequam, John of Salisbury, and others (f. 1v).? Thomas Howard (b. 1585, d. 1646), 2nd earl of Arundel, 4th earl of

1581: 'W(illia)m Vallans oweth mee 1581' (f. 1).Inscribed with a library list(?); including Arthus Gelius Frantinus, Valerius Maximus, Alexander Nequam, John of Salisbury, and others (f. 1v).? Thomas Howard (b. 1585, d. 1646), 2nd earl of Arundel, 4th earl of

Drawing of God over the circle of the world with two long trumpets issuing from his mouth (the breath of God), holding a scale, and the Holy Spirit over the waters, enclosed within a hemisphere, at the beginning of

testimonio bonorum virorum inspexi et iterato decentius in hoc loco coalltum anno gratie m. cc. lix mense maii' (f. 136v).Sir John Cotton (b. 1621, d. 1702), 3rd baronet: inscription that it belonged to him with the date 20 March, 1665

testimonio bonorum virorum inspexi et iterato decentius in hoc loco coalltum anno gratie m. cc. lix mense maii' (f. 136v).Sir John Cotton (b. 1621, d. 1702), 3rd baronet: inscription that it belonged to him with the date 20 March, 1665

testimonio bonorum virorum inspexi et iterato decentius in hoc loco coalltum anno gratie m. cc. lix mense maii' (f. 136v).Sir John Cotton (b. 1621, d. 1702), 3rd baronet: inscription that it belonged to him with the date 20 March, 1665

Crucifixion, with Mary and John, and personifications of the sun (Sol) and moon (Luna). There is a close connection between this manuscript and others from Echternach (see Boeckler 1933, pp. 44-45), e.g. British Library Egerton 608, and Paris, BN, lat.

Detail of a drawing of God over the circle of the world with two long trumpets issuing from his mouth (the breath of God), holding a scale, and the Holy Spirit over the waters, enclosed within a hemisphere, at

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 28 March 2024), https://www.manuscriptsonline.org/search/results?ac=f&ft=t&kw=john&sdf=1069&sdt=1137&st=280