• Decorated initial 'D', set on a painted purple background., Lectionary ('The Siegburg Lectionary') (ff. 4v-77); with the Common of Saints (ff. 77-87v), directions and lessons for mass (ff. 87v-93v); various readings (see Notes)

curtain covering the initial (f. 15). 7 full-page miniatures in colours and gold within rectangular frames, of Peter, Paul, James, John, Isaiah, the Tree of Jesse, the Women at the Sepulchre, Maurice, and Michael and two other angels fighting dragons

• Detail of a decorated initial 'I'(n omnibus)., Lectionary ('The Siegburg Lectionary') (ff. 4v-77); with the Common of Saints (ff. 77-87v), directions and lessons for mass (ff. 87v-93v); various readings (see Notes)

curtain covering the initial (f. 15). 7 full-page miniatures in colours and gold within rectangular frames, of Peter, Paul, James, John, Isaiah, the Tree of Jesse, the Women at the Sepulchre, Maurice, and Michael and two other angels fighting dragons

• Detail of a decorated initial 'I'(n diebus)., Lectionary ('The Siegburg Lectionary') (ff. 4v-77); with the Common of Saints (ff. 77-87v), directions and lessons for mass (ff. 87v-93v); various readings (see Notes)

curtain covering the initial (f. 15). 7 full-page miniatures in colours and gold within rectangular frames, of Peter, Paul, James, John, Isaiah, the Tree of Jesse, the Women at the Sepulchre, Maurice, and Michael and two other angels fighting dragons

• Detail of a decorated initial 'I'(n diebus), from a reading from Revelation., Lectionary ('The Siegburg Lectionary') (ff. 4v-77); with the Common of Saints (ff. 77-87v), directions and lessons for mass (ff. 87v-93v); various readings (see Notes)

curtain covering the initial (f. 15). 7 full-page miniatures in colours and gold within rectangular frames, of Peter, Paul, James, John, Isaiah, the Tree of Jesse, the Women at the Sepulchre, Maurice, and Michael and two other angels fighting dragons

• Miniature of Michael and two other angels battling the seven-headed dragon of the Apocalypse and three other dragons., Lectionary ('The Siegburg Lectionary') (ff. 4v-77); with the Common of Saints (ff. 77-87v), directions and lessons for mass (ff. 87v-93v); various readings (see Notes)

curtain covering the initial (f. 15). 7 full-page miniatures in colours and gold within rectangular frames, of Peter, Paul, James, John, Isaiah, the Tree of Jesse, the Women at the Sepulchre, Maurice, and Michael and two other angels fighting dragons

• Illuminated initial 'F'(actum) with interlace., Lectionary ('The Siegburg Lectionary') (ff. 4v-77); with the Common of Saints (ff. 77-87v), directions and lessons for mass (ff. 87v-93v); various readings (see Notes)

curtain covering the initial (f. 15). 7 full-page miniatures in colours and gold within rectangular frames, of Peter, Paul, James, John, Isaiah, the Tree of Jesse, the Women at the Sepulchre, Maurice, and Michael and two other angels fighting dragons

• Text page with neumes and an initial 'P'(otius) decorated with gold., Lectionary ('The Siegburg Lectionary') (ff. 4v-77); with the Common of Saints (ff. 77-87v), directions and lessons for mass (ff. 87v-93v); various readings (see Notes)

curtain covering the initial (f. 15). 7 full-page miniatures in colours and gold within rectangular frames, of Peter, Paul, James, John, Isaiah, the Tree of Jesse, the Women at the Sepulchre, Maurice, and Michael and two other angels fighting dragons

• Puzzle initial 'F'(rat[er])with pen-flourishing at the beginning of the prologue to Genesis., Bible, without the Psalms

Rectoris Eccl[es]ie b[eat]e marie de An[n]a Abb[a]t[is]' (ff. 18v-19). Thomas Dackomb (1496-c. 1572), rector of Colbrooke, Winchester: inscription (f. [ii]). John Lay Coker, ?16th century inscription (f. 105).Henry Worsley (b. 1675, d. 1747), scholar and manuscript collector, envoy at the

• Decorated initial 'D'(ilectissimo filio) at the beginning of the letters of Pope Leo I., Papal letters, decretals, Anselm's Cur Deus Homo (ff. 90-125)

Decorated initial 'D'(ilectissimo filio) at the beginning of the letters of Pope Leo I. f. 1 is a paper folio with a description of the contents of the manuscript by Humfrey Wanley, Harley librarian.ff. 126-127 is a parchment bifolio

• Miniature of the Holy Women at the Tomb, above sleeping Roman soldiers., Lectionary ('The Siegburg Lectionary') (ff. 4v-77); with the Common of Saints (ff. 77-87v), directions and lessons for mass (ff. 87v-93v); various readings (see Notes)

curtain covering the initial (f. 15). 7 full-page miniatures in colours and gold within rectangular frames, of Peter, Paul, James, John, Isaiah, the Tree of Jesse, the Women at the Sepulchre, Maurice, and Michael and two other angels fighting dragons

• Detail of a miniature of a martyr holding a palm., Lectionary ('The Siegburg Lectionary') (ff. 4v-77); with the Common of Saints (ff. 77-87v), directions and lessons for mass (ff. 87v-93v); various readings (see Notes)

curtain covering the initial (f. 15). 7 full-page miniatures in colours and gold within rectangular frames, of Peter, Paul, James, John, Isaiah, the Tree of Jesse, the Women at the Sepulchre, Maurice, and Michael and two other angels fighting dragons

• Historiated initial 'I'(nter) of the four Evangelists with their symbols, with a full border containing two peacocks, a bird and arms of Grey, at the beginning of the De consensu evangelistarum of Augustine., De consensu evangelistarum, De musica

393) (f. 84v);Pseudo-Augustine, Sermo de oratione dominica (serm. 58) (f. 84v) (all texts are attributed to Augustine in the manuscript); John of Damascus trad. by Burgundio of Pisa, De fide orthodoxa (ff. 85-107v); Thomas Gallus, 'Extractio' (attributed here to Dionysius

• Detail from the plaque set in the front cover of Paul, holding an open book (according to Foot) or Matthew (according to Dalton; Lasko)., Lectionary ('The Siegburg Lectionary') (ff. 4v-77); with the Common of Saints (ff. 77-87v), directions and lessons for mass (ff. 87v-93v); various readings (see Notes)

curtain covering the initial (f. 15). 7 full-page miniatures in colours and gold within rectangular frames, of Peter, Paul, James, John, Isaiah, the Tree of Jesse, the Women at the Sepulchre, Maurice, and Michael and two other angels fighting dragons

• Zoomorphic initial 'U' at the beginning of Luke 24 in the form of a frontal creature or human with large eyes. Running diagonally across the page from upper left to lower right is a line which marks where one piece of parchment has been stuck to another, to compensate for the uneven edge of the smaller piece., Gospels of Maelbrigte (the 'Armagh Gospels'; 'Marelbrid Gospels'), with glosses

in 1707 by Aymon.Jean Aymon (b. 1661, d. 1720), priest and writer: taken to Holland where it was examined by John Toland, who advised Robert Harley to purchase it (see Henry and Marsh-Micheli 1962 p. 149).The Harley Collection, formed by

• Colophon at the end of the Gospel of Luke, giving the name and age of the scribe: 'Or(ait) do Maelbrigte q(u)i scr(i)bsit h(unc) l(ibrum) in xx viii anno aetatis suae . . .' (Pray for Maelbrigte, who wrote this book in his 28th year . . .)., Gospels of Maelbrigte (the 'Armagh Gospels'; 'Marelbrid Gospels'), with glosses

in 1707 by Aymon.Jean Aymon (b. 1661, d. 1720), priest and writer: taken to Holland where it was examined by John Toland, who advised Robert Harley to purchase it (see Henry and Marsh-Micheli 1962 p. 149).The Harley Collection, formed by

• Decorated initial and letters 'Bea'(tissimo) with animal heads at the beginning of Jerome's prologue., Gospels of Maelbrigte (the 'Armagh Gospels'; 'Marelbrid Gospels'), with glosses

in 1707 by Aymon.Jean Aymon (b. 1661, d. 1720), priest and writer: taken to Holland where it was examined by John Toland, who advised Robert Harley to purchase it (see Henry and Marsh-Micheli 1962 p. 149).The Harley Collection, formed by

• Decorated initial 'M'(atheus) at the beginning of a prologue to the Gospel of Matthew., Gospels of Maelbrigte (the 'Armagh Gospels'; 'Marelbrid Gospels'), with glosses

in 1707 by Aymon.Jean Aymon (b. 1661, d. 1720), priest and writer: taken to Holland where it was examined by John Toland, who advised Robert Harley to purchase it (see Henry and Marsh-Micheli 1962 p. 149).The Harley Collection, formed by

• Decorated initial 'L'(iber) at the beginning of the genealogy of Christ at the start of Matthew., Gospels of Maelbrigte (the 'Armagh Gospels'; 'Marelbrid Gospels'), with glosses

in 1707 by Aymon.Jean Aymon (b. 1661, d. 1720), priest and writer: taken to Holland where it was examined by John Toland, who advised Robert Harley to purchase it (see Henry and Marsh-Micheli 1962 p. 149).The Harley Collection, formed by

• Decorated initial 'B'(artolomeus) at the beginning of the interpretations of the Syriac and Hebrew names that occur in the Gospels following the conclusion of the genealogy of Christ (Matthew 1:1-17)., Gospels of Maelbrigte (the 'Armagh Gospels'; 'Marelbrid Gospels'), with glosses

in 1707 by Aymon.Jean Aymon (b. 1661, d. 1720), priest and writer: taken to Holland where it was examined by John Toland, who advised Robert Harley to purchase it (see Henry and Marsh-Micheli 1962 p. 149).The Harley Collection, formed by

• Decorated initials in a poem in Irish on the Three Magi, concerning their names, appearance, dress, and gifts; it begins 'Aurilius humilis ard . . .'., Gospels of Maelbrigte (the 'Armagh Gospels'; 'Marelbrid Gospels'), with glosses

in 1707 by Aymon.Jean Aymon (b. 1661, d. 1720), priest and writer: taken to Holland where it was examined by John Toland, who advised Robert Harley to purchase it (see Henry and Marsh-Micheli 1962 p. 149).The Harley Collection, formed by