• Decorated initial 'P'(etrus) at the beginning of Bede's commentary on the Epistle of Peter., Commentary on Catholic Epistles and Commentary on Tobit

Decorated initial 'P'(etrus) at the beginning of Bede's commentary on the Epistle of Peter. Includes the Commentary on Catholic Epistles (ff. 4-86v) and the Commentary on Tobit (ff. 86v-95) by Bede, with the 'nota' signs and tituli in the

• Decorated initial 'L'(iber) at the beginning of Bede's commentary on the Epistle of Jude., Commentary on Catholic Epistles and Commentary on Tobit

Decorated initial 'L'(iber) at the beginning of Bede's commentary on the Epistle of Jude. Includes the Commentary on Catholic Epistles (ff. 4-86v) and the Commentary on Tobit (ff. 86v-95) by Bede, with the 'nota' signs and tituli in the

• Initial 'V'(ocationem) with foliate decoration., Commentary on Leviticus

and included in the list of manuscripts from Lincolnshire houses entitled 'de historiis antiquitatum ac divinitate tractancium', perhaps composed by John Longland, bishop of Lincoln and confessor of Henry VIII, Royal Appendix 69 (see Carley 2000).The Old Royal Library (the

• Initial 'V'(ocavit) with foliate decoration and display script., Commentary on Leviticus

and included in the list of manuscripts from Lincolnshire houses entitled 'de historiis antiquitatum ac divinitate tractancium', perhaps composed by John Longland, bishop of Lincoln and confessor of Henry VIII, Royal Appendix 69 (see Carley 2000).The Old Royal Library (the

• Initial 'Q'(ocationem) with foliate decoration at the beginning of Book 2., Commentary on Leviticus

and included in the list of manuscripts from Lincolnshire houses entitled 'de historiis antiquitatum ac divinitate tractancium', perhaps composed by John Longland, bishop of Lincoln and confessor of Henry VIII, Royal Appendix 69 (see Carley 2000).The Old Royal Library (the

• Puzzle initial 'M'(atheus) at the beginning of the commentary on Matthew's Gospel and ownership inscription., Commentaries on the Gospels of Matthew (f. 1) and John (f. 81), the Apocalypse (f. 173) and the Catholic Epistles (f. 187)

pen-flourishing in red. Paraphs in red or blue. Underlining in red. Commentaries on the Gospels of Matthew (f. 1) and John (f. 81), the Apocalypse (f. 173) and the Catholic Epistles (f. 187) Master William Pykenham (d. 1497), Archdeacon of

• Puzzle initial 'H'(ic) at the beginning of the commentary on John's Gospel., Commentaries on the Gospels of Matthew (f. 1) and John (f. 81), the Apocalypse (f. 173) and the Catholic Epistles (f. 187)

pen-flourishing in red. Paraphs in red or blue. Underlining in red. Commentaries on the Gospels of Matthew (f. 1) and John (f. 81), the Apocalypse (f. 173) and the Catholic Epistles (f. 187) Master William Pykenham (d. 1497), Archdeacon of

• Display script at the beginning at the commentary to Psalm 101., Enarrationes in Psalmos 101-150, with a summary of contents

Display script at the beginning at the commentary to Psalm 101. Prefixed by a summary of contents (ff. 1v-5v).In the catalogue of the Lumley Library considered as a second volume of a set of two manuscripts; the first volume

• Inhabited initial with a display script at the beginning at the commentary to Psalm 101, and the ownership inscription of Thomas Cranmer, reading 'Thomas Cantuaren[sis]'., Enarrationes in Psalmos 101-150, with a summary of contents

Inhabited initial with a display script at the beginning at the commentary to Psalm 101, and the ownership inscription of Thomas Cranmer, reading 'Thomas Cantuaren[sis]'. Prefixed by a summary of contents (ff. 1v-5v).In the catalogue of the Lumley Library

• Initials 'P'(salmos) and 'M'(agnus)., Enarrationes in Psalmos 101-150, with a summary of contents

Initials 'P'(salmos) and 'M'(agnus). Prefixed by a summary of contents (ff. 1v-5v).In the catalogue of the Lumley Library considered as a second volume of a set of two manuscripts; the first volume is Royal 5 D IV.Quire signatures. Instructions

• Decorated initial 'G'(loriosis) at the beginning of book 1., De civitate Dei

Decorated initial 'G'(loriosis) at the beginning of book 1. Chapter numbers in red in the margins. Quire signatures in the form of letters. Numerous pointing hands (maniculae). Large initials with penwork, arabesque decoration in green, red or blue, with

• Decorated initial 'D'(iligentius) at the beginning of book 7., De civitate Dei

Decorated initial 'D'(iligentius) at the beginning of book 7. Chapter numbers in red in the margins. Quire signatures in the form of letters. Numerous pointing hands (maniculae). Large initials with penwork, arabesque decoration in green, red or blue, with

• Decorated initial 'P'(ost) at the beginning of book 16., De civitate Dei

Decorated initial 'P'(ost) at the beginning of book 16. Chapter numbers in red in the margins. Quire signatures in the form of letters. Numerous pointing hands (maniculae). Large initials with penwork, arabesque decoration in green, red or blue, with

• Decorated initial 'N'(unc), at the beginning of book 8., De civitate Dei

Decorated initial 'N'(unc), at the beginning of book 8. Chapter numbers in red in the margins. Quire signatures in the form of letters. Numerous pointing hands (maniculae). Large initials with penwork, arabesque decoration in green, red or blue, with

• Decorated initial 'T'(enetis) with pen-flourishing at the beginning of the twenty-seventh sermon., Sermones super Cantica canticorum

Decorated initial 'T'(enetis) with pen-flourishing at the beginning of the twenty-seventh sermon. Quire signatures in the form of Roman numerals at the end of each quire except for the first. 1 framed zoomorphic initial in gold and colours with

• Framed zoomorphic initial 'V'(obis) with display script at the beginning of the first sermon., Sermones super Cantica canticorum

Framed zoomorphic initial 'V'(obis) with display script at the beginning of the first sermon. Quire signatures in the form of Roman numerals at the end of each quire except for the first. 1 framed zoomorphic initial in gold and

• Large initial 'P'(utamus) with pen-flourishing at the beginning of the seventeenth sermon., Sermones super Cantica canticorum

Large initial 'P'(utamus) with pen-flourishing at the beginning of the seventeenth sermon. Quire signatures in the form of Roman numerals at the end of each quire except for the first. 1 framed zoomorphic initial in gold and colours with

• Large puzzle initial 'F'(ulcite) with pen-flourished partial border at the beginning of the fifty-first sermon., Sermones super Cantica canticorum

Large puzzle initial 'F'(ulcite) with pen-flourished partial border at the beginning of the fifty-first sermon. Quire signatures in the form of Roman numerals at the end of each quire except for the first. 1 framed zoomorphic initial in gold

• Text page with initial 'P'(ROVIDE) with penwork decoration at the beginning of the edict of King Alaric., Variae (abridgement of the last five books)

Text page with initial 'P'(ROVIDE) with penwork decoration at the beginning of the edict of King Alaric. Cassiodorus Senator (c.490-583) was a Roman statesman and writer, who, after retiring, became a monk at the monastery of Vivarium, which he

• Text page with 'P'(lerumque) with penwork decoration., Variae (abridgement of the last five books)

Text page with 'P'(lerumque) with penwork decoration. Cassiodorus Senator (c.490-583) was a Roman statesman and writer, who, after retiring, became a monk at the monastery of Vivarium, which he founded on his own land, in emulation of the monastery