• Following the end of the Gospel of John on the last page of the manuscript is a detailed note, beginning 'Or(ait) do Maelbrigte hua Maeluanaig q(u)i scribsit h(un)c librum . . .' (Pray for Maelbrigte hua Maeluanaig, who wrote this book . . .). The note mentions various people, places, and events, which allow the dating of the manuscript to 1138., Gospels of Maelbrigte (the 'Armagh Gospels'; 'Marelbrid Gospels'), with glosses (external link no longer available)

of the Gospel of John on the last page of the manuscript is a detailed note, beginning 'Or(ait) do Maelbrigte hua Maeluanaig q(u)i scribsit h(un)c librum . . .' (Pray for Maelbrigte hua Maeluanaig, who wrote this book . .

• Decorated initials 'IN' and 'P'(rincipio) at the beginning of the Gospel of John., Gospels of Maelbrigte (the 'Armagh Gospels'; 'Marelbrid Gospels'), with glosses (external link no longer available)

the beginning of the Gospel of John. According to Glunz, with marginal and interlinear glosses that were read in the cathedral school in Paris in the fourth decade of the 12th century.Henry and Marsh-Micheli's Group IVA: 'Middle and Late Twelfth-Century

• Interlace initial 'H'(ic) with an animal head at the beginning of the common prologue to the Gospel of John., Gospels of Maelbrigte (the 'Armagh Gospels'; 'Marelbrid Gospels'), with glosses (external link no longer available)

beginning of the common prologue to the Gospel of John. According to Glunz, with marginal and interlinear glosses that were read in the cathedral school in Paris in the fourth decade of the 12th century.Henry and Marsh-Micheli's Group IVA: 'Middle

• Zoomorphic initial 'U' at the beginning of Luke 24 in the form of a frontal creature or human with large eyes. Running diagonally across the page from upper left to lower right is a line which marks where one piece of parchment has been stuck to another, to compensate for the uneven edge of the smaller piece., Gospels of Maelbrigte (the 'Armagh Gospels'; 'Marelbrid Gospels'), with glosses (external link no longer available)

in 1707 by Aymon.Jean Aymon (b. 1661, d. 1720), priest and writer: taken to Holland where it was examined by John Toland, who advised Robert Harley to purchase it (see Henry and Marsh-Micheli 1962 p. 149).The Harley Collection, formed by

• Colophon at the end of the Gospel of Luke, giving the name and age of the scribe: 'Or(ait) do Maelbrigte q(u)i scr(i)bsit h(unc) l(ibrum) in xx viii anno aetatis suae . . .' (Pray for Maelbrigte, who wrote this book in his 28th year . . .)., Gospels of Maelbrigte (the 'Armagh Gospels'; 'Marelbrid Gospels'), with glosses (external link no longer available)

in 1707 by Aymon.Jean Aymon (b. 1661, d. 1720), priest and writer: taken to Holland where it was examined by John Toland, who advised Robert Harley to purchase it (see Henry and Marsh-Micheli 1962 p. 149).The Harley Collection, formed by

• Decorated initial and letters 'Bea'(tissimo) with animal heads at the beginning of Jerome's prologue., Gospels of Maelbrigte (the 'Armagh Gospels'; 'Marelbrid Gospels'), with glosses (external link no longer available)

in 1707 by Aymon.Jean Aymon (b. 1661, d. 1720), priest and writer: taken to Holland where it was examined by John Toland, who advised Robert Harley to purchase it (see Henry and Marsh-Micheli 1962 p. 149).The Harley Collection, formed by

• Decorated initial 'M'(atheus) at the beginning of a prologue to the Gospel of Matthew., Gospels of Maelbrigte (the 'Armagh Gospels'; 'Marelbrid Gospels'), with glosses (external link no longer available)

in 1707 by Aymon.Jean Aymon (b. 1661, d. 1720), priest and writer: taken to Holland where it was examined by John Toland, who advised Robert Harley to purchase it (see Henry and Marsh-Micheli 1962 p. 149).The Harley Collection, formed by

• Decorated initial 'L'(iber) at the beginning of the genealogy of Christ at the start of Matthew., Gospels of Maelbrigte (the 'Armagh Gospels'; 'Marelbrid Gospels'), with glosses (external link no longer available)

in 1707 by Aymon.Jean Aymon (b. 1661, d. 1720), priest and writer: taken to Holland where it was examined by John Toland, who advised Robert Harley to purchase it (see Henry and Marsh-Micheli 1962 p. 149).The Harley Collection, formed by

• Decorated initial 'B'(artolomeus) at the beginning of the interpretations of the Syriac and Hebrew names that occur in the Gospels following the conclusion of the genealogy of Christ (Matthew 1:1-17)., Gospels of Maelbrigte (the 'Armagh Gospels'; 'Marelbrid Gospels'), with glosses (external link no longer available)

in 1707 by Aymon.Jean Aymon (b. 1661, d. 1720), priest and writer: taken to Holland where it was examined by John Toland, who advised Robert Harley to purchase it (see Henry and Marsh-Micheli 1962 p. 149).The Harley Collection, formed by

• Decorated initials in a poem in Irish on the Three Magi, concerning their names, appearance, dress, and gifts; it begins 'Aurilius humilis ard . . .'., Gospels of Maelbrigte (the 'Armagh Gospels'; 'Marelbrid Gospels'), with glosses (external link no longer available)

in 1707 by Aymon.Jean Aymon (b. 1661, d. 1720), priest and writer: taken to Holland where it was examined by John Toland, who advised Robert Harley to purchase it (see Henry and Marsh-Micheli 1962 p. 149).The Harley Collection, formed by

• Interlace initial 'M'(arcus) with interlace and animal heads at the beginning of the common prologue to the Gospel of Mark., Gospels of Maelbrigte (the 'Armagh Gospels'; 'Marelbrid Gospels'), with glosses (external link no longer available)

in 1707 by Aymon.Jean Aymon (b. 1661, d. 1720), priest and writer: taken to Holland where it was examined by John Toland, who advised Robert Harley to purchase it (see Henry and Marsh-Micheli 1962 p. 149).The Harley Collection, formed by

• Interlace initial 'L'(ucas) with an animal head at the beginning of the common prologue to the Gospel of Luke., Gospels of Maelbrigte (the 'Armagh Gospels'; 'Marelbrid Gospels'), with glosses (external link no longer available)

in 1707 by Aymon.Jean Aymon (b. 1661, d. 1720), priest and writer: taken to Holland where it was examined by John Toland, who advised Robert Harley to purchase it (see Henry and Marsh-Micheli 1962 p. 149).The Harley Collection, formed by

• Coloured initial 'E'(vangelia) at the beginning of a prologue to the Gospels, in which the Evangelists are compared to the Four Elements, the Four Seasons, etc., Gospels of Maelbrigte (the 'Armagh Gospels'; 'Marelbrid Gospels'), with glosses (external link no longer available)

in 1707 by Aymon.Jean Aymon (b. 1661, d. 1720), priest and writer: taken to Holland where it was examined by John Toland, who advised Robert Harley to purchase it (see Henry and Marsh-Micheli 1962 p. 149).The Harley Collection, formed by

• Coloured initials in a poem in Irish concerning the appearance of Christ and the Twelve Apostles, and the manner of their deaths; it begins 'Becca na delba . . .'., Gospels of Maelbrigte (the 'Armagh Gospels'; 'Marelbrid Gospels'), with glosses (external link no longer available)

in 1707 by Aymon.Jean Aymon (b. 1661, d. 1720), priest and writer: taken to Holland where it was examined by John Toland, who advised Robert Harley to purchase it (see Henry and Marsh-Micheli 1962 p. 149).The Harley Collection, formed by

• Interlace initial with an abbreviated form of Christ's name: 'Xpi' at the beginning of Matthew, with animal heads., Gospels of Maelbrigte (the 'Armagh Gospels'; 'Marelbrid Gospels'), with glosses (external link no longer available)

in 1707 by Aymon.Jean Aymon (b. 1661, d. 1720), priest and writer: taken to Holland where it was examined by John Toland, who advised Robert Harley to purchase it (see Henry and Marsh-Micheli 1962 p. 149).The Harley Collection, formed by

• Decorated initial 'P'(ater) with an animal head at the beginning of the Pater Noster or Lord's Prayer., Gospels of Maelbrigte (the 'Armagh Gospels'; 'Marelbrid Gospels'), with glosses (external link no longer available)

in 1707 by Aymon.Jean Aymon (b. 1661, d. 1720), priest and writer: taken to Holland where it was examined by John Toland, who advised Robert Harley to purchase it (see Henry and Marsh-Micheli 1962 p. 149).The Harley Collection, formed by

• Coloured initials., Gospels of Maelbrigte (the 'Armagh Gospels'; 'Marelbrid Gospels'), with glosses (external link no longer available)

in 1707 by Aymon.Jean Aymon (b. 1661, d. 1720), priest and writer: taken to Holland where it was examined by John Toland, who advised Robert Harley to purchase it (see Henry and Marsh-Micheli 1962 p. 149).The Harley Collection, formed by

• Following the end of the Gospel of Matthew is a three-line note providing the scribe's name and suggesting the date: 'Or(ait) do Maelbrigte q(u)i scribsit h(un)c libru(m) . . .' (Pray for Maelbrigte, who wrote this book. Great is the deed the Cormac mac Carthaig should have been slain by Tairdelbah O Briain.) Cormac MacCarthy was killed in 1138., Gospels of Maelbrigte (the 'Armagh Gospels'; 'Marelbrid Gospels'), with glosses (external link no longer available)

in 1707 by Aymon.Jean Aymon (b. 1661, d. 1720), priest and writer: taken to Holland where it was examined by John Toland, who advised Robert Harley to purchase it (see Henry and Marsh-Micheli 1962 p. 149).The Harley Collection, formed by

• Miniature of a lion, the Evangelist symbol of Mark, at the beginning of his Gospel., Gospels of Maelbrigte (the 'Armagh Gospels'; 'Marelbrid Gospels'), with glosses (external link no longer available)

in 1707 by Aymon.Jean Aymon (b. 1661, d. 1720), priest and writer: taken to Holland where it was examined by John Toland, who advised Robert Harley to purchase it (see Henry and Marsh-Micheli 1962 p. 149).The Harley Collection, formed by

• Decorated initial and letter 'In'(itium) with animal heads at the beginning of the Gospel of Mark., Gospels of Maelbrigte (the 'Armagh Gospels'; 'Marelbrid Gospels'), with glosses (external link no longer available)

in 1707 by Aymon.Jean Aymon (b. 1661, d. 1720), priest and writer: taken to Holland where it was examined by John Toland, who advised Robert Harley to purchase it (see Henry and Marsh-Micheli 1962 p. 149).The Harley Collection, formed by