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red stave lines visible to sides of cuttings. 21 foliate initials in colours and gold. Cuttings from a choir book John Matthew Gutch (b. 1776, d. 1861), journalist and author: his sale, 16 March 1858, lot 1831: purchased by the
red stave lines visible to sides of cuttings. 21 foliate initials in colours and gold. Cuttings from a choir book John Matthew Gutch (b. 1776, d. 1861), journalist and author: his sale, 16 March 1858, lot 1831: purchased by the
red stave lines visible to sides of cuttings. 21 foliate initials in colours and gold. Cuttings from a choir book John Matthew Gutch (b. 1776, d. 1861), journalist and author: his sale, 16 March 1858, lot 1831: purchased by the
red stave lines visible to sides of cuttings. 21 foliate initials in colours and gold. Cuttings from a choir book John Matthew Gutch (b. 1776, d. 1861), journalist and author: his sale, 16 March 1858, lot 1831: purchased by the
red stave lines visible to sides of cuttings. 21 foliate initials in colours and gold. Cuttings from a choir book John Matthew Gutch (b. 1776, d. 1861), journalist and author: his sale, 16 March 1858, lot 1831: purchased by the
red stave lines visible to sides of cuttings. 21 foliate initials in colours and gold. Cuttings from a choir book John Matthew Gutch (b. 1776, d. 1861), journalist and author: his sale, 16 March 1858, lot 1831: purchased by the
red stave lines visible to sides of cuttings. 21 foliate initials in colours and gold. Cuttings from a choir book John Matthew Gutch (b. 1776, d. 1861), journalist and author: his sale, 16 March 1858, lot 1831: purchased by the
red stave lines visible to sides of cuttings. 21 foliate initials in colours and gold. Cuttings from a choir book John Matthew Gutch (b. 1776, d. 1861), journalist and author: his sale, 16 March 1858, lot 1831: purchased by the
plain red or blue. Catalogus medicam (ff. 1-78), Receipes in English (ff. 79-200) Inscription, 15th-century: 'Richard Flint' (f. 207).Inscription, 15th-century: 'John …(?)' (f. 207).Sir Hans Sloane (b. 1660, d. 1753), baronet, physician and collector. Purchased as part of the Sloane
Detail of a historiated Initial 'Q'(uod) of John writing his epistle, at the beginning of John I. Rebound for Henry VIII.Associated with a group of manuscripts (the 'William of Devon group'): Blackburn, Museum and Art Gallery, Ms. 091.21001, Egerton 1151,
Detail of a historiated Initial 'S'(enior) of John holding a scroll, at the beginning of John II. Rebound for Henry VIII.Associated with a group of manuscripts (the 'William of Devon group'): Blackburn, Museum and Art Gallery, Ms. 091.21001, Egerton 1151,
Detail of a historiated Initial 'S'(enior) of John holding a scroll, at the beginning of John III, and of a historiated initial 'I'(udas) of Jude holding a book, at the beginning of Jude. Rebound for Henry VIII.Associated with a group
Historiated Initial 'I'(ohannes) of John holding a book, at the beginning of the prologue to Revelation, and a historiated initial 'A'(pocalipsis) of John writing at a desk, at the beginning of Revelation. Rebound for Henry VIII.Associated with a group of
blue. Omitted text written in the margins in red frames. Commentary on Leviticus The Carthusian priory of St. Mary, St. John the Baptist and All Saints, Henton, Somerset (founded 1235): inscribed 'Explanat[i]o d[omi]ni Rad[u]l/phii Flaviacens[is] monachi / sup[er] librum Leviticum
blue. Omitted text written in the margins in red frames. Commentary on Leviticus The Carthusian priory of St. Mary, St. John the Baptist and All Saints, Henton, Somerset (founded 1235): inscribed 'Explanat[i]o d[omi]ni Rad[u]l/phii Flaviacens[is] monachi / sup[er] librum Leviticum
numbers in blue and red. Leaf incorrectly bound with the original recto as verso and vice versa. Leaf with John 14:17-18:16 John Bagford (b. 1650/51, d. 1716), bookseller and antiquary: part of the Bagford fragments, sold to Edward Harley after
'William le Poher lord of Pirton' (see 'Parishes: Pirton', in ~The Victoria History of the County of Worcester~, ed. by John William Willis-Bund and H. Arthur Doubleday, 5 vols (London: A. Constable, 1901-1926), vol. 4 (1924), pp. 180-184; available at
Historiated initial 'O' (intemerata) with John the Evangelist, at the beginning of a prayer to the Virgin and John the Evangelist. The Veronica image is the earliest in Western art, according to Lewis 1987 p. 127.This is the earliest richly
title of book 24 of the Digest, and below the arms and rebus of John Morton, archbishop of Canterbury. For other manuscripts owned by Morton see Arundel 435 and 366.Notes on the texts supplied by Magnus Ryan. Large blue words
the list of kings (f. 71r-v) apparently by the same scribe, ends with Henry VI (1422-1471).John Benson: late 15th-century inscription 'John Benson' (f. 71v).William Vagger of Sussex: inscribed in the late 15th century 'Constat Willelmo Vagger de Sussex' (f. 1v).John