• Miniature of John mounting a ladder towards the open doors of heaven, while an angel takes him by the wrist, illustrating Revelation 4: 1., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

of John mounting a ladder towards the open doors of heaven, while an angel takes him by the wrist, illustrating Revelation 4: 1. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff.

• Detail of a miniature of John mounting a ladder towards the open doors of heaven, while an angel takes him by the wrist, illustrating Revelation 4: 1., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

a miniature of John mounting a ladder towards the open doors of heaven, while an angel takes him by the wrist, illustrating Revelation 4: 1. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand

• Miniature of John with an angel and the vision of the White Horse, illustrating the opening of the First Seal (Revelation 6: 2), and a miniature of John with a symbol of Mark and the vision of the Red Horse, illustrating the opening of the Second Seal (Revelation 6: 3-4)., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

Miniature of John with an angel and the vision of the White Horse, illustrating the opening of the First Seal (Revelation 6: 2), and a miniature of John with a symbol of Mark and the vision of the Red Horse,

• Miniature of John asleep among rabbits, while an angel above speaks to him., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

of John asleep among rabbits, while an angel above speaks to him. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the

• Detail of a miniature of John asleep among rabbits, while an angel above speaks to him., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

a miniature of John asleep among rabbits, while an angel above speaks to him. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution

• Decorated initial 'P', with a rabbit., Statutes of Henry III and Edward I and law tracts

are a fragment of an indulgence from Clement [VI] to John [Arcber], rector of Ketlebergh [Kettleburgh, co. Suff.], Norwich diocese (see Warner and Gilson 1921).Formerly stitched to f. 8 but now attached to a paper leaf after f. 7 is

• Cutting of a miniature of a lawyer instructing two adults with two children., Cutting of a miniature and text fragment possibly from a manuscript of the Digestum, Book 26, 'De tutelis', incipit

of fragments from manuscripts and printed books, including maps and drawings, assembled for historical purposes by the bookseller and antiquary John Bagford (b. 1650/51, d. 1716). A number of drawings and printed book fragments were transferred from the volume to

• Historiated initial 'A'(d) of a master lecturing a pupil or annointing (?)., Fragment, possibly from a commentary to Pseudo-Augustine's 'De mirabilibus sacrae scripturae'

of fragments from manuscripts and printed books, including maps and drawings, assembled for historical purposes by the bookseller and antiquary John Bagford (b. 1650/51, d. 1716). A number of drawings and printed book fragments were transferred from the volume to

• Coloured initials with penwork decoration., Fragment of glossed Psalm 144:14-17

of fragments from manuscripts and printed books, including maps and drawings, assembled for historical purposes by the bookseller and antiquary John Bagford (b. 1650/51, d. 1716). A number of drawings and printed book fragments were transferred from the volume to

• Coloured initial with penwork decoration., Fragment from a glossed Bible, Maccabees 4:54-59

of fragments from manuscripts and printed books, including maps and drawings, assembled for historical purposes by the bookseller and antiquary John Bagford (b. 1650/51, d. 1716). A number of drawings and printed book fragments were transferred from the volume to

• Coloured initial with penwork decoration., Fragment from a glossed Bible, Corinthians 2:13-14

of fragments from manuscripts and printed books, including maps and drawings, assembled for historical purposes by the bookseller and antiquary John Bagford (b. 1650/51, d. 1716). A number of drawings and printed book fragments were transferred from the volume to

• Puzzle initial 'I'(n) and coloured initial 'L'(ibrum) with pen-flourished decoration., Leaf from a Bible, Tobias 13:19-14.16, followed by Jerome's prologue to Ester and Ester 1:1-2:16

of fragments from manuscripts and printed books, including maps and drawings, assembled for historical purposes by the bookseller and antiquary John Bagford (b. 1650/51, d. 1716). A number of drawings and printed book fragments were transferred from the volume to

• Coloured initials with penwork decoration., Leaf from a Bible, Tobias 13:19-14.16, followed by Jerome's prologue to Ester and Ester 1:1-2:16

of fragments from manuscripts and printed books, including maps and drawings, assembled for historical purposes by the bookseller and antiquary John Bagford (b. 1650/51, d. 1716). A number of drawings and printed book fragments were transferred from the volume to

• Miniature of Mark, with his symbol, the lion, and a miniature of John, with his symbol, the eagle., La somme le roi, with Gospels and the Complainte de Notre Dame

the lion, and a miniature of John, with his symbol, the eagle. Includes the ~Somme le roi~, a manual of moral instruction, composed in 1279-80, at the request of King Philip III of France (1270-1285) by Laurent d'Orleans, the king's

• Text page with partially erased initial and inscription., Historia Scolastica

fratris Ricardi de sancta Columba et fratris Galfridi Werdour, ita quod predicti fratres habeant vsum ad tempus vite' (f. 1). John Theyer (bap. 1598, d. 1673), antiquary, included in the catalogue of his library left to his grandson Charles Theyer

• Puzzle initial 'Q'(uinta) and pen-flourished initials., Historia Scolastica

fratris Ricardi de sancta Columba et fratris Galfridi Werdour, ita quod predicti fratres habeant vsum ad tempus vite' (f. 1). John Theyer (bap. 1598, d. 1673), antiquary, included in the catalogue of his library left to his grandson Charles Theyer

• Initial 'I'(n) decorated with zoomorphic form and extending into partial bar border., Pharetra, in four books

Blessed Virgin Mary and St Nicholas, Spalding, Lincolnshire: inscription on f. i v, 'Liber m[onaste]rii Spaldyng' (not noticed there by John Leland).On f. i v, passages copied from Isaiah 19 in 14th- or 15th-century English hand.Thomas Cranmer, Archbishop of Canterbury

• Initial 'G'(regorius) with foliate and zoomorphic decoration., Pharetra, in four books

Blessed Virgin Mary and St Nicholas, Spalding, Lincolnshire: inscription on f. i v, 'Liber m[onaste]rii Spaldyng' (not noticed there by John Leland).On f. i v, passages copied from Isaiah 19 in 14th- or 15th-century English hand.Thomas Cranmer, Archbishop of Canterbury

• Puzzle initial 'G'(regorius) with pen-flourishing and partial border., Pharetra, in four books

Blessed Virgin Mary and St Nicholas, Spalding, Lincolnshire: inscription on f. i v, 'Liber m[onaste]rii Spaldyng' (not noticed there by John Leland).On f. i v, passages copied from Isaiah 19 in 14th- or 15th-century English hand.Thomas Cranmer, Archbishop of Canterbury

• king John is brought to Winchester for burial, Roman de Brut, a verse epitome (begins imperfectly) with continuation to Edward III; Destruction de Rome; Fierabras

king John is brought to Winchester for burial The first quire misbound; the right order being ff. 2, 8, 3-7, 1, 9.French verse translation, in octosyllabic couplets, of Geoffrey of Monmouth's Historia Regum Britanniae.One of the first images of Stonehenge: