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recto-i verso);Abbreviationes chronicorum (ff. 1-48);Imagines historiarum, with a table of contents (ff. 49-136). The text ends with the coronation of John in 1199.According to Stubbs 1876, this manuscript was copied from Lambeth Palace, 8, considered to be the author's own
recto-i verso);Abbreviationes chronicorum (ff. 1-48);Imagines historiarum, with a table of contents (ff. 49-136). The text ends with the coronation of John in 1199.According to Stubbs 1876, this manuscript was copied from Lambeth Palace, 8, considered to be the author's own
recto-i verso);Abbreviationes chronicorum (ff. 1-48);Imagines historiarum, with a table of contents (ff. 49-136). The text ends with the coronation of John in 1199.According to Stubbs 1876, this manuscript was copied from Lambeth Palace, 8, considered to be the author's own
recto-i verso);Abbreviationes chronicorum (ff. 1-48);Imagines historiarum, with a table of contents (ff. 49-136). The text ends with the coronation of John in 1199.According to Stubbs 1876, this manuscript was copied from Lambeth Palace, 8, considered to be the author's own
Watson). John Blaxton, 1578: inscription 'Sum gulielmi Wooddi Bosburiensis [Bosbury, Herefordshire, about 20 miles from Dore] 1578/ Olim Johnnis Blaxtoni')(f. 3).William Wood, 1578: above-cited inscription.Notes of contents in a late 16th-century hand, (ff. 1v-3).The name of an 18th-century owner(? John
Watson). John Blaxton, 1578: inscription 'Sum gulielmi Wooddi Bosburiensis [Bosbury, Herefordshire, about 20 miles from Dore] 1578/ Olim Johnnis Blaxtoni')(f. 3).William Wood, 1578: above-cited inscription.Notes of contents in a late 16th-century hand, (ff. 1v-3).The name of an 18th-century owner(? John
Watson). John Blaxton, 1578: inscription 'Sum gulielmi Wooddi Bosburiensis [Bosbury, Herefordshire, about 20 miles from Dore] 1578/ Olim Johnnis Blaxtoni')(f. 3).William Wood, 1578: above-cited inscription.Notes of contents in a late 16th-century hand, (ff. 1v-3).The name of an 18th-century owner(? John
Watson). John Blaxton, 1578: inscription 'Sum gulielmi Wooddi Bosburiensis [Bosbury, Herefordshire, about 20 miles from Dore] 1578/ Olim Johnnis Blaxtoni')(f. 3).William Wood, 1578: above-cited inscription.Notes of contents in a late 16th-century hand, (ff. 1v-3).The name of an 18th-century owner(? John
Watson). John Blaxton, 1578: inscription 'Sum gulielmi Wooddi Bosburiensis [Bosbury, Herefordshire, about 20 miles from Dore] 1578/ Olim Johnnis Blaxtoni')(f. 3).William Wood, 1578: above-cited inscription.Notes of contents in a late 16th-century hand, (ff. 1v-3).The name of an 18th-century owner(? John
Watson). John Blaxton, 1578: inscription 'Sum gulielmi Wooddi Bosburiensis [Bosbury, Herefordshire, about 20 miles from Dore] 1578/ Olim Johnnis Blaxtoni')(f. 3).William Wood, 1578: above-cited inscription.Notes of contents in a late 16th-century hand, (ff. 1v-3).The name of an 18th-century owner(? John
Watson). John Blaxton, 1578: inscription 'Sum gulielmi Wooddi Bosburiensis [Bosbury, Herefordshire, about 20 miles from Dore] 1578/ Olim Johnnis Blaxtoni')(f. 3).William Wood, 1578: above-cited inscription.Notes of contents in a late 16th-century hand, (ff. 1v-3).The name of an 18th-century owner(? John
recto-i verso);Abbreviationes chronicorum (ff. 1-48);Imagines historiarum, with a table of contents (ff. 49-136). The text ends with the coronation of John in 1199.According to Stubbs 1876, this manuscript was copied from Lambeth Palace, 8, considered to be the author's own
Ecclesiasticus, Osee, / Joel, Amos, abdias, Jonas, Micheas, Nahum, Abacuc, Sophonias, / Aggeus, Zacharye, Malachye, Machabees, Matheum, Marc, / Luke, John, Act. Apost., Epist. Ad Romanos 1, ad Cotinth. 2, ad Galat. 1,/ ad Ephes. 1, ad Philipp. 1, ad
Manuscriptorum Bibliothecae Wigorniensis, Made in 1622-1623~, ed. by Ivor Atkins and N. Ker (Cambridge: Cambridge University Press, 1944), no. 309. John Theyer (bap. 1598, d. 1673), antiquary: inscribed with his name 'Ioannes Theyer', with a dated note of 1649 (f.
with in two compartments John the Baptist pointing his disciples to Christ, and the crucifixion of Andrew, full border and bas-de-page scene with Christ calling Andrew and Peter from their fishing-boat. Musical notation.For a large number of images of the
lot 336, bought by Quaritch for £250 (noted by Sydney Cockerell on note pasted to 1st flyleaf, 15 July 1912). John Ruskin, art critic (b. 1819, d. 1900): his collection (see J. S. Dearden, ~John Ruskin, the Collector, with a
lot 336, bought by Quaritch for £250 (noted by Sydney Cockerell on note pasted to 1st flyleaf, 15 July 1912). John Ruskin, art critic (b. 1819, d. 1900): his collection (see J. S. Dearden, ~John Ruskin, the Collector, with a
lot 336, bought by Quaritch for £250 (noted by Sydney Cockerell on note pasted to 1st flyleaf, 15 July 1912). John Ruskin, art critic (b. 1819, d. 1900): his collection (see J. S. Dearden, ~John Ruskin, the Collector, with a
Watson). John Blaxton, 1578: inscription 'Sum gulielmi Wooddi Bosburiensis [Bosbury, Herefordshire, about 20 miles from Dore] 1578/ Olim Johnnis Blaxtoni')(f. 3).William Wood, 1578: above-cited inscription.Notes of contents in a late 16th-century hand, (ff. 1v-3).The name of an 18th-century owner(? John
'S'(tabat) with two compartments, of John the Baptist pointing his disciples towards Christ, and Andrew being tied upon his cross. Musical notation.For a large number of images of the other part of the manuscript, Verdun, Bibliothèque municipale, ms. 107, see