• Detail of a miniature of John witnessing the beast rising from the sea, with the dragon behind him, in illustration of Revelation 13: 1-2., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

a miniature of John witnessing the beast rising from the sea, with the dragon behind him, in illustration of Revelation 13: 1-2. Includes La lumiere as lais of Peter of Peckham (or Peter of Fetcham) in Anglo-French (ff. 1-103v), and

• Detail of a miniature of John and four worshippers standing before the beast from the earth, with two horns, in illustration of Revelation 13:11., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

a miniature of John and four worshippers standing before the beast from the earth, with two horns, in illustration of Revelation 13:11. Includes La lumiere as lais of Peter of Peckham (or Peter of Fetcham) in Anglo-French (ff. 1-103v), and

• Detail of a miniature of John and six worshippers in a building, being addressed by a flying angel., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

a miniature of John and six worshippers in a building, being addressed by a flying angel. Includes La lumiere as lais of Peter of Peckham (or Peter of Fetcham) in Anglo-French (ff. 1-103v), and the Apocalypse with a commentary in

• Detail of a miniature of John with seven angels holding harps., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

a miniature of John with seven angels holding harps. Includes La lumiere as lais of Peter of Peckham (or Peter of Fetcham) in Anglo-French (ff. 1-103v), and the Apocalypse with a commentary in the Anglo-French prose version (ff. 104-214v).According to

• Detail of a miniature of John with the seven angels and the golden vial, with three of the angels pouring out their vials, with two of them becoming blood, in illustration of Revelation 16:4., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

a miniature of John with the seven angels and the golden vial, with three of the angels pouring out their vials, with two of them becoming blood, in illustration of Revelation 16:4. Includes La lumiere as lais of Peter of

• Detail of a miniature of John standing before the false prophet, the dragon, and the beast, with frogs emerging from their mouths representing their unclean spirits, in illustration of Revelation 16:13., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

a miniature of John standing before the false prophet, the dragon, and the beast, with frogs emerging from their mouths representing their unclean spirits, in illustration of Revelation 16:13. Includes La lumiere as lais of Peter of Peckham (or Peter

• Detail of a miniature of John witnessing and seventh angel opening its vial of wrath, and a building damaged by an earthquake, illustrating Revelation 16:17., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

a miniature of John witnessing and seventh angel opening its vial of wrath, and a building damaged by an earthquake, illustrating Revelation 16:17. Includes La lumiere as lais of Peter of Peckham (or Peter of Fetcham) in Anglo-French (ff. 1-103v),

• Detail of a miniature of John and an angel witnessing the Scarlet Woman dressed in finery, holding a golden cup and riding on the back of a seven-headed beast, in illustration of Revelation 17:3-4., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

a miniature of John and an angel witnessing the Scarlet Woman dressed in finery, holding a golden cup and riding on the back of a seven-headed beast, in illustration of Revelation 17:3-4. Includes La lumiere as lais of Peter of

• Detail of a miniature of John the Scarlet Woman seated, and an angel., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

a miniature of John the Scarlet Woman seated, and an angel. Includes La lumiere as lais of Peter of Peckham (or Peter of Fetcham) in Anglo-French (ff. 1-103v), and the Apocalypse with a commentary in the Anglo-French prose version (ff.

• Detail of a miniature of John, the angel, evil spirits in the shapes of birds and fish, and the Fall of Babylon., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

a miniature of John, the angel, evil spirits in the shapes of birds and fish, and the Fall of Babylon. Includes La lumiere as lais of Peter of Peckham (or Peter of Fetcham) in Anglo-French (ff. 1-103v), and the Apocalypse

• Detail of a miniature of the angel speaking to John, and five men with golden vessels emerging from Babylon., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

of the angel speaking to John, and five men with golden vessels emerging from Babylon. Includes La lumiere as lais of Peter of Peckham (or Peter of Fetcham) in Anglo-French (ff. 1-103v), and the Apocalypse with a commentary in the

• Detail of a miniature of John and an angel pointing to God enthroned in a mandorla, with the water of life flowing from his throne., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

a miniature of John and an angel pointing to God enthroned in a mandorla, with the water of life flowing from his throne. Includes La lumiere as lais of Peter of Peckham (or Peter of Fetcham) in Anglo-French (ff. 1-103v),

• Miniature of John with an angel, God enthroned in a mandorla, and John with an Elder, with an historiated initial 'C'(eo.) of the head of a woman, with a partial bar border including dragons., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

Miniature of John with an angel, God enthroned in a mandorla, and John with an Elder, with an historiated initial 'C'(eo.) of the head of a woman, with a partial bar border including dragons. Includes La lumiere as lais of

• Detail of a miniature of John with an angel, God enthroned in a mandorla, and John with an Elder., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

Detail of a miniature of John with an angel, God enthroned in a mandorla, and John with an Elder. Includes La lumiere as lais of Peter of Peckham (or Peter of Fetcham) in Anglo-French (ff. 1-103v), and the Apocalypse with

• Text page with the life of Margaret., South English Legendary (Legends of the saints in verse, listed according to their feast days), imperfect at the beginning

the saints in verse, listed according to their feast days), imperfect at the beginning John Sanford of Comersley, Somerset: inscribed in the late 16th century, 'John Sanford' (ff. 21, 41, 43, 46, 49 etc.), and 'Dieu saulve nostre royne Elizabeth

• Detail of a miniature of the Lover kneeling before the Confessor in a landscape at the beginning of book 1 of Gower's Confessio amantis; an acanthus frame surrounds the miniature and foliate feathering extends into the margins., Confessio amantis, with the Traitié pour essampler les amantz marietz, and a Latin prayer and two Latin Marian lyrics

an acanthus frame surrounds the miniature and foliate feathering extends into the margins. This text was composed c. 1390 by John Gower (b. c. 1330, d. 1408), and is in the third recension of the text.One of 13 manuscripts containing

• Decorated initial 'F'(rater) and display capitals at the beginning of the general prologue., Old Testament with prologues, Vol. I: Genesis-Nehemiah

prologues, Vol. I: Genesis-Nehemiah Unidentified contemporary readers: with numerous marginal annotations, often in red ink, especially in vol. II.? Sir John Saunders Sebright, (b. 1767, d. 1846), 7th baronet, politician and agriculturist: perhaps his sale 6 April 1807, lot 1102,

• Decorated initial 'I'(n) and display script at the beginning of Genesis., Old Testament with prologues, Vol. I: Genesis-Nehemiah

prologues, Vol. I: Genesis-Nehemiah Unidentified contemporary readers: with numerous marginal annotations, often in red ink, especially in vol. II.? Sir John Saunders Sebright, (b. 1767, d. 1846), 7th baronet, politician and agriculturist: perhaps his sale 6 April 1807, lot 1102,

• Illuminated miniature of a bearded John seated before a lectern; his name inscribed above him., Four Gospels (ff. 6v-288v), adapted for liturgical use, each preceded by a table of capitula

of a bearded John seated before a lectern; his name inscribed above him. 4 miniatures (evangelist portraits: ff, 6v, 90v, 142v, 226v), before each Gospel. Four foliate headpieces (ff. 7, 91, 143, 227), titles in gold, and large initials in

• Drawing of the Crucifixion, with the thieves, Mary pierced by a sword, and John., Speculum humanae salvationis, imperfect

thieves, Mary pierced by a sword, and John. Numerous drawings in ink, with captions and sometimes details in red or a red wash, identified by Scott as by three artists: 'A' of 100 miniatures, of c. 1330-1340 (ff. 1-33v, 35-38v,