• Ownership inscription of Simon, abbot of the Benedictine abbey of St. Mary and St. Benedict, Ramsey, 'Liber domini Simon. abbatis Rameseye', with a table of contents., De consensu evangelistarum, De musica

393) (f. 84v);Pseudo-Augustine, Sermo de oratione dominica (serm. 58) (f. 84v) (all texts are attributed to Augustine in the manuscript); John of Damascus trad. by Burgundio of Pisa, De fide orthodoxa (ff. 85-107v); Thomas Gallus, 'Extractio' (attributed here to Dionysius

• Less colourful than the first two major divisions at Psalms 1 and 51, the large decorated initial 'D'(omine) and display capitals at the beginning of Psalm 101 are here executed in just blue and red, with some details in orange. Between the lines of the main Latin text is a translation in Old English., Psalter, in the Roman version (ff. 4-95), with canticles (ff. 96-104), a short litany (f. 104), a hymnal (ff. 105-128) and monastic canticles (ff. 129-135); added calendar (ff. 2,3) (the 'Bosworth Psalter')

earl of Arundel (b. 1512, d. 1580): inscribed 'Arundel' (f. 2); the Arundel collection bequeathed to Lord Lumley, his son-in-law. John Lumley, 1st baron Lumley (b. c.1533, d. 1609), collector and conspirator: inscribed with his name (f. 2). ? Perhaps

• Initial 'P'(rimo) with foliate decoration at the beginning of the hymns., Psalter, in the Roman version (ff. 4-95), with canticles (ff. 96-104), a short litany (f. 104), a hymnal (ff. 105-128) and monastic canticles (ff. 129-135); added calendar (ff. 2,3) (the 'Bosworth Psalter')

earl of Arundel (b. 1512, d. 1580): inscribed 'Arundel' (f. 2); the Arundel collection bequeathed to Lord Lumley, his son-in-law. John Lumley, 1st baron Lumley (b. c.1533, d. 1609), collector and conspirator: inscribed with his name (f. 2). ? Perhaps

• 3 incomplete initials showing the three first stages in the production of a decorated initial: in the right-hand column is a space for an initial 'T' that has not been started; to its left is a 'VD' monogram whose design has been sketched in lead point; and above this is a 'P' whose design has been inked-over., Psalter, in the Roman version (ff. 4-95), with canticles (ff. 96-104), a short litany (f. 104), a hymnal (ff. 105-128) and monastic canticles (ff. 129-135); added calendar (ff. 2,3) (the 'Bosworth Psalter')

earl of Arundel (b. 1512, d. 1580): inscribed 'Arundel' (f. 2); the Arundel collection bequeathed to Lord Lumley, his son-in-law. John Lumley, 1st baron Lumley (b. c.1533, d. 1609), collector and conspirator: inscribed with his name (f. 2). ? Perhaps

• Puzzle initial 'S'(usceptis) with foliate penwork decoration and pen-flourishing extending into the margin with a fish., Register of letters (ff. 7v-198v), with table of chapters (ff. 1-7); Dialogue of Basil and John Chrysostom (ff. 198-224); Isidore of Seville on Music (ff. 224v-225)

without blue pen-flourishing (ff. 224v-225v). Register of letters (ff. 7v-198v), with table of chapters (ff. 1-7); Dialogue of Basil and John Chrysostom (ff. 198-224); Isidore of Seville on Music (ff. 224v-225) The Cistercian abbey of St Mary, Cambron: inscribed 'Liber

• Puzzle initial 'M'(ichi) with a colophon above., Register of letters (ff. 7v-198v), with table of chapters (ff. 1-7); Dialogue of Basil and John Chrysostom (ff. 198-224); Isidore of Seville on Music (ff. 224v-225)

without blue pen-flourishing (ff. 224v-225v). Register of letters (ff. 7v-198v), with table of chapters (ff. 1-7); Dialogue of Basil and John Chrysostom (ff. 198-224); Isidore of Seville on Music (ff. 224v-225) The Cistercian abbey of St Mary, Cambron: inscribed 'Liber

• Detail of colophon: 'Explicit Register beati Gregorij pape urbis Rome. Quem scripsit frater johannes dictus toussens monaschus de camberone'., Register of letters (ff. 7v-198v), with table of chapters (ff. 1-7); Dialogue of Basil and John Chrysostom (ff. 198-224); Isidore of Seville on Music (ff. 224v-225)

without blue pen-flourishing (ff. 224v-225v). Register of letters (ff. 7v-198v), with table of chapters (ff. 1-7); Dialogue of Basil and John Chrysostom (ff. 198-224); Isidore of Seville on Music (ff. 224v-225) The Cistercian abbey of St Mary, Cambron: inscribed 'Liber

• Historiated initial 'D'(ominela) of the martyrdom of Catherine, with a full bar border with foliage, dragons, a grotesque, and a dog chasing a hare, at Matins., Book of Hours (the 'Harley Hours'), Use of Sarum, ending imperfectly

Lauds (f. 30), the Coronation of the Virgin, at Prime (f. 60), the martyrdom of Laurence, at Terce (f. 77v), John the Baptist and the Agnus Dei, at None (f. 83), Pentecost, at Vespers (f. 89), Pentecost, at Compline (f.

• Prefatory full-page miniature in colours and gold of the Adoration of the Magi., Book of Hours (the 'Harley Hours'), Use of Sarum, ending imperfectly

Lauds (f. 30), the Coronation of the Virgin, at Prime (f. 60), the martyrdom of Laurence, at Terce (f. 77v), John the Baptist and the Agnus Dei, at None (f. 83), Pentecost, at Vespers (f. 89), Pentecost, at Compline (f.

• Prefatory full-page miniature in colours and gold of the Presentation to the Temple., Book of Hours (the 'Harley Hours'), Use of Sarum, ending imperfectly

Lauds (f. 30), the Coronation of the Virgin, at Prime (f. 60), the martyrdom of Laurence, at Terce (f. 77v), John the Baptist and the Agnus Dei, at None (f. 83), Pentecost, at Vespers (f. 89), Pentecost, at Compline (f.

• Miniature of Nectanebus seducing Olympias, Philip of Macedon's queen, in the guise of a dragon; miniature of Nectanebus as a dragon, kissing Olympias while she is at a table with Philip., Historia de proeliis, translated in French as La vraie ystoire dou bon roi Alixandre, and other romances

de Pordenone, Merveilles de la terre d'outremer, written in 1330 and translated by Jean de Vignay in 1331 (ff. 136v-148); John of Plano Carpini, Travels to the East in the abridgement of Vincent de Beauvais, Speculum Historiale 32, 2-66, in

• Miniature of Philip of Macedon taking Alexander to Aristotle., Historia de proeliis, translated in French as La vraie ystoire dou bon roi Alixandre, and other romances

de Pordenone, Merveilles de la terre d'outremer, written in 1330 and translated by Jean de Vignay in 1331 (ff. 136v-148); John of Plano Carpini, Travels to the East in the abridgement of Vincent de Beauvais, Speculum Historiale 32, 2-66, in

• Miniature of the death of Nectanebus., Historia de proeliis, translated in French as La vraie ystoire dou bon roi Alixandre, and other romances

de Pordenone, Merveilles de la terre d'outremer, written in 1330 and translated by Jean de Vignay in 1331 (ff. 136v-148); John of Plano Carpini, Travels to the East in the abridgement of Vincent de Beauvais, Speculum Historiale 32, 2-66, in

• Detail of a miniature of Bucephalus kneeling before Alexander, and Bucephalus with his cage., Historia de proeliis, translated in French as La vraie ystoire dou bon roi Alixandre, and other romances

de Pordenone, Merveilles de la terre d'outremer, written in 1330 and translated by Jean de Vignay in 1331 (ff. 136v-148); John of Plano Carpini, Travels to the East in the abridgement of Vincent de Beauvais, Speculum Historiale 32, 2-66, in

• Miniature of the coronation of Alexander., Historia de proeliis, translated in French as La vraie ystoire dou bon roi Alixandre, and other romances

de Pordenone, Merveilles de la terre d'outremer, written in 1330 and translated by Jean de Vignay in 1331 (ff. 136v-148); John of Plano Carpini, Travels to the East in the abridgement of Vincent de Beauvais, Speculum Historiale 32, 2-66, in

• Miniature of Philip and Alexander discussing envoys; miniature of Philip and Alexander setting out against Armenia; miniature of Pausanias and others marching against Philip., Historia de proeliis, translated in French as La vraie ystoire dou bon roi Alixandre, and other romances

de Pordenone, Merveilles de la terre d'outremer, written in 1330 and translated by Jean de Vignay in 1331 (ff. 136v-148); John of Plano Carpini, Travels to the East in the abridgement of Vincent de Beauvais, Speculum Historiale 32, 2-66, in

• Miniature of the defeat of Philip; miniature of the battle of Alexander and Pausanias; miniature of Alexander enthroned with Bucephalus under his feet., Historia de proeliis, translated in French as La vraie ystoire dou bon roi Alixandre, and other romances

de Pordenone, Merveilles de la terre d'outremer, written in 1330 and translated by Jean de Vignay in 1331 (ff. 136v-148); John of Plano Carpini, Travels to the East in the abridgement of Vincent de Beauvais, Speculum Historiale 32, 2-66, in

• Detail of an historiated initial 'D'(ominela) of the martyrdom of Catherine, at Matins., Book of Hours (the 'Harley Hours'), Use of Sarum, ending imperfectly

Lauds (f. 30), the Coronation of the Virgin, at Prime (f. 60), the martyrdom of Laurence, at Terce (f. 77v), John the Baptist and the Agnus Dei, at None (f. 83), Pentecost, at Vespers (f. 89), Pentecost, at Compline (f.

• Detail of a dog chasing a hare in the upper margin of a full bar border., Book of Hours (the 'Harley Hours'), Use of Sarum, ending imperfectly

Lauds (f. 30), the Coronation of the Virgin, at Prime (f. 60), the martyrdom of Laurence, at Terce (f. 77v), John the Baptist and the Agnus Dei, at None (f. 83), Pentecost, at Vespers (f. 89), Pentecost, at Compline (f.

• Detail of a grotesque hybrid in the lower margin of the folio., Book of Hours (the 'Harley Hours'), Use of Sarum, ending imperfectly

Lauds (f. 30), the Coronation of the Virgin, at Prime (f. 60), the martyrdom of Laurence, at Terce (f. 77v), John the Baptist and the Agnus Dei, at None (f. 83), Pentecost, at Vespers (f. 89), Pentecost, at Compline (f.