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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

2029 results from this resource . Displaying 61 to 80

pasted onto an unfoliated paper flyleaf; ff. iii-vi are notes on paper; ff. vii-viii are pages from the preface by John Romilly to a printed edition describing the manuscript; f. 200 is a lined parchment leaf, ff. 202-204 are parchment

pasted onto an unfoliated paper flyleaf; ff. iii-vi are notes on paper; ff. vii-viii are pages from the preface by John Romilly to a printed edition describing the manuscript; f. 200 is a lined parchment leaf, ff. 202-204 are parchment

of the Emperor John enthroned, with a courtier and a messenger, who points to the lower part of the initial that extends into the margin, where John's knights are assaulting two men. 25 historiated initials, with zoomorphic extensions into the

with a similar pattern in red) and illuminated initial 'E'(n) at the beginning of the Gospel of John, with a marginal inscription in Ottoman Turkish. Marginal notes in Ottoman Turkish (ff. 1, 49, 149). Headpiece with vine scroll decoration in

politician, owner of a library at Welbeck Abbey: his bookplate (f. iv). Henrietta Holles (b. 1694, d. 1755), daughter of John, married in 1713 Edward Harley (b. 1689, d. 1741), 2nd earl of Oxford and Mortimer, book collector and patron

Sheldonian, '1697', but 1698), II, no. 6543.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no 115.Charles

Sheldonian, '1697', but 1698), II, no. 6543.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no 115.Charles

with in two compartments John the Baptist pointing his disciples to Christ, and the crucifixion of Andrew, full border and bas-de-page scene with Christ calling Andrew and Peter from their fishing-boat. Musical notation.For a large number of images of the

'S'(tabat) with two compartments, of John the Baptist pointing his disciples towards Christ, and Andrew being tied upon his cross. Musical notation.For a large number of images of the other part of the manuscript, Verdun, Bibliothèque municipale, ms. 107, see

scene of John standing naked in a cauldon of boiling whilst two men encourage the fire from either side. Includes 150 Psalms (ff. 85-280) with a calendar of Sarum use (ff. 71v-83), canticles (ff. 280v-302) and litany (ff. 302v-318).Catchwords and

bas-de-page scene of John standing naked in a cauldon of boiling whilst two men encourage the fire from either side. Includes 150 Psalms (ff. 85-280) with a calendar of Sarum use (ff. 71v-83), canticles (ff. 280v-302) and litany (ff. 302v-318).Catchwords

scene of John the Baptist leaning out of a building and being beheaded by a man with a raised sword, with Salome alongside. Includes 150 Psalms (ff. 85-280) with a calendar of Sarum use (ff. 71v-83), canticles (ff. 280v-302) and

bas-de-page scene of John the Baptist leaning out of a building and being beheaded by a man with a raised sword, with Salome alongside. Includes 150 Psalms (ff. 85-280) with a calendar of Sarum use (ff. 71v-83), canticles (ff. 280v-302)

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 9 May 2024), https://www.manuscriptsonline.org/search/results?ac=f&kw=john&sdf=1294&sdt=1320&sr=ci&st=60