• Detail of a miniature of God giving John a measuring rod, with the Temple on the right., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

miniature of God giving John a measuring rod, with the Temple on the right. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution

• Detail of a miniature of John and a crowned Elder., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

a miniature of John and a crowned Elder. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the Queen Mary Master or

• Ink drawing of head of a knight in profile., Chronicle of England in French verse to 1307 (ff. 1-129)

Edward I's rights in Scotland (ff.129-37);The Prophecies of Merlin (ff. 137v-139);The letter of Prester John (ff.140v-145);Extracts from the Legenda Aurea of Jacobus de Voragine (ff. 145v-147). Rubrics in red. Initials in red and brown, some decorated with ink drawings of

• Miniature of John mounting a ladder towards the open doors of heaven, while an angel takes him by the wrist, illustrating Revelation 4: 1., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

of John mounting a ladder towards the open doors of heaven, while an angel takes him by the wrist, illustrating Revelation 4: 1. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff.

• Detail of a miniature of John mounting a ladder towards the open doors of heaven, while an angel takes him by the wrist, illustrating Revelation 4: 1., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

a miniature of John mounting a ladder towards the open doors of heaven, while an angel takes him by the wrist, illustrating Revelation 4: 1. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand

• Miniature of John with an angel and the vision of the White Horse, illustrating the opening of the First Seal (Revelation 6: 2), and a miniature of John with a symbol of Mark and the vision of the Red Horse, illustrating the opening of the Second Seal (Revelation 6: 3-4)., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

Miniature of John with an angel and the vision of the White Horse, illustrating the opening of the First Seal (Revelation 6: 2), and a miniature of John with a symbol of Mark and the vision of the Red Horse,

• Miniature of John asleep among rabbits, while an angel above speaks to him., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

of John asleep among rabbits, while an angel above speaks to him. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the

• Detail of a miniature of John asleep among rabbits, while an angel above speaks to him., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

a miniature of John asleep among rabbits, while an angel above speaks to him. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution

• Cutting of a miniature of a lawyer instructing two adults with two children., Cutting of a miniature and text fragment possibly from a manuscript of the Digestum, Book 26, 'De tutelis', incipit

of fragments from manuscripts and printed books, including maps and drawings, assembled for historical purposes by the bookseller and antiquary John Bagford (b. 1650/51, d. 1716). A number of drawings and printed book fragments were transferred from the volume to

• Historiated initial 'A'(d) of a master lecturing a pupil or annointing (?)., Fragment, possibly from a commentary to Pseudo-Augustine's 'De mirabilibus sacrae scripturae'

of fragments from manuscripts and printed books, including maps and drawings, assembled for historical purposes by the bookseller and antiquary John Bagford (b. 1650/51, d. 1716). A number of drawings and printed book fragments were transferred from the volume to

• Coloured initials with penwork decoration., Fragment of glossed Psalm 144:14-17

of fragments from manuscripts and printed books, including maps and drawings, assembled for historical purposes by the bookseller and antiquary John Bagford (b. 1650/51, d. 1716). A number of drawings and printed book fragments were transferred from the volume to

• Coloured initial with penwork decoration., Fragment from a glossed Bible, Maccabees 4:54-59

of fragments from manuscripts and printed books, including maps and drawings, assembled for historical purposes by the bookseller and antiquary John Bagford (b. 1650/51, d. 1716). A number of drawings and printed book fragments were transferred from the volume to

• Coloured initial with penwork decoration., Fragment from a glossed Bible, Corinthians 2:13-14

of fragments from manuscripts and printed books, including maps and drawings, assembled for historical purposes by the bookseller and antiquary John Bagford (b. 1650/51, d. 1716). A number of drawings and printed book fragments were transferred from the volume to

• Text page with partially erased initial and inscription., Historia Scolastica

fratris Ricardi de sancta Columba et fratris Galfridi Werdour, ita quod predicti fratres habeant vsum ad tempus vite' (f. 1). John Theyer (bap. 1598, d. 1673), antiquary, included in the catalogue of his library left to his grandson Charles Theyer

• Puzzle initial 'Q'(uinta) and pen-flourished initials., Historia Scolastica

fratris Ricardi de sancta Columba et fratris Galfridi Werdour, ita quod predicti fratres habeant vsum ad tempus vite' (f. 1). John Theyer (bap. 1598, d. 1673), antiquary, included in the catalogue of his library left to his grandson Charles Theyer

• Initial 'I'(n) decorated with zoomorphic form and extending into partial bar border., Pharetra, in four books

Blessed Virgin Mary and St Nicholas, Spalding, Lincolnshire: inscription on f. i v, 'Liber m[onaste]rii Spaldyng' (not noticed there by John Leland).On f. i v, passages copied from Isaiah 19 in 14th- or 15th-century English hand.Thomas Cranmer, Archbishop of Canterbury

• Initial 'G'(regorius) with foliate and zoomorphic decoration., Pharetra, in four books

Blessed Virgin Mary and St Nicholas, Spalding, Lincolnshire: inscription on f. i v, 'Liber m[onaste]rii Spaldyng' (not noticed there by John Leland).On f. i v, passages copied from Isaiah 19 in 14th- or 15th-century English hand.Thomas Cranmer, Archbishop of Canterbury

• Puzzle initial 'G'(regorius) with pen-flourishing and partial border., Pharetra, in four books

Blessed Virgin Mary and St Nicholas, Spalding, Lincolnshire: inscription on f. i v, 'Liber m[onaste]rii Spaldyng' (not noticed there by John Leland).On f. i v, passages copied from Isaiah 19 in 14th- or 15th-century English hand.Thomas Cranmer, Archbishop of Canterbury

• Coloured drawing of the Trinity at the beginning of the text., Passion poem

Coloured drawing of the Trinity at the beginning of the text. 10 marginal coloured drawings (ff. 1, 1v, 2, 6v, 7v, 9, 10, 11v, 14v, 15v). Initial in red with brown penwork decoration (f. 1). Passion poem Sancreed church

• Coloured drawing of the Original Sin, with Adam and Eve on either side of the tree., Passion poem

Coloured drawing of the Original Sin, with Adam and Eve on either side of the tree. 10 marginal coloured drawings (ff. 1, 1v, 2, 6v, 7v, 9, 10, 11v, 14v, 15v). Initial in red with brown penwork decoration (f.