• Detail of a miniature of John being raised by an angel, with the head of God above., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

a miniature of John being raised by an angel, with the head of God above. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The

• Detail of a miniature of John kneeling before Christ., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

a miniature of John kneeling before Christ. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the Queen Mary Master or to

• Detail of a miniature of John, the lamb on the mount, and worshippers., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

a miniature of John, the lamb on the mount, and worshippers. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the Queen

• Detail of a miniature of John, a flying angel, and kneeling figures., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

a miniature of John, a flying angel, and kneeling figures. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the Queen Mary

• Detail of a miniature of God giving John a measuring rod, with the Temple on the right., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

miniature of God giving John a measuring rod, with the Temple on the right. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution

• Detail of a miniature of John and a crowned Elder., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

a miniature of John and a crowned Elder. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the Queen Mary Master or

• Detail from the roll of the genealogical line from Stephen to John and his descendants., Genealogical roll of the kings of England

the genealogical line from Stephen to John and his descendants. Contains a genealogical chronicle of the Kings of England from the Heptarchy to Edward I (b. 1239, d. 1307), king of England from 1272, with additions to include Edward II

• Miniature of John mounting a ladder towards the open doors of heaven, while an angel takes him by the wrist, illustrating Revelation 4: 1., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

of John mounting a ladder towards the open doors of heaven, while an angel takes him by the wrist, illustrating Revelation 4: 1. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff.

• Detail of a miniature of John mounting a ladder towards the open doors of heaven, while an angel takes him by the wrist, illustrating Revelation 4: 1., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

a miniature of John mounting a ladder towards the open doors of heaven, while an angel takes him by the wrist, illustrating Revelation 4: 1. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand

• Miniature of John with an angel and the vision of the White Horse, illustrating the opening of the First Seal (Revelation 6: 2), and a miniature of John with a symbol of Mark and the vision of the Red Horse, illustrating the opening of the Second Seal (Revelation 6: 3-4)., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

Miniature of John with an angel and the vision of the White Horse, illustrating the opening of the First Seal (Revelation 6: 2), and a miniature of John with a symbol of Mark and the vision of the Red Horse,

• Miniature of John asleep among rabbits, while an angel above speaks to him., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

of John asleep among rabbits, while an angel above speaks to him. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the

• Detail of a miniature of John asleep among rabbits, while an angel above speaks to him., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

a miniature of John asleep among rabbits, while an angel above speaks to him. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution

• Coloured drawing of the Trinity at the beginning of the text., Passion poem

Coloured drawing of the Trinity at the beginning of the text. 10 marginal coloured drawings (ff. 1, 1v, 2, 6v, 7v, 9, 10, 11v, 14v, 15v). Initial in red with brown penwork decoration (f. 1). Passion poem Sancreed church

• Coloured drawing of the Original Sin, with Adam and Eve on either side of the tree., Passion poem

Coloured drawing of the Original Sin, with Adam and Eve on either side of the tree. 10 marginal coloured drawings (ff. 1, 1v, 2, 6v, 7v, 9, 10, 11v, 14v, 15v). Initial in red with brown penwork decoration (f.

• Coloured drawing of God standing before ?Adam., Passion poem

Coloured drawing of God standing before ?Adam. 10 marginal coloured drawings (ff. 1, 1v, 2, 6v, 7v, 9, 10, 11v, 14v, 15v). Initial in red with brown penwork decoration (f. 1). Passion poem Sancreed church (Cornwall): thought to have

• Coloured drawing of the Betrayal with Judas kissing Christ and soldiers standing by., Passion poem

Coloured drawing of the Betrayal with Judas kissing Christ and soldiers standing by. 10 marginal coloured drawings (ff. 1, 1v, 2, 6v, 7v, 9, 10, 11v, 14v, 15v). Initial in red with brown penwork decoration (f. 1). Passion poem

• Coloured drawing of Christ before the High Priest Caiaphas., Passion poem

Coloured drawing of Christ before the High Priest Caiaphas. 10 marginal coloured drawings (ff. 1, 1v, 2, 6v, 7v, 9, 10, 11v, 14v, 15v). Initial in red with brown penwork decoration (f. 1). Passion poem Sancreed church (Cornwall): thought

• Coloured drawing of Christ before Herod., Passion poem

Coloured drawing of Christ before Herod. 10 marginal coloured drawings (ff. 1, 1v, 2, 6v, 7v, 9, 10, 11v, 14v, 15v). Initial in red with brown penwork decoration (f. 1). Passion poem Sancreed church (Cornwall): thought to have been

• Coloured drawing of Christ before Pilate., Passion poem

Coloured drawing of Christ before Pilate. 10 marginal coloured drawings (ff. 1, 1v, 2, 6v, 7v, 9, 10, 11v, 14v, 15v). Initial in red with brown penwork decoration (f. 1). Passion poem Sancreed church (Cornwall): thought to have been

• Coloured drawing of the Flagellation., Passion poem

Coloured drawing of the Flagellation. 10 marginal coloured drawings (ff. 1, 1v, 2, 6v, 7v, 9, 10, 11v, 14v, 15v). Initial in red with brown penwork decoration (f. 1). Passion poem Sancreed church (Cornwall): thought to have been found