• Coloured drawing of the Trinity at the beginning of the text., Passion poem

Coloured drawing of the Trinity at the beginning of the text. 10 marginal coloured drawings (ff. 1, 1v, 2, 6v, 7v, 9, 10, 11v, 14v, 15v). Initial in red with brown penwork decoration (f. 1). Passion poem Sancreed church

• Coloured drawing of the Original Sin, with Adam and Eve on either side of the tree., Passion poem

Coloured drawing of the Original Sin, with Adam and Eve on either side of the tree. 10 marginal coloured drawings (ff. 1, 1v, 2, 6v, 7v, 9, 10, 11v, 14v, 15v). Initial in red with brown penwork decoration (f.

• Coloured drawing of the Betrayal with Judas kissing Christ and soldiers standing by., Passion poem

Coloured drawing of the Betrayal with Judas kissing Christ and soldiers standing by. 10 marginal coloured drawings (ff. 1, 1v, 2, 6v, 7v, 9, 10, 11v, 14v, 15v). Initial in red with brown penwork decoration (f. 1). Passion poem

• Coloured drawing of Christ before Pilate., Passion poem

Coloured drawing of Christ before Pilate. 10 marginal coloured drawings (ff. 1, 1v, 2, 6v, 7v, 9, 10, 11v, 14v, 15v). Initial in red with brown penwork decoration (f. 1). Passion poem Sancreed church (Cornwall): thought to have been

• Coloured drawing of the Carrying of the Cross., Passion poem

Coloured drawing of the Carrying of the Cross. 10 marginal coloured drawings (ff. 1, 1v, 2, 6v, 7v, 9, 10, 11v, 14v, 15v). Initial in red with brown penwork decoration (f. 1). Passion poem Sancreed church (Cornwall): thought to

• Miniature of John, with his symbol above., Four Gospels, with list of lections (ff. 168v-177)

of John, with his symbol above. Facing miniatures are now separated by an inserted paper leaf. 10 full-page miniatures in colours and gold, of Christ in Majesty opposite two clerics presenting a book, and Evangelist portraits opposite the Annunciation, the

• Pen-flourished initials 'I'(n) and 'R'(aptus) at the beginning of chapters 3 and 4 of Raymond of Peñafort's 'Summa de casibus penitentie'., Summa de casibus poenitentiae

(f. 52v). Added, 14th/15th century: texts and notes in Latin and Italian, one (f. 52v) mentioning Pope John XXII (1316-1334), (ff. 50v-51, 52v). John Gibson (fl. 1720-1726), dealer; acquired from him in 1726 for the Harley collection (see ~Diary~ 1966;

• Decorated initial 'F'(et)., Vetera Statuta (index Statuta Angliae; Statute book; Statutes of England)

blue Vetera Statuta (index Statuta Angliae; Statute book; Statutes of England) John Wodenothe of Shavington cum Gresty, Chester: memorandum relating to his marriage in 1534 to Margaret, daughter of John Rope of Stapeley, Chester (f. 190); his name inscribed (ff.

• Decorated initial 'D'(ist) with pen-flourishing including a hybrid creature., Vetera statuta (index Statutes of England, Statuta Angliae, Statute book)(ends imperfectly)

46v, 48v, 131v).John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other manuscripts (see ~Diary~ 1966).The Harley Collection, formed by Robert Harley (b. 1661,

• Puzzle initial 'Q'(uoniam) with foliate decoration and pen-flourished initial 'D'(e) at the beginning of John of Wales's Breviloquium de quatuor virtutibus antiquorum, and inscription 'In Richardum Pyttcu(m) Bathon (iensem) testate d[omi]no Thoma Shakespare' in the upper margin., Breviloquium de quatuor virtutibus antiquorum

pen-flourished initial 'D'(e) at the beginning of John of Wales's Breviloquium de quatuor virtutibus antiquorum, and inscription 'In Richardum Pyttcu(m) Bathon (iensem) testate d[omi]no Thoma Shakespare' in the upper margin. f. 2v contains a table of contents.Medieval pagination in arabic

• Miniature of Christ crucified between the two thieves, with the Virgin Mary and John the Evangelist, and Joseph of Arimathea collecting Christ's blood in a dish., Estoire del Saint Graal, La Queste del Saint Graal, Morte Artu

two thieves, with the Virgin Mary and John the Evangelist, and Joseph of Arimathea collecting Christ's blood in a dish. Includes: Estoire del Saint Graal, imperfect (ff. 1-88); La Queste del Saint Graal (ff. 89-139); abridged version of the Morte

• Detail of a miniature of John witnessing the rider on a white horse, holding a bow and wearing a crown, illustrating Revelation 6:2., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

a miniature of John witnessing the rider on a white horse, holding a bow and wearing a crown, illustrating Revelation 6:2. Includes La lumiere as lais of Peter of Peckham (or Peter of Fetcham) in Anglo-French (ff. 1-103v), and the

• Miniature of John witnessing the rider on a red horse, holding large sword, illustrating Revelation 6:4., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

of John witnessing the rider on a red horse, holding large sword, illustrating Revelation 6:4. Includes La lumiere as lais of Peter of Peckham (or Peter of Fetcham) in Anglo-French (ff. 1-103v), and the Apocalypse with a commentary in the

• Miniature of John witnessing the rider on a black horse, holding a pair of scales, illustrating Revelation 6:5., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

of John witnessing the rider on a black horse, holding a pair of scales, illustrating Revelation 6:5. Includes La lumiere as lais of Peter of Peckham (or Peter of Fetcham) in Anglo-French (ff. 1-103v), and the Apocalypse with a commentary

• Detail of a miniature of John witnessing the rider on a pale horse, named Death, holding a large sword, illustrating Revelation 6:8., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

a miniature of John witnessing the rider on a pale horse, named Death, holding a large sword, illustrating Revelation 6:8. Includes La lumiere as lais of Peter of Peckham (or Peter of Fetcham) in Anglo-French (ff. 1-103v), and the Apocalypse

• Detail of a miniature of John witnessing the souls of the martyrs emerging from under the altar to be given white robes by the angel, illustrating Revelation 6:9-11., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

a miniature of John witnessing the souls of the martyrs emerging from under the altar to be given white robes by the angel, illustrating Revelation 6:9-11. Includes La lumiere as lais of Peter of Peckham (or Peter of Fetcham) in

• Detail of a miniature of John witnessing the opening of the sixth seal and unleashing a great earthquake, from which the kings and nobles of the earth hide in caves, in illustration of Revelation 6:11-15., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

a miniature of John witnessing the opening of the sixth seal and unleashing a great earthquake, from which the kings and nobles of the earth hide in caves, in illustration of Revelation 6:11-15. Includes La lumiere as lais of Peter

• Detail of a miniature of John and the angel witnessing four angels standing at the four corners of the earth, holding back the four winds, in illustration of Revelation 7:1., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

a miniature of John and the angel witnessing four angels standing at the four corners of the earth, holding back the four winds, in illustration of Revelation 7:1. Includes La lumiere as lais of Peter of Peckham (or Peter of

• Detail of a miniature of John witnessing God enthroned in a mandorla, surrounded by seven angels with trumpets and an angel with a censer, in illustration of Revelation 8:2., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

a miniature of John witnessing God enthroned in a mandorla, surrounded by seven angels with trumpets and an angel with a censer, in illustration of Revelation 8:2. Includes La lumiere as lais of Peter of Peckham (or Peter of Fetcham)

• Miniature of John witnessing the second angel sounding his trumpet, causing a huge mountain burning with fire to be cast into the sea, and turning one third of the sea into blood, in illustration of Revelation 8:8., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

of John witnessing the second angel sounding his trumpet, causing a huge mountain burning with fire to be cast into the sea, and turning one third of the sea into blood, in illustration of Revelation 8:8. Includes La lumiere as