• Miniature in two parts, with Four apostles, without emblems on register above, and Peter (with keys), Paul (with sword), Andrew (with diagonal cross), and John (with palm-branch and eagle) on register below, with a bas-de-page scene of Paul, with nimbus, preaching before seven figures., Psalter ('The Queen Mary Psalter')

above, and Peter (with keys), Paul (withsword), Andrew (with diagonal cross), and John (with palm-branch and eagle) on register below, with a bas-de-page scene of Paul, with nimbus, preaching before seven figures. Includes 150 Psalms (ff. 85-280) with a calendar

• Detail of a miniature in two parts, with Four apostles, without emblems on register above, and Peter (with keys), Paul (with sword), Andrew (with diagonal cross), and John (with palm-branch and eagle) on register below., Psalter ('The Queen Mary Psalter')

register above, and Peter (with keys), Paul (withsword), Andrew (with diagonal cross), and John (with palm-branch and eagle) on register below. Includes 150 Psalms (ff. 85-280) with a calendar of Sarum use (ff. 71v-83), canticles (ff. 280v-302) and litany (ff.

• Miniature with a horned Moses standing with three patriarchs on either side of him on the upper register and John the Baptist (Agnus Dei) with three prophets on either side on the lower register, with a bas-de-page scene with Paul, naked in a large font, baptized, by the hand of God in a cloud above., Psalter ('The Queen Mary Psalter')

on either side of him on the upper register and John the Baptist (Agnus Dei) with three prophets on either side on the lower register, with a bas-de-page scene with Paul, naked in a large font, baptized, by the hand

• Detail of a miniature with a horned Moses standing with three patriarchs on either side of him on the upper register and John the Baptist (Agnus Dei) with three prophets on either side on the lower register, Psalter ('The Queen Mary Psalter')

patriarchs on either side of him on the upper register and John the Baptist (Agnus Dei) with three prophets on either side on the lower register Includes 150 Psalms (ff. 85-280) with a calendar of Sarum use (ff. 71v-83), canticles

• Miniature of the Virgin and Child, from the De Lisle Psalter (Arundel 83 II). The Virgin, her feet resting on a dragon and a lion, is holding the Child. They are seated in an elaborate Gothic arched canopy, with niches containing two angels carrying candels, and the figures of Catherine of Alexandria and Margaret of Antioch., Psalter and Book of Hours (the 'Howard Psalter and Hours') (Arundel 83 I) (ends imperfectly); including a calendar of uncertain East Anglian destination (ff. 6-11v), a liturgical Psalter with canticles, litany, and Office of the Dead (ff. 14-113v), and an incomplete Hours of the Passion (ff. 113v-116v)

Hours of the Passion (ff. 113v-116v) 83 I ( ff. 2v-116v) (the 'Howard Psalter'), Arundel 83 I:? Perhaps made for John Fitton (d. 1326): arms (ff. 47, 55v). Theodore of Malinton, Baron of Wemme (d. 1408): inscribed 'Obitus domini Theodore

• Page from the Howard Psalter (Arundel 83 I) showing the incipit of Psalm 80 ("Exultate Deo"). In the initial 'E', a seated king plays bells. In the border, hybrids hold trumpets bearing the Fitton and Freville arms, and other hybrids play musical instruments., Psalter and Book of Hours (the 'Howard Psalter and Hours') (Arundel 83 I) (ends imperfectly); including a calendar of uncertain East Anglian destination (ff. 6-11v), a liturgical Psalter with canticles, litany, and Office of the Dead (ff. 14-113v), and an incomplete Hours of the Passion (ff. 113v-116v)

Hours of the Passion (ff. 113v-116v) 83 I ( ff. 2v-116v) (the 'Howard Psalter'), Arundel 83 I:? Perhaps made for John Fitton (d. 1326): arms (ff. 47, 55v). Theodore of Malinton, Baron of Wemme (d. 1408): inscribed 'Obitus domini Theodore

• Detail of the historiated initial 'D'(ixit) with David and a fool at the beginning of Psalm 52., Psalter and Book of Hours (the 'Howard Psalter and Hours') (Arundel 83 I) (ends imperfectly); including a calendar of uncertain East Anglian destination (ff. 6-11v), a liturgical Psalter with canticles, litany, and Office of the Dead (ff. 14-113v), and an incomplete Hours of the Passion (ff. 113v-116v)

Hours of the Passion (ff. 113v-116v) 83 I ( ff. 2v-116v) (the 'Howard Psalter'), Arundel 83 I:? Perhaps made for John Fitton (d. 1326): arms (ff. 47, 55v). Theodore of Malinton, Baron of Wemme (d. 1408): inscribed 'Obitus domini Theodore

• Historiated initial 'S'(alvum) with the Lord and a sinner in the sea, and monsters in the border, at the beginning of Psalm 68., Psalter and Book of Hours (the 'Howard Psalter and Hours') (Arundel 83 I) (ends imperfectly); including a calendar of uncertain East Anglian destination (ff. 6-11v), a liturgical Psalter with canticles, litany, and Office of the Dead (ff. 14-113v), and an incomplete Hours of the Passion (ff. 113v-116v)

Hours of the Passion (ff. 113v-116v) 83 I ( ff. 2v-116v) (the 'Howard Psalter'), Arundel 83 I:? Perhaps made for John Fitton (d. 1326): arms (ff. 47, 55v). Theodore of Malinton, Baron of Wemme (d. 1408): inscribed 'Obitus domini Theodore

• Detail of the historiated initial 'D' with David playing bells, at the beginning of Psalm 80., Psalter and Book of Hours (the 'Howard Psalter and Hours') (Arundel 83 I) (ends imperfectly); including a calendar of uncertain East Anglian destination (ff. 6-11v), a liturgical Psalter with canticles, litany, and Office of the Dead (ff. 14-113v), and an incomplete Hours of the Passion (ff. 113v-116v)

Hours of the Passion (ff. 113v-116v) 83 I ( ff. 2v-116v) (the 'Howard Psalter'), Arundel 83 I:? Perhaps made for John Fitton (d. 1326): arms (ff. 47, 55v). Theodore of Malinton, Baron of Wemme (d. 1408): inscribed 'Obitus domini Theodore

• Historiated initial for Psalm 95 ("Cantate Domino canticum novum") from the Howard Psalter (Arundel 83 I). Inside the initial 'C', three clerics sing from a scroll draped over a lectern the motet 'Zelo tui langueo', and one holds a wound-up roll, with the upper half of a man in the border border., Psalter and Book of Hours (the 'Howard Psalter and Hours') (Arundel 83 I) (ends imperfectly); including a calendar of uncertain East Anglian destination (ff. 6-11v), a liturgical Psalter with canticles, litany, and Office of the Dead (ff. 14-113v), and an incomplete Hours of the Passion (ff. 113v-116v)

Hours of the Passion (ff. 113v-116v) 83 I ( ff. 2v-116v) (the 'Howard Psalter'), Arundel 83 I:? Perhaps made for John Fitton (d. 1326): arms (ff. 47, 55v). Theodore of Malinton, Baron of Wemme (d. 1408): inscribed 'Obitus domini Theodore

• Detail of an historiated initial for Psalm 95 ("Cantate Domino canticum novum") from the Howard Psalter (Arundel 83 I). Inside the initial 'C', three clerics sing from a scroll draped over a lectern the motet 'Zelo tui langueo', and one holds a wound-up roll, with the upper half of a man in the border border., Psalter and Book of Hours (the 'Howard Psalter and Hours') (Arundel 83 I) (ends imperfectly); including a calendar of uncertain East Anglian destination (ff. 6-11v), a liturgical Psalter with canticles, litany, and Office of the Dead (ff. 14-113v), and an incomplete Hours of the Passion (ff. 113v-116v)

Hours of the Passion (ff. 113v-116v) 83 I ( ff. 2v-116v) (the 'Howard Psalter'), Arundel 83 I:? Perhaps made for John Fitton (d. 1326): arms (ff. 47, 55v). Theodore of Malinton, Baron of Wemme (d. 1408): inscribed 'Obitus domini Theodore

• Historiated initial with a battle scene., Fragment of a leaf of a Speculum maius (beginning of book 9)

inscribed, 16th/17th century: 'Philemon Holland / John Barone(?), and 'RB'.f. 125: inscribed, 16th century: 'Thomas baulle'(?) and John Dean'.f. 137: inscribed, 16th century: 'James Collard'.f. 149: inscribed, 16th century: 'Statutes April 1581' and 'John Wallsall'.f. 175: inscribed, 17th century: 'Edmund(?)

• Historiated initial with a battle scene., Fragment of a leaf of a Speculum maius (beginning of book 9)

inscribed, 16th/17th century: 'Philemon Holland / John Barone(?), and 'RB'.f. 125: inscribed, 16th century: 'Thomas baulle'(?) and John Dean'.f. 137: inscribed, 16th century: 'James Collard'.f. 149: inscribed, 16th century: 'Statutes April 1581' and 'John Wallsall'.f. 175: inscribed, 17th century: 'Edmund(?)

• Ink drawing of head of a knight in profile., Chronicle of England in French verse to 1307 (ff. 1-129)

Edward I's rights in Scotland (ff.129-37);The Prophecies of Merlin (ff. 137v-139);The letter of Prester John (ff.140v-145);Extracts from the Legenda Aurea of Jacobus de Voragine (ff. 145v-147). Rubrics in red. Initials in red and brown, some decorated with ink drawings of

• Detail from the roll of the genealogical line from Stephen to John and his descendants., Genealogical roll of the kings of England

the genealogical line from Stephen to John and his descendants. Contains a genealogical chronicle of the Kings of England from the Heptarchy to Edward I (b. 1239, d. 1307), king of England from 1272, with additions to include Edward II

• Miniature of John enthroned, caressing his dog; below, a genealogical table of his descendants., Drawings with various inscriptions, distichs and poems (ff. 1-9v), verse lament of Edward II (ff. 10 r-v), Chronicle of England (ff. 11-146v) Lancelot du Lac, imperfect (ff. 147-152v), a letter purporting to be from Joanna, Queen of Sicily to Hugh IV King of Cyprus (ff. 152v-154), La Queste del Saint Graal (ff. 155-169v), the latter imperfect at the beginning and at the end

of John enthroned, caressing his dog; below, a genealogical table of his descendants. Peter of Langtoft's Chronicle is prefaced by ten folios (the first quire) of tinted drawings with inscriptions, distichs, or longer poems. The final set of drawings portray

• Detail of a miniature of John enthroned, caressing his dog; below, a genealogical table of his descendants., Drawings with various inscriptions, distichs and poems (ff. 1-9v), verse lament of Edward II (ff. 10 r-v), Chronicle of England (ff. 11-146v) Lancelot du Lac, imperfect (ff. 147-152v), a letter purporting to be from Joanna, Queen of Sicily to Hugh IV King of Cyprus (ff. 152v-154), La Queste del Saint Graal (ff. 155-169v), the latter imperfect at the beginning and at the end

a miniature of John enthroned, caressing his dog; below, a genealogical table of his descendants. Peter of Langtoft's Chronicle is prefaced by ten folios (the first quire) of tinted drawings with inscriptions, distichs, or longer poems. The final set of

• Puzzle initials at the beginning of Psalms 50 and 51, with headings in Latin., Miscellany, including a calendar, Psalter with prayers and Hours of the Virgin, imperfect, Bestiaire d'amour; Rules, and the Chronicle of Turpin (see Notes)

in Latin with initials in red (ff. 204-212v). John Clerk, grocer and apothecary to Edward IV, warden of the London Company of Grocers in 1467 and 1475: inscribed 'Iste liber constat John Clerk grocero apocethario regis Edwarde quarti post conquestum'

• Decorated initials and ink drawings of teaching and writing., Miscellany, including a calendar, Psalter with prayers and Hours of the Virgin, imperfect, Bestiaire d'amour; Rules, and the Chronicle of Turpin (see Notes)

in Latin with initials in red (ff. 204-212v). John Clerk, grocer and apothecary to Edward IV, warden of the London Company of Grocers in 1467 and 1475: inscribed 'Iste liber constat John Clerk grocero apocethario regis Edwarde quarti post conquestum'

• Ink drawings of animals, including a donkey, a cricket and a swan., Miscellany, including a calendar, Psalter with prayers and Hours of the Virgin, imperfect, Bestiaire d'amour; Rules, and the Chronicle of Turpin (see Notes)

in Latin with initials in red (ff. 204-212v). John Clerk, grocer and apothecary to Edward IV, warden of the London Company of Grocers in 1467 and 1475: inscribed 'Iste liber constat John Clerk grocero apocethario regis Edwarde quarti post conquestum'