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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

1659 results from this resource . Displaying 261 to 280

a miniature of John and an angel witnessing the Scarlet Woman dressed in finery, holding a golden cup and riding on the back of a seven-headed beast, in illustration of Revelation 17:3-4. Includes La lumiere as lais of Peter of

a miniature of John the Scarlet Woman seated, and an angel. Includes La lumiere as lais of Peter of Peckham (or Peter of Fetcham) in Anglo-French (ff. 1-103v), and the Apocalypse with a commentary in the Anglo-French prose version (ff.

a miniature of John, the angel, evil spirits in the shapes of birds and fish, and the Fall of Babylon. Includes La lumiere as lais of Peter of Peckham (or Peter of Fetcham) in Anglo-French (ff. 1-103v), and the Apocalypse

of the angel speaking to John, and five men with golden vessels emerging from Babylon. Includes La lumiere as lais of Peter of Peckham (or Peter of Fetcham) in Anglo-French (ff. 1-103v), and the Apocalypse with a commentary in the

a miniature of John and an angel pointing to God enthroned in a mandorla, with the water of life flowing from his throne. Includes La lumiere as lais of Peter of Peckham (or Peter of Fetcham) in Anglo-French (ff. 1-103v),

Miniature of John with an angel, God enthroned in a mandorla, and John with an Elder, with an historiated initial 'C'(eo.) of the head of a woman, with a partial bar border including dragons. Includes La lumiere as lais of

Detail of a miniature of John with an angel, God enthroned in a mandorla, and John with an Elder. Includes La lumiere as lais of Peter of Peckham (or Peter of Fetcham) in Anglo-French (ff. 1-103v), and the Apocalypse with

the saints in verse, listed according to their feast days), imperfect at the beginning John Sanford of Comersley, Somerset: inscribed in the late 16th century, 'John Sanford' (ff. 21, 41, 43, 46, 49 etc.), and 'Dieu saulve nostre royne Elizabeth

an acanthus frame surrounds the miniature and foliate feathering extends into the margins. This text was composed c. 1390 by John Gower (b. c. 1330, d. 1408), and is in the third recension of the text.One of 13 manuscripts containing

of the Evangelist John, holding a book and a martyr's palm, standing on the back of his symbol, the eagle. Includes La lumiere as lais of Peter of Peckham (or Peter of Fetcham) in Anglo-French (ff. 1-103v), and the Apocalypse

initial 'E'(seint) of the Evangelist John, holding a book and a martyr's palm, standing on the back of his symbol, the eagle. Includes La lumiere as lais of Peter of Peckham (or Peter of Fetcham) in Anglo-French (ff. 1-103v), and

Christ dictating to John. Includes La lumiere as lais of Peter of Peckham (or Peter of Fetcham) in Anglo-French (ff. 1-103v), and the Apocalypse with a commentary in the Anglo-French prose version (ff. 104-214v).According to Sandler, stylistically related to the

of Christ dictating to John. Includes La lumiere as lais of Peter of Peckham (or Peter of Fetcham) in Anglo-French (ff. 1-103v), and the Apocalypse with a commentary in the Anglo-French prose version (ff. 104-214v).According to Sandler, stylistically related to

an abridgement of Geoffrey of Monmouth: inscribed with his name 'Ponticus Virunius' (f. 1).Added marginal annotations in a 16th-century hand. John Theyer (bap. 1598, d. 1673), antiquary: his monogram (f. 133) and notes in his hand (e.g., ff. 1, 132v-133);

an abridgement of Geoffrey of Monmouth: inscribed with his name 'Ponticus Virunius' (f. 1).Added marginal annotations in a 16th-century hand. John Theyer (bap. 1598, d. 1673), antiquary: his monogram (f. 133) and notes in his hand (e.g., ff. 1, 132v-133);

an abridgement of Geoffrey of Monmouth: inscribed with his name 'Ponticus Virunius' (f. 1).Added marginal annotations in a 16th-century hand. John Theyer (bap. 1598, d. 1673), antiquary: his monogram (f. 133) and notes in his hand (e.g., ff. 1, 132v-133);

a miniature of John and representatives of churches. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the Queen Mary Master or

a miniature of John, and the Son of Man between seven candlesticks. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the

a miniature of John writing, with an angel before him. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the Queen Mary

a miniature of John and the angel pointing to the walls of New Jerusalem. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 1 December 2020), https://www.manuscriptsonline.org/search/results?ac=f&ft=t&kw=john&sdf=1312&sdt=1326&st=260