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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

1659 results from this resource . Displaying 281 to 300

a miniature of John being raised by an angel, with the head of God above. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The

a miniature of John kneeling before Christ. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the Queen Mary Master or to

a miniature of John, the lamb on the mount, and worshippers. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the Queen

a miniature of John, a flying angel, and kneeling figures. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the Queen Mary

miniature of God giving John a measuring rod, with the Temple on the right. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution

a miniature of John and a crowned Elder. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the Queen Mary Master or

of John mounting a ladder towards the open doors of heaven, while an angel takes him by the wrist, illustrating Revelation 4: 1. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff.

a miniature of John mounting a ladder towards the open doors of heaven, while an angel takes him by the wrist, illustrating Revelation 4: 1. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand

of John asleep among rabbits, while an angel above speaks to him. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the

a miniature of John asleep among rabbits, while an angel above speaks to him. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution

are a fragment of an indulgence from Clement [VI] to John [Arcber], rector of Ketlebergh [Kettleburgh, co. Suff.], Norwich diocese (see Warner and Gilson 1921).Formerly stitched to f. 8 but now attached to a paper leaf after f. 7 is

the lion, and a miniature of John, with his symbol, the eagle. Includes the ~Somme le roi~, a manual of moral instruction, composed in 1279-80, at the request of King Philip III of France (1270-1285) by Laurent d'Orleans, the king's

king John is brought to Winchester for burial The first quire misbound; the right order being ff. 2, 8, 3-7, 1, 9.French verse translation, in octosyllabic couplets, of Geoffrey of Monmouth's Historia Regum Britanniae.One of the first images of Stonehenge:

Thomas Sutton, 'cellerarius forinsicus', assisted by John fitz James, steward of the abbey, William Lange, auditor, Thomas Gunwyn, a clerk with a special knowledge of the Glastonbury muniments and 'circa terrarium mensuratorem precipuum,' and John Horner, bailiff of Whitstone, who

Thomas Sutton, 'cellerarius forinsicus', assisted by John fitz James, steward of the abbey, William Lange, auditor, Thomas Gunwyn, a clerk with a special knowledge of the Glastonbury muniments and 'circa terrarium mensuratorem precipuum,' and John Horner, bailiff of Whitstone, who

Thomas Sutton, 'cellerarius forinsicus', assisted by John fitz James, steward of the abbey, William Lange, auditor, Thomas Gunwyn, a clerk with a special knowledge of the Glastonbury muniments and 'circa terrarium mensuratorem precipuum,' and John Horner, bailiff of Whitstone, who

of John, with his symbol above. Facing miniatures are now separated by an inserted paper leaf. 10 full-page miniatures in colours and gold, of Christ in Majesty opposite two clerics presenting a book, and Evangelist portraits opposite the Annunciation, the

pen-flourished initial 'D'(e) at the beginning of John of Wales's Breviloquium de quatuor virtutibus antiquorum, and inscription 'In Richardum Pyttcu(m) Bathon (iensem) testate d[omi]no Thoma Shakespare' in the upper margin. f. 2v contains a table of contents.Medieval pagination in arabic

two thieves, with the Virgin Mary and John the Evangelist, and Joseph of Arimathea collecting Christ's blood in a dish. Includes: Estoire del Saint Graal, imperfect (ff. 1-88); La Queste del Saint Graal (ff. 89-139); abridged version of the Morte

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 28 November 2020), https://www.manuscriptsonline.org/search/results?ac=f&ft=t&kw=john&sdf=1312&sdt=1326&st=280