• Detail of a miniature of John the Baptist preaching, with an ox, a lion and a calf behind him, with four figures in niches, two on each side., Psalter ('The Queen Mary Psalter')

a miniature of John the Baptist preaching, with an ox, a lion and a calf behind him, with four figures in niches, two on each side. Includes 150 Psalms (ff. 85-280) with a calendar of Sarum use (ff. 71v-83), canticles

• Historiated initial 'P'(ar) of a young man's head, with a partial bar border on a text page., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

1475]', end of the 15th century (f. 211).Cecilia Welles (d. 1507), daughter of Edward IV, king of England, wife of John Welles: inscribed with her name 'Ciecyl Welles' (under erasure), (f. 1).Henry VIII (b. 1491, d. 1547), king of England

• Detail of an historiated initial 'P'(ar) of a young man's head, with a partial bar border on a text page., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

1475]', end of the 15th century (f. 211).Cecilia Welles (d. 1507), daughter of Edward IV, king of England, wife of John Welles: inscribed with her name 'Ciecyl Welles' (under erasure), (f. 1).Henry VIII (b. 1491, d. 1547), king of England

• Historiated intiial 'P'(ar) of a tonsured man's head, with a partial bar border, on a text page., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

1475]', end of the 15th century (f. 211).Cecilia Welles (d. 1507), daughter of Edward IV, king of England, wife of John Welles: inscribed with her name 'Ciecyl Welles' (under erasure), (f. 1).Henry VIII (b. 1491, d. 1547), king of England

• Detail of an historiated intiial 'P'(ar) of a tonsured man's head, with a partial bar border, on a text page., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

1475]', end of the 15th century (f. 211).Cecilia Welles (d. 1507), daughter of Edward IV, king of England, wife of John Welles: inscribed with her name 'Ciecyl Welles' (under erasure), (f. 1).Henry VIII (b. 1491, d. 1547), king of England

• Miniature of a disciple standing before his seated master, with partial bar borders., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

1475]', end of the 15th century (f. 211).Cecilia Welles (d. 1507), daughter of Edward IV, king of England, wife of John Welles: inscribed with her name 'Ciecyl Welles' (under erasure), (f. 1).Henry VIII (b. 1491, d. 1547), king of England

• Detail of a miniature of a disciple standing before his seated master, with partial bar borders., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

1475]', end of the 15th century (f. 211).Cecilia Welles (d. 1507), daughter of Edward IV, king of England, wife of John Welles: inscribed with her name 'Ciecyl Welles' (under erasure), (f. 1).Henry VIII (b. 1491, d. 1547), king of England

• Historiated initial 'O'(i) of a head of a man, with a partial bar border including a grotesque and a dragon., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

1475]', end of the 15th century (f. 211).Cecilia Welles (d. 1507), daughter of Edward IV, king of England, wife of John Welles: inscribed with her name 'Ciecyl Welles' (under erasure), (f. 1).Henry VIII (b. 1491, d. 1547), king of England

• Detail of an historiated initial 'O'(i) of a head of a man, with a partial bar border including a grotesque and a dragon., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

1475]', end of the 15th century (f. 211).Cecilia Welles (d. 1507), daughter of Edward IV, king of England, wife of John Welles: inscribed with her name 'Ciecyl Welles' (under erasure), (f. 1).Henry VIII (b. 1491, d. 1547), king of England

• Historiated initial 'L' of the bust of a man, with illuminated initials 'M' and 'P'., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

1475]', end of the 15th century (f. 211).Cecilia Welles (d. 1507), daughter of Edward IV, king of England, wife of John Welles: inscribed with her name 'Ciecyl Welles' (under erasure), (f. 1).Henry VIII (b. 1491, d. 1547), king of England

• Historiated initial 'O' of the bust of a man, with illuminated initials 'M'., La lumiere as lais; Apocalypse (the 'Welles Apocalypse')

1475]', end of the 15th century (f. 211).Cecilia Welles (d. 1507), daughter of Edward IV, king of England, wife of John Welles: inscribed with her name 'Ciecyl Welles' (under erasure), (f. 1).Henry VIII (b. 1491, d. 1547), king of England

• Drawing of an author portrait of Aldhelm., De laudibus virginitatis; letter of Aldhelm to Ehfridus

laudibus virginitatis; letter of Aldhelm to Ehfridus Added fragment of an ecclesiastical writ dated in 540, 16th century (f. 1). John Lumley, 1st baron Lumley (b. c. 1533, d. 1609), collector and conspirator: inscribed with his name (f. 1); listed

• Miniature of God enthroned, with Elders below casting down their crowns, and below, God enthroned, a book with seals, an angel, and John and the Elder., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

and below, God enthroned, a book with seals, an angel, and John and the Elder. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The

• Detail of a miniature of the rider on a white horse and his armoured followers, with John above in the upper left., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

a white horse and his armoured followers, with John above in the upper left. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution

• Detail of a miniature of the angel speaking to John and pointing to the Whore of Babylon, who is sitting on the Beast., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

of the angel speaking to John and pointing to the Whore of Babylon, who is sitting on the Beast. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand

• Detail of a miniature of John and the angel, and the Whore of Babylon sitting on the waters., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

a miniature of John and the angel, and the Whore of Babylon sitting on the waters. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v).

• Detail of a miniature of the woman, with John on the left., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

of the woman, with John on the left. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the Queen Mary Master or

• Detail of a miniature of the angel giving John a flowering reed., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

of the angel giving John a flowering reed. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the Queen Mary Master or

• Detail of a miniature of a lion's mouth, with the six heads of the seven thunders on an inverted arc of cloud, with the angel and John below., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

the seven thunders on an inverted arc of cloud, with the angel and John below. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The

• Detail of a miniature of John with an angel and the vision of the White Horse, illustrating the opening of the First Seal (Revelation 6: 2)., Apocalypse, with commentary (The 'Queen Mary Apocalypse'), with the prologue of Gilbert de la Porrée translated in French.

a miniature of John with an angel and the vision of the White Horse, illustrating the opening of the First Seal (Revelation 6: 2). According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II