• null, Quadripartite Indenture for Henry VII's Chapel

od St Peter, Westminster, agreement between Henry VII (b. 1457, d. 1509), king of England and lord of Ireland, and John Islipp, Abbot of Westminster Abbey, and the monks of Westminster Abbey, made on 16 July 1504: the beginning of

• null, Quadripartite Indenture for Henry VII's Chapel

od St Peter, Westminster, agreement between Henry VII (b. 1457, d. 1509), king of England and lord of Ireland, and John Islipp, Abbot of Westminster Abbey, and the monks of Westminster Abbey, made on 16 July 1504: the beginning of

• null, Quadripartite Indenture for Henry VII's Chapel

od St Peter, Westminster, agreement between Henry VII (b. 1457, d. 1509), king of England and lord of Ireland, and John Islipp, Abbot of Westminster Abbey, and the monks of Westminster Abbey, made on 16 July 1504: the beginning of

• null, Quadripartite Indenture for Henry VII's Chapel

od St Peter, Westminster, agreement between Henry VII (b. 1457, d. 1509), king of England and lord of Ireland, and John Islipp, Abbot of Westminster Abbey, and the monks of Westminster Abbey, made on 16 July 1504: the beginning of

• null, Quadripartite Indenture for Henry VII's Chapel

od St Peter, Westminster, agreement between Henry VII (b. 1457, d. 1509), king of England and lord of Ireland, and John Islipp, Abbot of Westminster Abbey, and the monks of Westminster Abbey, made on 16 July 1504: the beginning of

• null, Quadripartite Indenture for Henry VII's Chapel

od St Peter, Westminster, agreement between Henry VII (b. 1457, d. 1509), king of England and lord of Ireland, and John Islipp, Abbot of Westminster Abbey, and the monks of Westminster Abbey, made on 16 July 1504: the beginning of

• Detail of seal, depicting Henry VII mounted., Quadripartite Indenture for Henry VII's Chapel

od St Peter, Westminster, agreement between Henry VII (b. 1457, d. 1509), king of England and lord of Ireland, and John Islipp, Abbot of Westminster Abbey, and the monks of Westminster Abbey, made on 16 July 1504: the beginning of

• null, Quadripartite Indenture for Henry VII's Chapel

od St Peter, Westminster, agreement between Henry VII (b. 1457, d. 1509), king of England and lord of Ireland, and John Islipp, Abbot of Westminster Abbey, and the monks of Westminster Abbey, made on 16 July 1504: the beginning of

• null, Quadripartite Indenture for Henry VII's Chapel

od St Peter, Westminster, agreement between Henry VII (b. 1457, d. 1509), king of England and lord of Ireland, and John Islipp, Abbot of Westminster Abbey, and the monks of Westminster Abbey, made on 16 July 1504: the beginning of

• null, Quadripartite Indenture for Henry VII's Chapel

od St Peter, Westminster, agreement between Henry VII (b. 1457, d. 1509), king of England and lord of Ireland, and John Islipp, Abbot of Westminster Abbey, and the monks of Westminster Abbey, made on 16 July 1504: the beginning of

• Detail of the five seals in their cases., Quadripartite Indenture for Henry VII's Chapel

od St Peter, Westminster, agreement between Henry VII (b. 1457, d. 1509), king of England and lord of Ireland, and John Islipp, Abbot of Westminster Abbey, and the monks of Westminster Abbey, made on 16 July 1504: the beginning of

• Text page with the continuation of the text of the indenture., Quadripartite Indenture for Henry VII's Chapel

od St Peter, Westminster, agreement between Henry VII (b. 1457, d. 1509), king of England and lord of Ireland, and John Islipp, Abbot of Westminster Abbey, and the monks of Westminster Abbey, made on 16 July 1504: the beginning of

• Bas-de-page scene of John the Baptist preaching holding a disk before a seated group of people., Book of Hours, Use of Sarum ('The Taymouth Hours')

scene of John the Baptist preaching holding a disk before a seated group of people. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important

• Bas-de-page scene of John the Baptist before a seated Herod with a sword., Book of Hours, Use of Sarum ('The Taymouth Hours')

scene of John the Baptist before a seated Herod with a sword. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought to

• Bas-de-page scene of John being pushed into a prison tower by a man holding a club., Book of Hours, Use of Sarum ('The Taymouth Hours')

scene of John being pushed into a prison tower by a man holding a club. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important

• Bas-de-page scene of John kneeling in a tower doorway, with an executioner holding him by the hair and a raised sword, and behind him Salome holding a golden bowl., Book of Hours, Use of Sarum ('The Taymouth Hours')

scene of John kneeling in a tower doorway, with an executioner holding him by the hair and a raised sword, and behind him Salome holding a golden bowl. The style and subject, especially the many bas-de-page narratives ranging from romance

• Bas-de-page scene of Salome presenting the head of John in a golden bowl to her seated mother., Book of Hours, Use of Sarum ('The Taymouth Hours')

presenting the head of John in a golden bowl to her seated mother. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought

• Bas-de-page scene of two men holding bones in their arms, and the skeleton of John in a tomb., Book of Hours, Use of Sarum ('The Taymouth Hours')

in their arms, and the skeleton of John in a tomb. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought to have

• Bas-de-page scene of Peter and John visiting the sepulchre and removing the sudarium., Book of Hours, Use of Sarum ('The Taymouth Hours')

of Peter and John visiting the sepulchre and removing the sudarium. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought to have

• Bas-de-page scene of Christ beckoning Peter and John while they are out fishing., Book of Hours, Use of Sarum ('The Taymouth Hours')

Christ beckoning Peter and John while they are out fishing. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought to have been