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Manuscripts of the West Midlands icon

Manuscripts of the West Midlands

58 results from this resource . Displaying 241 to 5

Shropshire (McIntosh, Samuels and Benskin, 1986, vol. 1, p. 149). A fifteenth-century copy of John Mirk's Instructions for Parish Priests copied by John Holyns. ff. 1r-33v John Mirk Instructions for Parish Priests (IMEV 961 ) 'God seythe hymselfe as wretyn

Atlas Grid Reference: not mapped (McIntosh, Samuels and Benskin 1986, p. 239). A mid fifteenth-century copy of John Mirk's Festial . ff. 1r-164r John Mirk Festial (IPMEP 734 ) 'God maker of all þyng be at our begynnyng and ȝif

10r, 10v, and 11r recording the birth of the children of John Shirley (1535-1570) of Staunton Harold and Rakedale in Leicestershire (Matheson 1998; Harris 1983). F. 30v ' John ?Badon ' (?Badoat) in drypoint, sixteenth century. F. 101v, 'Thomas'; 'th';

John Pryns (ff. 10v, 23v), Margret Coren (13r, 18v, top margin), Rychard Lewelyn (f. 23v), John Williams , Nicholas Williams (f. 25 on the right margin) and Thomas Carwardyn (?), and a few others which are difficult to read;

Gradon 1988, p. xxviii). Arnold, T., ed, 1869-71. Select English Works of John Wyclif , 3 vols, Oxford: Clarendon Press. Arnold, T., ed, 1871. Select English Works of John Wyclif: Sermons on the Ferial Gospels and Sunday Epistles , 3

British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

3931 results from this resource . Displaying 241 to 5

'Rex Regum', surrounded by the busts of twelve saints including John the Baptist, Jerome, and a bishop, with foliate extension of acanthus leaves and bezants. Cutting from a choir book John Matthew Gutch (b. 1776, d. 1861), journalist and author:

'U' of John the Baptist, measuring 85 x 80 mm (upper left). Italian cuttings.The present cuttings are bound in an album with Add. 18196, ff. 2-44, 49-51, 56-60, and 65-90. To see these cuttings in the Manuscripts Reading Room order

a standing John Chrysostom. 2 full-page miniatures in colours and gold of standing saints (ff. 2v, 21v ). 3 large historiated headpieces in colours and gold (ff. 3, 22, 49). Large historiated initials in colours and gold (ff. 3, 6,

initial 'P'(anti) in John Chrysostom's commentary In Ioannem. 5 patterned headpieces in red and black (ff. 38, 74v, 78, 91v, 310). Numerous patterned or linear headpieces in red. Large initials in red with penwork decoration, a few also with black

The Auchinleck Manuscript icon

The Auchinleck Manuscript

4 results from this resource . Displaying 241 to 4

þere., Anon ase þe apostles seghen,, Seint John wep wiȝ his eghen,, þai weren amaid alle., ‘John’ quad Peter ‘leue fere,, Whi makst þous foule chere,, What is þe bifalle?’, ‘Peter’ quad John ‘iwis,, Formest þou sschalt telle me þis:,

of other versions of the so-called Battle Abbey Roll and the relation between the Auchinleck text and that published by John Leland in his De Rebus Britannicis Collectanea, see Smyser and the study by the Duchess of Cleveland, who resided

Additional MS 36983. Manchester, John Rylands MS 45388 (Engl. 50). St John's College Cambridge MS 256. Bodleian Library MS 29430 (Additional C.220). Note: Morrill does not list four of the manuscripts (BL Add. 36983, Manchester John Rylands 45388, St John's

of the poem. A transcript of the opening 62 lines of a version of the poem was made by John Stow in the late 15th century, BL Harley MS 6223. A transcript of Auchinleck was made c.1800 for Sir Walter

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 1 December 2021), https://www.manuscriptsonline.org/search/results?ac=f&ct=lm&kw=john&sdf=1334&sdt=1416&st=240