• null, Register of Chertsey abbey

left for initials. Register of Chertsey abbey ? The Benedictine abbey of St Peter, Chertsey, Surrey, during the abbacy of John de Rutherwyk, including charters from 1307 to 1344; see ~Chertsey Cartularies~ p. iii.Henry Powle (bap. 1630, d. 1692), politician:

• Bas-de-page scene of John the Baptist preaching holding a disk before a seated group of people., Book of Hours, Use of Sarum ('The Taymouth Hours')

scene of John the Baptist preaching holding a disk before a seated group of people. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important

• Bas-de-page scene of John the Baptist before a seated Herod with a sword., Book of Hours, Use of Sarum ('The Taymouth Hours')

scene of John the Baptist before a seated Herod with a sword. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought to

• Bas-de-page scene of John being pushed into a prison tower by a man holding a club., Book of Hours, Use of Sarum ('The Taymouth Hours')

scene of John being pushed into a prison tower by a man holding a club. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important

• Bas-de-page scene of John kneeling in a tower doorway, with an executioner holding him by the hair and a raised sword, and behind him Salome holding a golden bowl., Book of Hours, Use of Sarum ('The Taymouth Hours')

scene of John kneeling in a tower doorway, with an executioner holding him by the hair and a raised sword, and behind him Salome holding a golden bowl. The style and subject, especially the many bas-de-page narratives ranging from romance

• Bas-de-page scene of Salome presenting the head of John in a golden bowl to her seated mother., Book of Hours, Use of Sarum ('The Taymouth Hours')

presenting the head of John in a golden bowl to her seated mother. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought

• Bas-de-page scene of two men holding bones in their arms, and the skeleton of John in a tomb., Book of Hours, Use of Sarum ('The Taymouth Hours')

in their arms, and the skeleton of John in a tomb. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought to have

• Bas-de-page scene of Peter and John visiting the sepulchre and removing the sudarium., Book of Hours, Use of Sarum ('The Taymouth Hours')

of Peter and John visiting the sepulchre and removing the sudarium. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought to have

• Bas-de-page scene of Christ beckoning Peter and John while they are out fishing., Book of Hours, Use of Sarum ('The Taymouth Hours')

Christ beckoning Peter and John while they are out fishing. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought to have been

• Bas-de-page scene of the standing figure of John holding a scroll., Book of Hours, Use of Sarum ('The Taymouth Hours')

the standing figure of John holding a scroll. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought to have been illuminated in

• Bas-de-page scene of the the Nativity of John the Baptist., Book of Hours, Use of Sarum ('The Taymouth Hours')

the the Nativity of John the Baptist. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought to have been illuminated in London:

• Historiated initial 'A'(nno) with an abbot holding a crosier, and full border with faces in diamond shapes, at the beginning of a cartulary of Chertsey abbey., Register of Chertsey abbey

left for initials. Register of Chertsey abbey ? The Benedictine abbey of St Peter, Chertsey, Surrey, during the abbacy of John de Rutherwyk, including charters from 1307 to 1344; see ~Chertsey Cartularies~ p. iii.Henry Powle (bap. 1630, d. 1692), politician:

• Bas-de-page scene of John the Evangelist gesturing towards St Edward on the facing verso. The caption reads, 'Ey sein iohan le ewangelist uient a seint edward p[our] demaund[er] acun bien pur lam[our] de deu'., Book of Hours, Use of Sarum ('The Taymouth Hours')

scene of John the Evangelist gesturing towards St Edward on the facing verso. The caption reads, 'Ey sein iohan le ewangelist uient a seint edward p[our] demaund[er] acun bien pur lam[our] de deu'. The style and subject, especially the many

• Portolan chart of the British Isles and west coast of Europe (from north Denmark to Oporto)., Atlas with seven double-page Portolan charts (index Portolano, maps, Lord Lumley's Atlas)

circuit of wall in a lake) (ff. 7v-8). Atlas with seven double-page Portolan charts (index Portolano, maps, Lord Lumley's Atlas) John Lumley, 1st baron Lumley (b. c. 1533, d. 1609), collector and conspirator: his name inscribed (f. 1); listed in

• Detail of a miniature of the eagle of John, with a scroll, at the beginning of Luke., Bible historiale complétée (Maccabees to Revelation)

of the eagle of John, with a scroll, at the beginning of Luke. Contains the Bible historiale, a French adaptation of Peter Comestor's Historia scholastica by Guyart des Moulins (c. 1291-95), classified as the bible historiale complétée by Berger 1884.

• Detail of a miniature of Solomon instructing Rehoboam, at the beginning of John., Bible historiale complétée (Maccabees to Revelation)

instructing Rehoboam, at the beginning of John. Contains the Bible historiale, a French adaptation of Peter Comestor's Historia scholastica by Guyart des Moulins (c. 1291-95), classified as the bible historiale complétée by Berger 1884. According to Komada 2000, illuminated by

• Detail of a miniature of the Crucifixion, with the Virgin Mary and John., La somme le roi, with Gospels and the Complainte de Notre Dame

Crucifixion, with the Virgin Mary and John. Includes the ~Somme le roi~, a manual of moral instruction, composed in 1279-80, at the request of King Philip III of France (1270-1285) by Laurent d'Orleans, the king's confessor (ff. 1-107), Gospels in

• Decorated initial 'Q' with a partial bar border., Summa confessorum

1698?), no. 7976.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Decorated initial 'Q' Written by more than one scribe John of Freiburg (Johannes de Friburgo) East Anglia England, S. (East Anglia)

• Puzzle initial and pen-flourished initials., Summa confessorum

7976.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Puzzle initial and pen-flourished initials Written by more than one scribe John of Freiburg (Johannes de Friburgo) East Anglia England, S. (East Anglia)

• Puzzle initial 'D'(omino) with a partial border, at the beginning of the Secretum Secretorum., Secretum Secretorum, Historia destructionis Troiae, and other texts

Puzzle initial 'D'(omino) with a partial border, at the beginning of the Secretum Secretorum. Includes the Secretum Secretorum, a didactic treatise believed to be a work of Aristotle composed for the guidance of Alexander the Great, in the second