• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• Text page with puzzle initial, decorated initial and paraphs., Religious and moral poems and a prose treatise; Manuel de Pechies (index: Péchés, Péchéz ); Le Chasteau d'Amour

included in the catalogue of 1666 (f.14).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Text page Johannis Colyford John Colyford William of Waddington (index: Widdendune); Robert Grosseteste and others England, S.W.

• Decorated initial with anthropomorphic design., Gospel Lectionary

Musical notation (ecphonetic).Contents:Daily readings in John (ff. 1-65v);Saturday-Sunday readings in Matthew (ff. 66v-103);Saturday-Sunday readings in Luke (ff. 104-143);Saturday-Sunday readings in Mark (ff. 143v-187);Holy Week readings (ff. 187v-245v);Synaxarion (ff. 246-359).f. 66 is a blank leaf.The portrait of Luke has been misbound;

• Evangelist portrait of Matthew as a scribe, in colours and gold., Gospel Lectionary

colours and gold. Musical notation (ecphonetic).Contents:Daily readings in John (ff. 1-65v);Saturday-Sunday readings in Matthew (ff. 66v-103);Saturday-Sunday readings in Luke (ff. 104-143);Saturday-Sunday readings in Mark (ff. 143v-187);Holy Week readings (ff. 187v-245v);Synaxarion (ff. 246-359).f. 66 is a blank leaf.The portrait of Luke

• Headpiece with geometric and foliate decoration and inscribed with title in coloured display capitals, and decorated initial 'T'., Gospel Lectionary, imperfect

Headpiece with geometric and foliate decoration and inscribed with title in coloured display capitals, and decorated initial 'T'. Missing leaves at the beginning and after ff. 1, 23, 36, 135, 197, 219.Pericopes arranged according to the ecclesiastical calendar. Headpieces

• Detail of a historiated initial 'Y'(maginum) of an altar with statues of the Crucifixion with Mary and John, with the instruction for the illuminator reading 'Fia[n]t ymagi[n]es sup[er] / altare', next to the initial., Omne Bonum (Jacob-Zacharias)

altar with statues of the Crucifixion with Mary and John, with the instruction for the illuminator reading 'Fia[n]t ymagi[n]es sup[er] / altare', next to the initial. The only known, and probably autograph copy of the Omne Bonum of James le

• Two-page bas-de-page scene of jousting with lades watching., Guiron le Courtois (index Palamedes, Meliadus)

Two-page bas-de-page scene of jousting with lades watching. Contains the first part of the romance of Guiron le Courtois (also known as Meliadus or Palamedes). It ends with Meliadus' reluctance to support Arthur in his battle against Claudas (Lathuliere,

• Detail of a miniature of kings playing a board game., Guiron le Courtois (index Palamedes, Meliadus)

Detail of a miniature of kings playing a board game. Contains the first part of the romance of Guiron le Courtois (also known as Meliadus or Palamedes). It ends with Meliadus' reluctance to support Arthur in his battle against

• Four miniatures: 1. the Crucifixion with Mary and John; 2. the Deposition; 3. the Entombment; 4. the Descent into Limbo., Omne Bonum (Absolucio-Circumcisio)

Crucifixion with Mary and John; 2. the Deposition; 3. the Entombment; 4. the Descent into Limbo. The only known, and probably autograph copy of the Omne Bonum of James le Palmer, being a general encyclopaedia arranged in alphabetical order. Bound

• Detail of an historiated initial 'D' of David and the fool, at the beginning of the erased text of Psalm 52., Psalter fragments

blue or red and blue. Psalter fragments Probably made for a destination in Northern England: the calendar includes Benedict, Cuthbert, John of Beverly, and Wilfrid among the confessors, and Hilda among the virgins (ff. 78r-78v). The church of St Peter-upon-Cornhill,

• Historiated initial 'B' of David playing his harp, at the beginning of the erased text of Psalm 1., Psalter fragments

blue or red and blue. Psalter fragments Probably made for a destination in Northern England: the calendar includes Benedict, Cuthbert, John of Beverly, and Wilfrid among the confessors, and Hilda among the virgins (ff. 78r-78v). The church of St Peter-upon-Cornhill,

• Historiated initial 'D'(ominus) of the Nativity of Christ, with the border containing the Annunciation, the Annunciation to the Shepherds, and the head of Christ and three animals, at the beginning of Psalm 26., Psalter fragments

blue or red and blue. Psalter fragments Probably made for a destination in Northern England: the calendar includes Benedict, Cuthbert, John of Beverly, and Wilfrid among the confessors, and Hilda among the virgins (ff. 78r-78v). The church of St Peter-upon-Cornhill,

• Decorated initial 'A'(d te) with a partial bar border., Psalter fragments

blue or red and blue. Psalter fragments Probably made for a destination in Northern England: the calendar includes Benedict, Cuthbert, John of Beverly, and Wilfrid among the confessors, and Hilda among the virgins (ff. 78r-78v). The church of St Peter-upon-Cornhill,

• Historiated initial 'D' of David and the fool, at the beginning of the ersed text of Psalm 52., Psalter fragments

blue or red and blue. Psalter fragments Probably made for a destination in Northern England: the calendar includes Benedict, Cuthbert, John of Beverly, and Wilfrid among the confessors, and Hilda among the virgins (ff. 78r-78v). The church of St Peter-upon-Cornhill,

• Decorated initial 'S'(alvum) with a partial bar border., Psalter fragments

blue or red and blue. Psalter fragments Probably made for a destination in Northern England: the calendar includes Benedict, Cuthbert, John of Beverly, and Wilfrid among the confessors, and Hilda among the virgins (ff. 78r-78v). The church of St Peter-upon-Cornhill,

• Historiated border with standing figures and historiated initial ('D')., Psalter fragments

blue or red and blue. Psalter fragments Probably made for a destination in Northern England: the calendar includes Benedict, Cuthbert, John of Beverly, and Wilfrid among the confessors, and Hilda among the virgins (ff. 78r-78v). The church of St Peter-upon-Cornhill,